Traditional Culture Encyclopedia - Traditional stories - What is the prelude to the Spring Festival?
What is the prelude to the Spring Festival?
Spring Festival Overture is the prelude to Spring Festival Suite, which shows the lively scene of China people celebrating the Spring Festival. It is a well-known work by Li Huanzhi, a famous composer and music theorist in China. This piece of music is orchestral music based on the tone and rhythm of China folk yangko and northern Shaanxi folk songs. The author takes the traditional festivals in China as an example. Spring Festival? The title shows the scenes of people in the revolutionary base areas celebrating the Spring Festival, as well as the moving pictures of unity, friendship and mutual celebration.
1 Music Introduction
Basic information
Times: Modern
Author: Li Huanzhi
Category: Orchestra [1]
Brief introduction of the author
Li Huanzhi (19 19-2000) is a famous composer, conductor and music theorist in China. Originally from Jinjiang, Fujian, born in Hong Kong, 19 19. 1936 He entered Shanghai National Conservatory of Music in the spring and studied acoustics as a child. 1August, 938, went to Yan 'an and studied in the Music Department of Lu Xun Art College. After graduation, he continued to learn composition and conductor from Xian Xinghai in the advanced class. Stay in school as a teacher after graduation. After War of Resistance against Japanese Aggression's victory, he came to Zhangjiakou from Yan 'an and served as the head of the music department of the College of Literature and Art of North China United University. Since the founding of New China, he has been active in the music front, serving as the head of the music working group of the Central Conservatory of Music, the artistic director of the Central Song and Dance Troupe, and the head of the Central National Orchestra. 1954 Up to now, he has served as the executive director, secretary of the secretariat, vice-chairman of the China Musicians Association, director of the creative committee of the Music Association, and editor-in-chief of Music Creation. 1985 was elected president of China Musicians Association. [2]
Li Huanzhi loved folk music since childhood and enthusiastically participated in school music activities. After 1935, he began to write songs, including Mourning (Guo Moruo's Ci) and Huanghuaqu (Jiang Guangci's Ci). After the outbreak of War of Resistance against Japanese Aggression, he took an active part in the anti-Japanese national salvation singing movement, cooperated with Pu Feng and other poets in anti-Japanese songs, and wrote Xia Singing (Feng Yan's Ci) and Defending the Motherland (Ke Feng's Ci). [2]
In the forties and fifties, he composed more than 300 vocal works. Among them, Ode to Youth, March of Democratic Founding, Good Socialism and so on are outstanding. He also composed music for the films The Storm, On the Long March, The Life of Lu Xun, the large-scale group calisthenics in the 2nd and 4th National Games, and created theme songs such as Ode to the New Long March and Ode to the Red Flag. In order to perform Xian Xinghai's chorus "Yellow River", he arranged its score for many times, and compiled the accompaniment, piano accompaniment and orchestral score for the national anthem and other works. In addition, he also cooperated with others in some works. [2]
For decades, Li Huanzhi has created works that express the spirit of the new era and exude a strong local flavor based on rich Chinese folk music and ancient music materials, and combined with the requirements of the development of the times, which are deeply loved by people at home and abroad. Representative works include "Busy Production", "Tea Mountain Ballad" and "Sweet-scented osmanthus blossoms everywhere in August" and other folk songs. The folk chorus Su Wu, the folk chorus suite Hu, the orchestral Spring Festival Suite, Zheng Concerto Fantasia of the Miluo River, and the beautiful solo "Mountain Flowing Water" etc. His orchestral "Spring Festival Overture" has now become a must-have for China's annual New Year concert, and it is a classic in a national symphony. [2]
Li Huanzhi also has profound attainments in chorus command and theory. During the revolutionary war, he conducted many performances of chorus "Yellow River" and opera "White-haired Girl". 1957 conducted the performance of Beijing Youth Amateur Choir at the 6th World Youth Students' Peace and Friendship Festival and won the gold medal. His music theory works include: A Course of Composition, How to Learn to Compose, Essays on Music Creation, Number Theory of Folk Music, On the Art of Composition, etc. [2]
2 Introduction to the Works
Content generalization
The Spring Festival Suite was written in 1955? 1956, based on the tone and rhythm of folk yangko in northern Shaanxi, the music has a lively melody, vividly showing the excitement, exultation, beating gongs and drums, singing and dancing of China people in traditional festivals. This music describes the scene of people dancing yangko during the Spring Festival. The rhythm of gongs and drums was added to the music. The theme consists of two northern Shaanxi folk suona songs, and the middle part is a melodious northern Shaanxi folk song. The introduction of the Spring Festival overture is equivalent to crossing the street. The first part is warm Allegro, which describes the scene of singing and dancing in the stadium. The middle part is lyrical medium board, which describes a small dance performance. Then go back to the first part of the music and describe yangko with drama. The last conclusion repeats the second half of the introduction. [3]
Introduction to yangko
Yangko is a representative form of folk songs and dances in northern China. Dancers usually dress up as various figures and dance with props such as fans, handkerchiefs and colored silks in their hands. The performance form is divided into three parts: crossing the street, big venue and small venue. Crossing the street is some simple dance moves performed by the Yangko team according to the music rhythm when they are marching on the street. The stadium is a large-scale group dance, which often goes out of various complex formations. A small field is a simple dance or musical performed by two or three people. ? Yangko? Both the beginning and the end are big fields, interspersed with small fields.
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