Traditional Culture Encyclopedia - Traditional stories - Awards background music

Awards background music

1, "The Mark of Rain"

"The Mark of Rain" was written by Lee Min-min, a musician who is best at depicting love in South Korea. This piece of music has a graceful jump and is suitable for listening when reciting, suitable for listening when falling in love, and suitable as background music for reciting. It allows us to feel the beauty of life and the true meaning of life. Different people will find their truest self in this song.

2. "Secret Garden"

"Secret Garden" is a classic piano piece played by Richard, and "Song of the Secret Garden" is a piece of the same name performed by the New World Music Orchestra Secret Garden. The music of this song is soothing and soft, full of memories and melancholy, and it inadvertently reveals a little sadness, which makes people have to indulge in it.

3. "Ten Years"

"Ten Years" is a song written by Lin Xi, composed by Chen Xiaoxia, and arranged by Chen Huiyang. It was first sung by Chen Xiaoxia and later covered by Eason Chan. It was included in Eason Chan's album "Black, White and Gray" released on April 1, 2003.

The song is the ending theme of the 2005 TV series "Girls with Talented Men" and is also an episode of the movie "The Ferryman". The Cantonese version of the song is "Today Next Year". On April 28, 2004, the song won the top ten golden songs of the 4th Pepsi Music Chart. On 17, 201, it won the championship of "Top Ten Chinese Love Songs in the New Century" hosted by LOVE RADIO 103.7FM.

4. "Walking in the Rain"

English name: "Stepping On The Rainy Street"; it is a piece by Korean pianist "The Daydream". "Walking in the Rain" comes from Yanni's pure new age music "If I Could Tell You."

5. "With Orchids"

"With Orchids" is a pure music piece that is one of Yanni's classic works. The English song is With An Orchid. It was composed by Yanni, a Greek-American performer and composer, and is included in his album "If I Could Tell You". The title of the song does not contain the secular feelings of Xiaojiabiyu, nor the sadness and artificiality of Xiaoqing. There was just a burst of freshness.