Summary of Appreciation and Analysis of Peony Pavilion in High School Language

Tang Xianzu's Peony Pavilion is another epoch-making masterpiece of love after Wang Shifu's The Story of the Western Wing, how do high school students write an appreciation of this article in language class? Below I bring you the high school language "Peony Pavilion" appreciation, I hope it will help you.

High school language "Peony Pavilion" Appreciation (I)

Drama is a comprehensive stage art, she draws on literature, music, dance, fine arts and other artistic ways to shape the image of stage art, revealing society to reflect social life. Drama appreciation classic - "Peony Pavilion" is known as ? The Peony Pavilion is known as the Shakespeare of the East. s masterpiece, Tang Xianzu, has made outstanding contributions to the opera of the Ming Dynasty and occupies an important position in the history of Chinese literature and Chinese opera. Its artistic characteristics are as follows:

First, the romantic approach, through the love story of Du Liniang and Liu Mengmei, eulogizes the spirit of opposing feudalism and calling for the liberation of individuality.

The Ming Dynasty novel Du Liniang Mushu soul, widely circulated, Tang Xianzu on the basis of this novel, the creation of a transformation, the legend of the novel and the Ming Dynasty social realities of life are closely integrated with the fuller characters, more twisted storyline and complex lyrics and scenic design, the performance of the two young people in pursuit of individuality and freedom, freedom of love, anti-feudalism, love story. Love story. The young and beautiful Du Liniang grows up in an official family with very strict and harsh family teachings. She lives in the official government office for three years and is not even allowed to go to the back garden, and even dozing off in the daytime is reprimanded as a violation of the family rules, which is harmful to public morals. However, the impulses of youth cannot be stopped by feudal parents and teachers. Du Liniang in the maid's encouragement, when parents do not pay attention to, secretly ran to the garden to play, and touched the feelings, sadness, their own Shaohua will be gone, not a good match. Back to the study, had a dream, dreamed that he met a handsome scholar, and wooed her, the two people cloud and rain harmony, love is very passionate. However, the good dream is not long, was her mother saw daytime sleepy, loudly scolded her, so she woke up from the dream. Since then, she was depressed, a sick. Later, died. She was buried in the back garden. Three years later, a scholar named Liu Mengmei, who was rushing to take the examination, lived near the lady's grave mound. Mr. Liu was the very same scholar she met in her dream. Du Liniang meets Duke Liu at night in her ghostly body and is graced with her love. Later, she told him that she was not a human being, and if he did not abandon her, she would come and dig the grave, so that her soul and body could be merged into one, and she and he could become husband and wife. Mr. Liu and the four nuns who guarded the grave, dug up the grave and blew their Yang Qi into Du Liniang's mouth, and Du Liniang came to life. In the end, Liu Mengmei won the Scholarship and had the Emperor appoint him to marry Du Liniang and recognize her father and mother. Lovers are finally reunited. This kind of ? dream and die? The dream and the death. Death and life? Fantasy plot, is a romantic idealization of fiction, but also the sublimation of real life. Therefore, people read a lot of emotion, and the case is very strange.

Secondly, the realism of the work criticizes the feudalism that harms people, and shows the social life of social turmoil and people's discontent.

The work "Peony Pavilion" also criticizes the cruelty of feudalism to Du Liniang with a realistic approach. Forced to live a wonderful woman, spring disease and death. The death of Du Liniang is also the tragedy of millions of women's destiny in the feudal era, epitomizing and typifying the tragedy of the times. The work, criticizes Du Liniang's father, Du Bao, who is unsympathetic and only knows how to harshly treat his daughter with feudal rites. When he was an official, he was basically a good and clean official, advising peasants to plant mulberry and hemp, but then he encountered the siege of the city by the Jin soldiers, and although he had the heart to protect the people in the city, he had no power to break the enemy. Finally, had to rely on the old scholar Mr. Chen to write a letter to come to the siege of the Jin soldier leader's wife, with the anti-adversary scheme, break the siege. When Liu Mengmei came to recognize his father-in-law, Du Bao, an insensitive person who won the first prize Liu Mengmei captured into the prison hanging, refused to recognize the reality that his daughter can return to the soul. Until, the emperor personally quizzed Du Liniang and Mr. Liu, and only then did the family reunite their flesh and blood. Du Liniang's mother is also an unsympathetic mother. She only knows that a woman has to abide by the feudal way of womanhood, but she does not know that this kind of feudal rite of passage is precisely what her own flesh and blood are being brutalized. The work also uses a lot of space to show the social unrest, the people's insecurity, the constant wars, and the suffering of the people. This realism gives the work a basis in the living reality of the times. Thus, it gives the story a sense of rationality.

Thirdly, the beautiful words and lyrics of the opera, which euphemistically express the sentimental feelings of the protagonist, have become a perfect song for the ages.

The text of The Peony Pavilion is very beautiful, especially the 10th "Dreaming" Miss tour of the back garden, a section of lyrics, scenario integration, euphemistically expresses the sad feelings of Du Liniang at this time. [Soap robe]? The original beautiful flowers and reds bloom all over, like this are paid with broken wells and decrepit walls. Good times and beautiful days, who's home to enjoy the pleasures! The people of Jinping have been looking at this shaoguang cheap! (See Peony Pavilion, People's Literature Publishing House, April 1963 edition, page 54)

Another example is Du Liniang's inner yearning for individuality and liberation, and her soliloquy expresses her state of mind: [Jiang'er Shui]? By chance the heart is like love, by the plum tree. This kind of flowers and plants by people love, life and death as people wish, then sour and no one complains. When the soul of the flower and the fragrance of the plum tree are in the rainy day, I will meet the plum root. (See Peony Pavilion, People's Literature Publishing House, April 1963 edition, page 67)

These words and phrases have become the best songs of all time! They are still touching Chinese and foreign readers and enriching the traditional culture of Chinese civilization.

Summary: To appreciate The Peony Pavilion, we must appreciate it from all angles, and we must not read only the fragments, for we will never understand the essence of the play. In particular, the introduction of the literary history of the university has traces of extreme leftism, for example, Du Liniang's anti-feudalism spirit is overblown, and her private school teacher is degraded to a mess. In fact, if you read the whole play carefully, you will come to your own conclusion that Du Liniang is not a bold rebellious woman, but only met the showman in her dream and fell in love with both. Behaviorally, it is still within the bounds of a great lady. She and Mr. Chen, a private school teacher, have a conversation about the poem ? Guan Guan Ju? The dispute over her understanding of the poem only reflects her innocent, cute and mischievous side, rather than a rallying cry from the anti-feudal flag-bearer. Especially after she turned from a ghost to a human, she stopped making private peace with Xiu Cai, ? In ghosts you can, in people you have to listen to your parents' orders and the words of matchmakers.? She urges her male son to go to the examination to obtain the merit, these stereotypical ideas, basically reflecting this weak woman scrupulously abide by the norms of behavior of women's way. As for Mr. Chen, the scholar, he is well-versed in learning and has a sense of justice and schemes, especially when he finds out that the lady's grave has been pickpocketed, he goes to great lengths to inform Du Bao, Du Liniang's father, and demand that the evil person who robbed the grave and plundered the money be severely punished. Just when the Jin people besieged the city, it was he who wrote a letter and risked his life to send it out, breaking the siege with an anti-traitorial scheme. It's a hero. And not? A hundred useless? The rotten scholar.

Appreciation of high school language "Peony Pavilion" (II)

I. Plot development: the soul of the dramatic conflict and the driving force of the plot development

"Peony Pavilion" has honed a set of paths in the plot setting, forming a way of not only displaying bold and passionate words and deeds, but also not exceeding the limits of the traditional feudal etiquette, so that the author's social ideals and aspirations can be expressed in the context of the traditional values allowed. Social ideals and aspirations that are difficult to realize. The soul of this method is the setting of dreams. The heroine Du Liniang, as a lady of the house, is guarded all day long by her father Du Bao and the old schoolteacher Chen Leiliang. The heroine Du Liniang, as a lady of the house, is guarded by her father Du Bao and her old tutor Chen Liang. The heroine Du Liniang, as a lady of the house, is guarded by her father Du Bao and the old tutor Chen Liang. She is locked up in the study, and her father, Du Bao, and the old tutor, Chen Duiliang. Locked in the study, the diamond-flower mirror? The benefits of spring? I can only feel sorry for myself, and the flowers in the back garden. The beautiful purples and reds in the back garden. It was as if she had nothing to do with them. If there is no? The garden? and? A Dream? , then the unfolding of the storyline, can not appear as we see the life and death scenes, the dramatic conflict will be bland, and the ending will not come off? A happy ending for a talented man and a beautiful woman? The first time I saw this is when I was in the middle of the night, and I was in the middle of the night.

[Around the world]:? The first time I saw this, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night. People standing in a small courtyard, burn all the smoke, throw the remnants of the rust line, this spring off love like last year? Du Liniang discovered the beauty of nature when she secretly visited the back garden, [soap robe]:? The original beautiful flowers and reds bloom all over, like this are for the broken wells and decaying walls. The good time and beauty of the day, enjoy the pleasure of who's home. The morning fly twilight roll, cloud and Xia ZuiXuan, rain wind piece, smoke wave painting boat, JinPing people too look at this rhyme light cheap! Can not help but lament their own identity and fate of the pathetic. So, with such a mood, she began a carefree garden tour. In the case of the whole body and mind exhausted, Du Liniang put aside the identity of the noble lady, completely relaxed, and then unfolded in the dream of the freedom of free thinking, in the dream of the realization of the bold pursuit of eroticism and expression.

? The dream is a dream. A play, people are not surprised. Carefully read this play in the dream, we will find that the essence of the dream, in fact, is the sweetness and warmth of sex. [Mountain Peach Kernel]:? Turning in front of the peony fence, close to the rocky side of the lake and mountain. I will loosen the collar button, widen the belt, and touch the tip of the sleeve to thatch the teeth, and then I will wait for you to endure the warmth for a long time to sleep. The almost naked sex sung here, to the first love of Du Liniang, born of a great temptation: the primitive life consciousness and instincts once aroused, the quintessence of Du Liniang pursuit of love, life and death of the course of the process is uncontrollable began. Tang Xianzu holds on to Du Liniang's one? Dream? , played a series of romanticism of the whimsical: let Du Liniang? Dream? Seeking a dream, not seen, a sick and emaciated, the photo to stay in spring, after the mid-autumn night love death, buried under the plum tree, the spring scroll hidden under the Taihu Lake stone, and then by the Liu Mengmei? Pick up the painting? Calling the painting? Led to Du Liniang soul and its meeting, and then returned to the soul resurrection. This series of episodes, seemingly real or imaginary, are by? Dream? and all the conflicts are centered around the dream. Dream? All the conflicts are centered around the dream. A dream of a young girl in love with spring? Dream?

All the conflicts are centered around the dream of a young girl in love with her husband.

Second, characterization: the opportunity to change the fate of the characters and the means of characterization

As mentioned earlier, Du Liniang was originally a feudal aristocrat's young girl, and received strict training from the feudal ruling class from childhood, her living environment was dull and depressing, and her spiritual life was empty and chaotic. So, after a secret visit to the back garden, the gate of her heart was opened. Through the dream, Du Liniang's inner longing is fully expressed, making her character two-fold: on the one hand, under the confinement of feudal rites, her spiritual burden is extremely heavy. As a famous girl, she went to play in the empty and deserted garden, and thought of? How can she show her whole body by walking in a fragrant boudoir? On the other hand, when she is completely free from the shackles of reality and enters the dream world, her latent desires are fully active, and her relentless pursuit of freedom makes people feel the loveliness of life. In the dream, Mr. Liu found her and asked her to compose a poem to appreciate the willow, she did not reject it at once, but? She did not refuse, but was surprised and hesitant to speak. At the same time, she thought? At the same time, she thought, "I've never met this man before, why are you here? She also shows a shy and cautious demeanor. In the face of the scholar's confession of love, although she did not go forward, but? Smiling? Full of face, the scholar held her clothes, also did not resist, but whispered quietly asked? What about the past? He also asked? Xiu Cai, what are you going to do? The scholar hugged her forcibly, and she didn't resist again and again, so with the participation of both of them, they had a good time at the Peony Pavilion, by the side of the Peony Pavilion, in the middle of the night. The Peony Pavilion, peony column side, *** into the clouds and rain of happiness. But the dream is always to wake up, the dream shows the awakening of Du Liniang's youth, although the dream of Liu Shusheng is a phantom, but Du Liniang to love for real, regardless of the reality, she began to dream of the true love of the bitter pursuit of the course. Yesterday's dream, the pool pavilion is just like it was. The pavilion is just as it was in yesterday's dream. I just want to revisit the old dream, but I can't help but feel the new sorrows. But the dream is long gone. She searched and searched, but it was gone. It was painful for her to realize that Peony Pavilion, Paeonia Column. How can they be so desolate and cold, with no trace of them? This is the reality of Du Liniang's pursuit of love in her dream. Dreaming and waking up represent the sharp conflict between ideal and reality, while the gap between dream and reality is hard to fill, by now, Du Liniang's destiny has been very clear, in addition to the dark road of no return, she seems to have no way out. When the flame of love was about to burn out her life, Du Liniang did not forget to leave her bright youth in the world. This drawing and painting poured out her last life and emotion. When the painting was finished, she said to Chunxiang? Only a brother-in-law is missing in the body? Du Liniang, no longer shy, will tell the dream of the garden straight: "Chunxiang, we are not hiding anything from you. Chunxiang, I'm not going to lie to you, when we were playing in the garden, there was someone with us. I couldn't forget the dream and thought hard, "Is this the man for whom I am destined to live? Could this be the husband Liu that we will be married to someday? A husband? Husband? The word reveals Du Liniang's love for the scholar, her infatuation, and her future lifelong companion. Until the time of her death, she still did not despair, still looking forward to the future, harboring dreams of spring. Although Du Liniang's body died, but? Love heart? is still unwavering. Through his dream, Tang Xianzu made the character of Du Liniang more vivid and evocative.

However, in the real world, people have to be bound by rituals, and? The ghosts can be false emotions. Tang Xianzu uses dream writing to make Du Liniang's false love escape the shackles and yoke of feudalism, and Du Liniang's desire and pursuit of love is strong enough to overcome everything, thus it can be seen that the dream changed Du Liniang's destiny and made her get a happy ending of love. Through his dream, Tang Xianzu has created a living character for us, from which we can feel her vivid life and brave and strong character.

Third, the theme of the purpose: the carrier of the creative intent and to? The main purpose of the program is to help the public to understand the situation and to understand what is going on. The main purpose of the program is to help the public to understand the meaning of the program and to understand how to use it. The purpose of this article is to show that the author's work has been a success.

Compared with the previous plays, "Peony Pavilion" is a more profound manifestation of? The reasoning of the Peony Pavilion is more profound than that of its predecessors. to The oppression of the feelings of the people is more profound than that of the previous plays. In The Story of the Western Chamber, Zhang Sheng dreams of Cui Yingying, and in his dream, he is in love with Cui Yingying, and in his dream, he fights against the patriarchal and ethical norms that have suppressed him from hesitation to determination. Zhang Qiannu in "The Soul of a Sinful Girl" is more passionate than Cui Yingying, and she pursues love by leaving her soul and running to her son-in-law. Du Liniang in The Peony Pavilion, however, can only meet with Liu Mengmei in her dreams, and her physical body is destroyed in endless lovesickness, and the end of her life is endowed with a stronger tragic shock. Tang Xianzu lived in the dark late Ming Dynasty, the feudal rulers vigorously advocated the Cheng-Zhu school of reasoning, feudal rites seriously confined people's thinking at that time, but he sympathized with the Dong-Lin Party politically, and philosophically influenced by the leftist school of Wang Xue and the Taizhou school of thought, which believed that the Cheng-Zhu school of reasoning was wrong and opposed to the idea of "the survival of the reason of heaven and the destruction of man". He thought that Cheng Zhu's theory was wrong, and opposed to the idea of "keeping the reason of heaven and destroying human desires". He boldly put forward the idea that "where there is emotion, there is no reason. If there is love, there will be no reason, and if there is reason, there will be no love. Moreover, he believed that the private life of men and women belonged to the requirements of natural nature, and he did not hide his strong dissatisfaction with Taoism. Although the play "Peony Pavilion" is a fantasy love story about a noble girl who dreamed of love, died of dreaming, came back to life from death, and finally became a couple, it expresses the strong desire of the oppressed women and deprecates the feudalism, especially the description of sex, the nakedness of sexual desire, and the writing of the dream, which is like the real one and can attract people's reverie, and avoids a positive clash with the rites and rituals at that time, so it is even better. The first time I saw this, I was in the middle of it.

Du Liniang's pursuit of free love, especially the full enjoyment of the ideal of sex, at that time the prevalence of feudalism,? The reason for this is that it is not a good idea to keep the truth in the world. The fact is that the people of the world are not the same as the people of the world. The reality of the environment of the serious confinement of human thought, almost impossible to realize. But in the realm of dreaming, she finally got rid of all the shackles of feudalism, changed the weak character given by her family and society, and realized the beautiful wish she had dreamed of. The bizarre plots constructed in her dreams reflect her budding lust, which gives her life vitality and vigor. The use of dreams in Tang Xianzu's The Peony Pavilion elevates the artistic realm of the play, highlights the contradiction between reality and ideals, and expresses the strong pursuit of a free and happy life for young men and women under the constraints of the feudal girlhood paradigm. By putting the play on stage, it enhances the performance effect of the art form by having the protagonist's dialogues and actions unfold step by step in an illusory dream. Dreams are born out of love. and? Dreams are born out of love, and dreams become theater. makes the audience feel sadness and happiness in the aesthetic activities of the play, thus adjusting the depth of the insensitive psychology of the indifferent bystanders and bringing a strong shock to the audience. More importantly, following the romantic ideal of "Peony Pavilion", the receivers started to dream about it. The dream of the Peony Pavilion is a dream that is not only a dream, but also a dream of the future.

High school language "Peony Pavilion" Appreciation (3)

"Peony Pavilion" is adapted from the Ming Dynasty novel "Du Liniang Moushi Returns Soul". The Peony Pavilion is the masterpiece of Tang Xianzu, a playwright of the Ming Dynasty, and also the best work of his life. His works The Peony Pavilion, The Tale of the Purple Hairpin, The Tale of Handan and The Tale of Nanke are collectively known as the Four Dreams of Linchuan. The Four Dreams of Linchuan? He once said He once said I have four dreams in my life, but the only one I am pleased with is "Peony". The Peony Pavilion. The Peony Pavilion is a perfect interpretation of Tang Xianzu's theory of love. The author was y influenced by the Taishan School, and carried the banner of true love and utmost affection. With the legendary love story of Du Liniang and Liu Mengmei, he attacked the feudalism of the Ming Dynasty and the prevailing ideology of "Keep Heavenly Reason, Destroy Human Desire". The story of Du Liniang and Liu Mengmei's legendary love story attacks the feudalism of the Ming Dynasty and the prevailing The story is based on the theory of Cheng Zhu.

Starting from those unexpected and reasonable incidents in The Peony Pavilion

From the explicit disturbance of Chunxiang and the secret disturbance of Du Liniang in The Boudoir, to the intersection of fantasy and reality in Dreams of Frightened Dreams, from the interplay between Chen Duiliang and Shi Daogu in Ghosts of the Dead, to the grave robbers to the scholar in Hard Cuffs, the story is a very interesting one, but it is not a story that can be summarized. The author has carefully set up a series of helplessness. The author carefully set up the unexpected events will step by step intensify the conflict, the story will be pushed to the climax.

The ingenious conception of the plot gives the story authenticity and drama. In the "Boudoir School" episode, Chen Most Liang tells the book: "The Boudoir School". Guan Guan Ju? The first is a bird of prey, and the second is a bird of prey. Chun-Xiang is against Mr. Chun-Xiang? What kind of sound is it? Chen Ziliang had no choice but to make the sound of a turtle dove at the end of the book. The wrong interpretation of the poem Guan Ju by Chen Leiliang and his deliberate avoidance of emotional matters not only show the pedantry of this person, but also respond to the feudalism of the times and the constraints on women. Chunxiang, on the other hand, is a typical representative of rebellion and the pursuit of freedom. Her straight-talking character turns her into a sharp sword of speech, peeling off the ugly appearance of feudalism and implying the author's ideology? True love, to love.

The people in the event, is more life

Choose to be a person in the eyes of the impartial law enforcement ? good officer? or choose to be a consideration for their children? When confronted with this choice, Du Bo did not hesitate to choose the former. I will do the spring face for her? I will light the incense for her? What is this thief talking about? From this language description, it is clear that Du Bao has a good face and is desperate. He can not tolerate his own daughter back to life, rather than Du Liniang regeneration, but also want to save their own reputation, reflecting the mainstream thinking of that era to save the reason of heaven, extinguish the desire of mankind? When he learned that Liu Mengmei was awarded the first prize, Chen Most Liang said? The old man recognized the gourd, didn't he? Reflects the tendency to be in favor of the situation. Even in this case, Du Bao is still bent on? Mr. surprised! This is a demonic thing. For the minister, must be written to eliminate it. In a sense, Du Bao loyal to the court without second thoughts, can be described as a person with a fair mind. Another point of view also reflects the superstition of the people.

Action and characterization of the language shaped the flesh and blood

"Haunting Gotham" in the? The word "haunted? The word "haunted" focuses on Shi Daogu and Chen Most Liang. The two men's quarrel over finances adds humor to the otherwise sad and bleak atmosphere. In particular, a conversation between the two men is particularly colorful: "We are a Taoist nun. We are Taoist nuns, we can collect rice. You're a stale grain, you can't get away with it. Xiu Cai stuttered ten times. You're a nun, I'm an old man, I'm not supposed to collect grain. The two cleverly use the harmonies of their names and objects to mock each other. The language of the Daoist nuns is more rustic and in keeping with the character's setting. Chen most liang deliberately uses allusions to fit the image of a pedagogue. Both of them show their thirst for monetary benefits, revealing the ugly side of people.

The Peony Pavilion carries an extremely strong romanticism, especially when Liniang comes back from the dead, which is obviously impossible in reality. It is the author's beautiful vision that all lovers in the world will be happily married. The beauty of a good time and the beauty of the sky, who will enjoy the pleasure of the house of the yard? Although there are a lot of sighs, the end is ultimately happy.