What are the intangible cultural heritages in Changde? Please introduce one of them in detail.

Changde Intangible Cultural Heritage List (there are too many contents, please search Baidu separately for details)

(***23 items)

National intangible cultural heritage (4 items)

1- Guo 1 Changde Sixian

2- Guo 2 Changde Gaoqiang

3- Guo 3 Lishui boatman's horn

4- China 4 Jing Hexi, Illinois

Provincial Intangible Cultural Heritage (9 items)

5- 1 Fujian Liu Hai chopping firewood legend

6- Province 2 Legend of Meng Jiangnv in Jiashan, Tianjin

7- Province 3 Legend of Peach Blossom Garden

8- province 4 lizhou rammed songs

9- Province 5 Anxiang Xige

10- province 6 Taoyuan Yoga Flame Mouth Gesture

1 1- Provincial 7 Shimen Tujia Funeral Dance

12- Province 8 Changde Ancient Painting Opera House

13- Provincial 9 Linli Jiuli Fishing Drum

Municipal Intangible Cultural Heritage (10)

14- City 1 Legend of Song Yu in Linli

15- The Legend of Ba Long in Shimenzhuang, Ercheng

16- City 3 Folk Stories of Yang Yao in Hanshou

17- City 4 Anxiang Bangwu

18- Xiadengwu, Taoyuan, Wucheng

19- City 6 Lizhou Shadow Play

20 cities and 7 lizhou drums

2 1- City 8 Linli Folk Paper Zhar

22 Cheng 9 Taohuayuan Leicha

23 City 10 Dingcheng Dragon Lantern

Changde Sixian County

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Changde Sixian is a kind of local music popular in Yuanjiang and Lishui, Changde, Hunan. At the end of Ming Dynasty and the beginning of Qing Dynasty, folk songs and tunes from Jiangsu and Zhejiang provinces were introduced to Changde, and then combined with local folk music to evolve and develop.

catalogue

brief introduction

trace the history (of)

Music structure and singing method with artistic characteristics

Performance form and accompaniment method

Musical form

Inheriting meaning

Inheritor Yang Jian 'e

Nina

chen xiaohui

brief introduction

trace the history (of)

Music structure and singing method with artistic characteristics

Performance form and accompaniment method

Musical form

Inheriting meaning

Inheritor Yang Jian 'e

Nina

chen xiaohui

Expand and edit this introduction.

Changde Sixian is an important branch of Hunan Sixian, the most developed and influential one in Hunan Sixian, and it has the status of an independent school. Changde Sixian singing is popular all over Hunan.

When singing with dulcimer, pipa, sanxian, huqin and other silk stringed instruments, it is called Sixian. Because it is sung in Changde dialect, it is also called Changde Sixian. On May 20th, 2006, Changde Sixian was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

Edit the historical origin of this paragraph.

Changde is one of the important birthplaces of Xiangchu culture. Since ancient times, there have been songs and dances, and it is also a place where celebrities and scholars gather. Known as "the country of cultural relics" and "the cave of humanity". Local culture has also been influenced and edified by literary masters. Qu Yuan, Wang Anshi, Lu You, Yuan Hongdao and others left many excellent works here, which added gorgeous colors to Changde culture and raised the local song and dance customs to a new height. According to the records of Changde government records, since Tao Yuanming's "Peach Blossom Garden" was handed down from generation to generation, scholars of all ages, such as Yuxi and Song Sushi, have also gathered in the Peach Blossom Garden many times, and their poems are very similar to Changde Sixian's ci. Since then, Peach Blossom Garden has been regarded as the embryonic form of Changde Sixian's early lyrics by artists. During the Song and Yuan Dynasties, Changde City's economy further prospered, and businessmen from all over the country gathered. Accompanied by musicians and singers from Jiangsu and Zhejiang provinces, they traveled back and forth between Yuan and Li, and their seasonal tunes gradually spread in the lakeside area. During the war at the end of Yuan Dynasty, a large number of foreigners flooded into Changde, which made the folk art widely exchanged. Wang Fu's entertainment activities undoubtedly have a great influence on the development of folk songs and dances. It is in this environment that Changde Sixian, a unique local school, gradually formed. She inherited the Tang poetry, sang while talking, learned from the musical mode of tune, Yuan Zaju and Kunqu opera, absorbed nutrition from local and provincial folk songs and seasonal tunes, and sang in Changde dialect, which is easy to understand. After the mid-Qing Dynasty, due to the prosperity of commerce, Changde's culture and art also developed greatly. Changde Sixian's singing activity has gradually moved from literati's self-entertainment to the market. In addition, Changde people have the habit of drinking tea in a big bowl, so Changde Sixian found the pregnant placenta in the teahouse. In order to attract business and make a lively appearance, business owners have invited Sixian artists to sing to express their congratulations. With the increasing popularity of the silk string art, geisha who sang ditty as their profession appeared in Daoguang period. Sixian clubs have appeared everywhere, and a number of accomplished Sixian artists have emerged. Together with the literati, they sorted out and compiled the songs of Sixian. Among them, what is the most influential. After his rectification, more than a dozen traditional songs have been handed down to this day, such as Double Down the Mountain, Two Plums and Daiyu Burying Flowers.