What is the most beautiful word in cursive script?

Practice calligraphy for more than one hour every day. If you like cursive script, you can learn the Preface to Lanting directly. You can look at the cursive script and pay attention to the structure. You should write bigger words. After you have a good skill, you can learn from others. It deserves further study. The official script has various styles, which can best reflect your personality. All famous calligraphers are masters of official script. Zheng Banqiao merged official script into cursive script, forming its own school. You can learn official scripts first, such as Zhang Zhebei and Shi Chenbei, and then learn Shimen Fu and Han Bamboo Slips after you have a solid foundation. Yan Liu is the first choice for learning regular script. Regular script is the basis for strengthening you, and it is very useful for learning cursive script and official script. But learning calligraphy is generally to master one subject first, and then learn other subjects. In addition, many of my friends became calligraphers in this way.

Xujiafu 12 1- Principal of No.1 Middle School 12 Grade

Xujiafu 12 1- Principal of No.1 Middle School 12 Grade

If it's too sloppy, write clearly in cursive, because cursive is mostly Lian Bi's reply, but every word is clear at a glance. This is not the most scribbled word. Completely unintelligible (this word can refer to Chinese medicine. If Chinese medicine gives a prescription. I really don't understand at all ... I'm completely at a loss,)

... cursive script looks good. However, it is better to save the examination room, because it is difficult for most marking teachers to find keywords from a cursive script. Therefore, there should be no Lian Bi, and there should be a little space between each word. Many college entrance examination students are turned away because of this word.

However, some girls can suddenly make a blockbuster in the college entrance examination because their handwriting is extremely beautiful, round and delicate.

Most cursive scripts have a great tendency.

It's hard to accept. But as long as you write clearly, grass can't show your calligraphy skills at all. The teacher will also give you extra points appropriately, and then you feel comfortable, and the whole paper will be deducted less. If it is obviously wrong, the teacher will turn a blind eye and pass.

Therefore, it is not good to write too badly. Please try to write clearly first. ..

Regular script is the main style of Chinese characters. Kay, model, standard font. Pen regular script has the following characteristics:

1. Pay attention to the strokes of regular script with a pen: Teton, Hidden Dew, Fiona Fang, Fast and Slow, etc. Different ways of using pen will produce lines with different shapes and textures, and different lines need different ways of using pen to reflect them. Pen regular script font is small, and the line thickness does not change much. If you don't pay attention when writing, the strokes will not meet the requirements, and the strokes will be weak, stiff and stiff. So you must go through strict training to master the method of using a pen.

Second, the strokes are clear. Pen regular script every stroke of the pen and pen must be clearly explained, neat and standardized, clean and tidy, not graffiti, not adhesion. However, there must be an internal echo relationship between strokes, so that strokes can be orderly, clear, solid and powerful, stop and keep, straight but not stiff, curved but not weak, smooth and natural.

Third, the whole regular script structure emphasizes the balanced distribution of strokes and radicals, stable center of gravity, appropriate proportion, correct font and standardization. The characters should be arranged together, with symmetrical sizes and neat lines. Although there are also uneven changes in shape, it is still relatively neat as a whole.

To practice regular script, we should work hard on strokes and structure. Practicing strokes is mainly to solve the problem of using pens, with the aim of creating qualified "parts"; Practice structure, mainly to solve the combination problem of strokes and radicals, with the aim of learning structural methods, mastering structural rules, and achieving the requirements of correct, neat and beautiful writing.

Characteristics of pen running script

The title of the book began with Wei Heng's Four-body Unique Book in the Western Jin Dynasty. In the Introduction, Zhang Huai explained the cause of running script like this: running script. This was also made by Liu Desheng in the late Han Dynasty. A small fallacy in the original work. Things are simple and popular. Help call it a running account. There were running scripts in the late Eastern Han Dynasty. From the generation of running script. From the development process of its formation and evolution, running script has not become an independent "running method". This is the biggest difference from seal script, official script, cursive script and regular script. Running script can't have body. The biggest feature is to use Lian Bi and save pens. Do not use or use less grass symbols. The recognizable structure of conventional characters is more preserved. So as to achieve the practical purpose of writing simply, quickly and easily understood. Facilitate the circulation and exchange of written information. In addition, the running script also has the characteristics of sticking to other books. Therefore, Sun said in the score of his book: "The trend has become timely. Running script is very important. " Running script sprouted in Han Dynasty and took place in Wei and Jin Dynasties. In the Eastern Jin Dynasty, an artistic and exemplary running script style represented by the two kings was formed. From the Southern and Northern Dynasties to the early Tang Dynasty, the calligraphy circle was shrouded in the artistic atmosphere of the calligraphy style of the two kings. From the Middle Tang Dynasty to the Song Dynasty, Yan Zhenqing started a new generation of calligraphy. Su Dongpo, Huang Tingjian, Mi Fei and Cai Xiang were all influenced by it. From the Yuan Dynasty to the mid-Ming Dynasty. Zhao Meng, Zhu Yunming, Wen Zhiming and Dong Qichang all occupy a place in the book style of Jin and Tang Dynasties. The late Ming Dynasty to the Qing Dynasty was a leap stage in the development of running script. Its characteristics: first, there are personalized cursive writers, which are group. Second, under the influence of the trend of thought of stele study, there appeared the style of writing running script with the brushwork of north stele. The former is a kind of "Shang Shi" style. The latter is a folk monument. Running script is the rapid writing of regular script, which is said to have started in the Han Dynasty. There is no neat regular script and no draft cursive script. Regular script or running script close to regular script is called "running script"; Those with or close to cursive script are called "cursive script".

Compared with regular script, running script has the following characteristics:

(1) Omitting stippling: In order to simplify writing, some parts of regular script are simplified, or stippling is omitted or lines are merged. For example, next to the word "Hua", the original regular script was written as seven paintings, and there were only two paintings in the running script, eliminating five paintings; The word "ran" changed from four to one, saving three paintings; The swimming of the word "near" is simplified from 1.3 point bend to vertical and horizontal bend, which also saves some bending waves; The middle of the word "Buddha" used to be a deformed "bow", but now it is changed to a horizontal hook, saving two bends at once. Subtractive stippling is mostly used in radicals and radicals of words.

(2) The flow direction of strokes A: Increase tick marks: writing regular script requires clear stippling and writing one stroke at a time, while writing running script can be connected by stippling, and tick marks are added between stippling. Tick is to write short tick on points that are not tick, such as "ancient" horizontal painting and "good" sketch; It is convenient to tie the silk by connecting the unconnected points before and after, such as the middle point of "four" and the middle right point of "Xin". The tick marks between the strokes of the running script appear to be flowing and vivid. However, it should be noted that there should not be too many hooks and straps, otherwise the pen will not be clean and the shape will not be beautiful.

B: Change the writing order: the writing order of running script is cursive, which is different from the original regular script. Such as "autumn, travel, tolerance, class", with regular script in front and cursive script behind. When writing a running script, we must change the writing order according to local conditions, make the best use of the situation, and conform to the cursive script specification. (3) Flexible use of pen: The pen used in running script is more flexible than regular script, and the same stippling writing method is not restricted. For example, after the word "ge" is written horizontally, you can either flip the pen directly from the right to write a tick, or draw a small circle from the right and then write a tick; The floating goose hook with the word "leaf" can also be turned from top to bottom, or written directly from bottom to bottom; The word "wood" next to the word "wood" is usually written from the left after horizontal and vertical painting, but it makes sense to turn the pen upside down and write from the right; As for the pick next to your hand, if you write it in regular script, it is good to write a pick from the front, and it is even better to connect the vertical hook with the oblique pick with a string. (4) Changeable posture: Running script is a font between regular script and cursive script, with a wide range of activities and rich expressive force. There are often several ways to write a word, and its posture is changeable. For example, the four suffixes of the word "Shi" and the four prefixes of the word "Hua" are written neatly and freehand, with similarities and differences, diversity and unity, and interesting. Changing posture is the strength of running script, which is beyond the reach of regular script and cursive script.

The so-called hard pen calligraphy is a method and activity that uses pens, ballpoint pens, dip pens, pencils, bamboo chips and plastic pens as tools to express Chinese writing skills and then express the author's feelings. The resulting works are hard-pen calligraphy works. Hard-pen calligraphy has duality, that is, artistry and practicality. Therefore, learning hard-pen calligraphy should not only pursue high-level artistic level, but also pay attention to its practical value. To embody practical value, it is necessary to write correctly, regularly and symmetrically. If there are many typos in a work, we create our own words and dance freely, even if we have superb brushwork, it is just a "ghost painting symbol." Hard-pen calligraphy can only be recreated on the basis of its practicality, and it is possible to create perfect works. When dealing with its artistry, we should first reflect the simple, smooth, elegant and natural characteristics of hard pen writing, and then we can get far-reaching significance. In other words, the author's knowledge of learning books and rich inner world are fully displayed through skilled pen skills and limited pen holding performance. Specifically, a good sketch calligraphy work should have the following three aspects; First, vivid, rich and unique; The second is beautiful structure, and the third is a pen with distinct strokes, which naturally has a sense of rhythm. These three relationships are interrelated and indispensable. It is essential to have both form and spirit, and it is appropriate to learn traditional law posts. This is because China's calligraphy art has a history of thousands of years and reached a perfect position in Chinese character writing. So any kind of calligraphy post can be a model of hard pen calligraphy. However, due to the limitation of hard pen's own performance and practical needs, it is necessary to learn ancient calligraphy selectively. Such as Wang Xizhi, Chu Suiliang, Mi Fei and Zhao, are the best models. By posting, you can not only make the knot beautiful and conform to the statutes, but also learn to use a pen to gain its spirit. On the other hand, the strokes in the brush Copybook for calligraphy are clear and the lifting pressure changes obviously, so beginners can easily understand how to use the brush. However, the long and thin strokes of hard-pen book posts, slight changes in lifting and printing distortion often make it difficult for beginners to observe and go astray. Therefore, hard-pen calligraphy learning should focus on traditional calligraphy paste, and hard-pen copybooks can be used as auxiliary reading materials for reference and reference. How to choose a copybook suitable for your study? Generally speaking, personal interests are the most important. If someone chooses a copybook for you and you don't like it, it's hard to look like it when you write it. On the contrary, if you like it very much, you will get twice the result with half the effort. There are two important things here, one is to choose from the works of famous regular script writers in past dynasties, and the other is to choose a good version. If there is a copy of the original, there is no need to use carved stone rubbings; If you only have rubbings, you should also choose the ink of the same author or the same era as a reference. As a sculpture, the shape, strength and speed of strokes are very different from the original works. For example, when writing about the northern Wei Dynasty, it is best to choose a book written in the northern Wei Dynasty as a reference, so as to avoid imitating the traces of chiseling and erosion with a hard pen in the writing process. The process of posting can be roughly divided into three stages. The first stage: compare the original post and write it without leakage. The requirement of this stage is to master the basic brushwork and the structural characteristics of the shelf, and remember the words in the template more accurately. The second stage: while writing the original post persistently, practice writing poems that interest you with the method of brushwork structure that you have learned. The requirement of this stage is to memorize all or part of the original post, which is both in form and spirit, and show the characteristics of flat post in practice. The third stage: while practicing creation constantly, I will learn new inscriptions according to my own interests, extensively dabble in the materials of regular script and running script in past dynasties, and study the relationship between regular script and running script. The requirement of this stage is to be able to create more mature hard-pen calligraphy works and initially form a personal style. Sticking to this stage of practice and achieving this goal is the key to success. In the whole posting process, two things are always indispensable. First, we should constantly observe, analyze and ponder the inscriptions we have learned; Second, reading and appreciating excellent literary and artistic works, getting in touch with society extensively, going deep into life, improving aesthetic ability and strengthening moral cultivation are what people often say.

References:

798 China Art Lovers Alliance