Why don't Xiao put Gu Yao out of the circle?

Sean Shaw's TV series "jade bone Yao" didn't catch fire because of the problem of viewpoint positioning and the pressure of market competition.

1, the problem of viewpoint orientation

Jade bone Yao's creation is biased towards a specific aesthetic and style, which limits its appeal to some extent. Audiences have different preferences for the drama, and jade bone Yao may not cater to everyone's tastes, resulting in the loss of some audiences.

2. The pressure of market competition

At present, the competition in the drama market is fierce, and other works are striving to surpass the achievements of jade bone Yao. The audience's pursuit of novelty makes them have higher expectations for Xian Xia's plays, and requires each new work to refresh their experience. Under the pressure of huge market competition, the popularity of "jade bone Yao" has gradually declined despite its excellent data performance.

Brief introduction of jade bone Yao

Yaoyao jade bone is an oriental fantasy romance film, directed by Jiang Jiajun and starring Sean. Based on Cang Yue's novel Zhu Yan, the play tells the story of the lonely, high-definition, cold and empty-sang Crown Prince Zhu Yan, a warm and generous monarch in red, who died because of the favor of a flower, accompanied Zhu Yan to grow up, and they jointly guarded the empty-sang dynasty.

As a fantasy drama, there are gods and spells in it. However, compared with the borrowing of traditional culture by common fantasy dolls, the drama has initially realized a triple turn from aesthetics, story to spirit, allowing China's excellent traditional cultural elements to penetrate into the plot texture and China's excellent traditional culture to find value refuge and spiritual dimension in the most common popular literature and art.