Japanese theatre's Script Creation

In terms of script creation, famous playwrights' new works include: Dead Sea by Tomoyoshi Murayama, Apple Orchard by Kubaorong, Iwatou's Daughter by Kubsaka Eijiro, Zhongqiao Mansion by Zhenchuanfeng, Sushui Girls' School by Kunio Kishida, and Inazawa (1909 ~ 1994). "A Woman's Life" was written by Morimoto Kaoru on the eve of the Japanese defeat, and Haruko Sugimura played the heroine in the early postwar period, which was well received. 1960 was brought to China for public performance by the Japanese New Drama Circle. 1982 was translated into Chinese and put on the stage in China. Kinoshita Junji (19 14 ~ 2006) is one of the important playwrights after the war. 1947 published the historical drama The Wind and Waves, and later wrote many realistic dramas that reflected the post-war social outlook and had great significance, and later published the Late Crane (1949).

The more influential dramas in 1950s and 1960s include Clothes by Akimoto Matsui, Island by Hori Tian Chun (1957), Sakamoto of Meiji by Miyamoto Research (1962) and Ghosts Here by Abe Public House (65438+).

After the 1960s, the absurd drama influenced Japan. Then the small theater movement rose. 1August, 966, Nobuyuki Sato, a graduate of Daiyo Institute, as well as Qiankao Tanaka and Sugiyama City. As a consultant, he set up a free theater and staged plays such as Henry IV by Pilandro and Emperor Jones by O 'Neill. 1967165438+10. In October, after the establishment of Waseda Theatre, the unique Match Girl (directed by Tadashi Suzuki) was staged. Followed by the "street drama" of Ji Shu Sishan and the "situation drama" in the Tang and Tenth Tang Dynasties. In the early 1970s, the small theater movement in Japan reached its peak. In line with this, a number of new playwrights have emerged, such as Juro Kara, Bie and Shimizu Bangfu. Among them, Bieshi (1937 ~), the writer of Japanese "unorganized drama", has a great influence. He and Shimizu Bangfu have always been the most prolific writers in Japan. The older generation of performing artists such as Haruko Sugimura, Yasuji Yamamoto and Takizawa Xiu are still active on the Japanese stage. In addition, in 1985, the 40th anniversary of the end of World War II, dramatic rallies against war and nuclear weapons were held in various parts of Japan, and a series of outstanding anti-war dramas such as The Rosemburg Family by Polish playwright L. Kruczkowski were staged.