Traditional Culture Encyclopedia - Traditional stories - What is the most influential in the south of the prevalence of play lyrics

What is the most influential in the south of the prevalence of play lyrics

Southern prevalence of beautiful play lyrics to Suzhou play lyrics have the greatest influence.

Suzhou play lyrics, Suzhou City, Jiangsu Province, a kind of musical art. The main artistic means are speaking, gagging, playing and singing. The speaking part integrates narrative and endorsement, with both third-person narration and first-person roles. On May 20, 2006, the State Council approved the inclusion of the first batch of national intangible cultural heritage list.

It is characterized by reasoning, taste, interest, detail and skill (some people have recently changed the word "skill" to "wonder"). The songs are generally in seven-character stanzas, rhyming with Wu or Zhongzhou sounds. The basic tune of the chanting style is "Shu-tong". The tune is based on linguistic factors and emphasizes the clarity of the words and the rhythm of the lines. Standardized basic tunes and can be improvised with the content to adapt to a variety of bibliographic singing, the so-called "a song of a hundred songs".

Speaking of "gimmick playing and singing". "Say" refers to the narrative; "gimmick" refers to "put gimmick" that is, to make people laugh; "play" refers to the use of the three strings or pipa for accompaniment, which can be self-playing or mutual accompaniment and background; and "singing" refers to singing. Among them, "speaking" is very rich in means, including narration, endorsement, explanation and discussion.

Artists in the long-term rap performance formed such as official white, private white, coo white, white, white, white, white, white, and so on the function of the table of different techniques and skills, both to show the character's ideological activities, inner monologue and mutual dialogue, but also the tone of the storyteller's narration, explanation and comment.

The artists also draw on the techniques of Kunqu and Peking Opera, and use voice changes, physical movements and facial expressions to express their meaning and portray their characters. In the pursuit of aesthetics, the Suzhou Playing Words emphasize "reason, taste, interest, detail, and skill".

Playing and singing with the sanxian and pipa as the main instruments, the actors play and sing by themselves, and accompany each other, supporting each other, plus rendering the comedic characters and plots of the book ("meat gags"), and interspersed with light-hearted and witty gags ("outside flowers".), "The song is usually sung in seven-character sentences. The book tune in the singing, but also due to artists according to different styles, singing content, for creative development and the formation of a variety of genres of singing.

Suzhou Bouncing Words is a "small book" type of storytelling performed in the Suzhou dialect in the form of rap and singing, originating and popular in the Wu dialect area centered on Suzhou in southeastern Jiangsu Province, northern Zhejiang Province, and Shanghai, and was formed around the end of the Ming Dynasty and the beginning of the Qing Dynasty. Because of the Suzhou commentary and the same book industry, once had *** with the guild organization, the folk that is customarily called "Suzhou commentary" with the Suzhou commentary.