What's the difference between Japanese painting and calligraphy mounting and China?

China Su Biao calligraphy and painting (taking 2×4 as an example) is mounted by hand in Japan (most of the works are small in size).

The installation time is about thirty days. About thirty days.

The installation size and the size of the head of heaven and earth are too large, which is suitable for China's home aesthetics. The surrounding area is too small to hang local houses in Japan.

The mounting materials are still traditional silks and handmade rice paper. Diversification and complete industrialization, only in terms of materials, China is incomparable. It can be seen that Japan attaches importance.

Traditional tools for installing tools have not changed much in the past 100 years. Often use glass painting, bead painting, pier brush instead of row painting and so on.

There is no special requirement for the rear assembly, which is very general. Perfect and human.

The traditional craft level is very high, and it has the characteristics of China. The process requirements are extremely high, but the firmness is slightly poor.

The two countries recognize the process, but not the style. All styles are approved and the process is for reference only.

The overall effect of the ruler hall is nostalgia and great country style. Small and meticulous, but lacking in spirit.

The fluency of the effect is slightly worse, but it will be better after a long time. Although the mounted film is small, there will be lotus leaf phenomenon or uneven picture (mainly the problem of thick material). )

The above is manual installation, and so is mechanical installation.