Traditional Culture Encyclopedia - Traditional stories - China's traditional relief sculpture belongs to close to what expression
China's traditional relief sculpture belongs to close to what expression
Second, the Chinese traditional relief carving mainly has a shrine type, high relief, shallow relief, line carving, hollowing and other forms.
1, China's ancient grotto sculpture can be attributed to the shrine type sculpture, according to the different modeling techniques, can be divided into realistic, decorative and abstract;
2, thin relief carving to line-based, surface as a supplement, line and surface combination. Deep 2 to 5 millimeters. Thin and three-dimensional, sparse lined with dense, knife method of washing;
3, Yin carving is usually in the box, cabinet, bed, cabinet board carving. Do not use the draft, the knife instead of the pen, the intention of the pen first, with a bright knife carving yin pattern;
4, high relief refers to the compression of a small, undulating, close to the round carving, or even a half-circle carving of a form of relief, this relief contrast between light and dark, the visual effect is prominent;
5, shallow relief compression of a large, undulating, it maintains a kind of architectural flatness, but also has a certain sense of volume and The sense of undulation;
6, line carving is a combination of painting and sculpture, it relies on the light and shadow generated by the light instead of the pen, and even some subtle undulation, giving people a sense of elegant and implicit;
7, hollow sculpture is the so-called relief carving of the base plate is removed, so as to produce a kind of changeable negative space, and make the negative space and the positive space of the outline of the line has a kind of rhythm of the mutual conversion. This technique used to be commonly used in doors and windows railing furniture, some of which can be viewed from both sides.
Three reasons
Circular sculpture is characterized by completely three-dimensional, the audience can appreciate it from all sides. Such as dufu round sculpture in chengdu dufu cao tang museum, from the front to see is the head held high, clench teeth, angrily look at the enemy, the mighty and unyielding image. On the side, viewers can only see the right hand and left hand with clenched fists, showing Liu Hulan's inner anger through hand gestures, as well as his hatred for smashing the old world and sweeping the enemy away. The back side is simpler, and only the intertwined hair and clothes lines can be seen due to the wind blowing and fluttering. In this way, the viewer can see all sides of the sculpture from all angles, thus creating a sense of wholeness in the artistic image.
So, the traditional Chinese relief sculpture belongs to the expression of close to round sculpture.
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