I would like to ask what kind of book is the cultural tour? What kind of books does your girlfriend like to read? Let me see, too. Give me a detailed analysis. Thank you.

This book is a collection of cultural essays by Yu, a famous contemporary prose writer and world-class cultural scholar. Yu's prose is loved by millions of readers in Qian Qian because of his literary talent, quick thinking, rich knowledge and unique opinions. His historical prose is unique, which has never been seen or thought by ordinary people. He is good at bringing readers into the river of cultural consciousness step by step with wonderful words, enlightening philosophical thinking and arousing emotions, which has extremely high aesthetic value and cultural value in the historical sense. In addition, there are well-known articles on cultural trends, such as Shanghainese, Sacrifice with Pen and Ink, and well-known reminiscence prose full of cultural feelings. It is not easy to write prose in beautiful language, and it is even more difficult to write some historical and cultural significance. Yu's historical prose may make people have both [1]. Cultural Journey is the author's collection of cultural essays. Some of these articles won the first prizes of various literary awards. The theme of this book is to seek the cultural soul and the true meaning of life with the help of mountains and rivers, and to explore the historical fate of China culture and the personality composition of China literati. Among them, Taoist Temple Tower (selected by People's Education Publishing House as a textbook for middle schools) and Yangguan Snow describe the rise and fall of the Yellow River civilization in the desert through ancient images, and the profound sense of desolation in history can be seen in their works. "White-haired Suzhou" and "Jiangnan Town" show the fresh and graceful Jiangnan culture and social situation in form and spirit with the soft bridge and flowing water as the background. "Storm" and "Random Thoughts on Qingyunpu Scenic Resort" point the brush strokes directly to cultural personality and cultural conscience, showing the difficult mental journey of China literati. In addition, there are well-known articles on cultural trends, such as Shanghainese, Sacrifice with Pen and Ink, and well-known reminiscence essays full of cultural feelings, such as Paifang, Temple and Living in Longhua. These articles written by the author with profound knowledge of literature and history, rich cultural sentiment and artistic expression not only reveal the great connotation of China culture, but also provide a brand-new example for the field of contemporary prose. [2] Yu walked on the land of the Chinese nation, used his unique observation and insight to ponder the profound culture of this ancient nation, and wrote a book for this "hard journey" of Chinese culture! Not sweet, because there is too much bitterness in it that I can't bear to experience personally. The bitter taste adds a flavor to this book which records the thousand-year-old culture of China. Before reading the Cultural Journey, I probably wouldn't have thought that there would be such a profound meaning behind a fascinating scenic spot and historic site. And the author combined clean and beautiful prose with his wonderful pen, making them articles to awaken Chinese descendants. Walking into the situation and thinking of the book, I can't help but get serious. Like a group of exiled soldiers, exiled to a strange land, because of the promotion of history and culture, we are forced to move forward. Finally, the caves in the Mogao Grottoes appeared before our eyes. The caves are still spectacular, and the stone murals are still silent. We quietly watched the changes of light and shadow projected on the stone wall, just as they quietly watched the Millennium changes of Dunhuang. The first knife a thousand years ago opened the glory of the Mogao Grottoes a thousand years later. It was devastated: the Taoist king used a bunch of keys to protect Dunhuang for thousands of years, but left it in the hands of foreigners, while the descendants of China abandoned it and exported the cultural relics to foreign countries. Today, many years later, the mysterious and meaningful cave can attract everyone's attention, not because of its dazzling appearance, but because it has become a ritual, humanity and deep meaning. We see beauty here, and we see the world of religion, especially as it is a specimen of China's culture for thousands of years. The couplets of "Zhu Bo Guang Yun, Liu Xiaoqiao Jiangcun" have achieved the charm of Jiangnan town. The towns in the south of the Yangtze River are not natural landscapes carved by nature, but humanistic landscapes belonging to the ancient culture of China. We have never been here, but the small town in Jiangnan in the book gives us a feeling of being at home. No wonder, over the years, many literati have come here to live in seclusion when their politics are unclear or their lives are frustrated. Building a house, a barren mountain, has troubles in life, and "hiding in the city" has become the best thrust for literati to live in seclusion in Jiangnan. In fact, our views on "seclusion" are both positive and negative. On the bright side, when China's culture begins to wither due to some factors, such as the invasion of the Central Plains by nomadic people in the north, literati or scholars will live in seclusion here with their knowledge to avoid war or political persecution; Secondly, the ups and downs of life, the illness and the ups and downs of officialdom are all moments when literati are frustrated and everything goes well. At this time, the best way is to relieve their body and mind, find a place to live in seclusion, and wait until they have enough rest before starting a new journey. The disadvantage is that some people will regard seclusion as a tool to seek fame, and pretend to live in seclusion in order to get an official position. These actions led to the deterioration of China's unique recessive culture, and the hermit's aloof before his death and his reputation after his death were completely dark. Nevertheless, we still hold a positive view on "seclusion" or "preservation", because in ancient China, the development space of literati was too narrow, except seclusion, it was forced to die. Instead of letting their ambitions be dashed like this, we will choose diving and make a comeback one day. Yu Zeng said that he often stood where his predecessors stood, observing the natural and human environment to think about their feelings; In front of Liu Hou Temple, a stone statue commemorates Liu Zongyuan's life. From his literary talent to his relegation, this is relegation, and Liu Yong House is a remote place. Therefore, he put himself between mountains and rivers, and pinned his sad mood entirely on traveling and writing, which made the history of China literature have such excellent landscape literature as Yongzhou Eight Chapters and such a generation. When we close the book, we can't help walking to the window. Mobile traffic and crowds are announcing another culture. This is Kaohsiung, home to a thousand years of culture. Maybe we should pick up our doubts about China culture and take a walk on the vast land in person, so that we can take a walk on it after reading books. Editor's brief introduction Author: Yu, a native of Yuyao, Zhejiang, 1946, a famous aesthete, writer, art theorist in China and a scholar of cultural history in China. He used to be the dean and professor of Shanghai Theatre Academy and the president of Shanghai Writing Society. He is currently a professor at Shanghai Theatre Academy and the president of Shanghai Writing Society. He published many monographs on Chinese and foreign art history in Chinese mainland and Taiwan Province, and gave lectures in many universities and cultural institutions at home and abroad. 1987 was awarded the honorary title of "National Outstanding Contribution Expert". And served as a professor in many universities. In recent years, after teaching and academic research, the prose collection "Cultural Journey" has won the Shanghai Excellent Achievement Award in Literature and Art, the Best Book Award of Taiwan Province United Daily News, the most influential book award of Jinshitang and the first prize of Shanghai Publishing. Published in 1983, The Historical Draft of Drama Theory is Chinese mainland's first historical work that comprehensively expounds the cultural development and drama thoughts of all countries in the world from ancient times to the present. In the second year after publication, he won the first national drama theory prize in Beijing, and ten years later he won the first prize of national excellent teaching materials of Beijing Ministry of Culture. Another book was published with the first drama aesthetics prize in Chinese mainland 1985. 10 years later, he won the first prize of the National Excellent Textbook of Beijing Ministry of Culture, and another book published Chinese mainland's first drama aesthetic work "Drama Aesthetic Psychology" on 1985, and won the Shanghai Philosophy and Social Science Works Award the following year. Its scholarship can be glimpsed. It has been published by American Biography Association in Who's Who in the World, World Famous Scholars, List of Outstanding Contributors and Who's Who in the World. At the end of 2004, he was selected as "Top Ten Artistic Elites in China" and "Cultural Communication Coordinator in China" by the editorial departments of UNESCO, Peking University and China Talents. Yu's famous essays and memoirs include Notes on Mountain Residence, first frost River, Millennium Sigh, Boundless Traveler, Lend me my life, etc. The work "Letter Guest" was selected as the second grade Chinese textbook of Zhejiang and People's Education Publishing House. This is a collection of cultural essays. It mainly explores the soul of culture, the true meaning of life, the historical fate of China culture and the personality composition of China literati through landscapes. It not only shows the profound desolation of history, but also shows the freshness and grace of Jiangnan culture; It not only shows the difficult mentality of China literati, but also reveals the human feelings of the world. From the article, we can easily find that the author not only has rich cultural perception, but also has extraordinary artistic expression.