Traditional Culture Encyclopedia - Traditional stories - Yang Style Taiji Knife's Yang Style Taiji Knife Movement Name Sequence

Yang Style Taiji Knife's Yang Style Taiji Knife Movement Name Sequence

The Yang Style Taiji Knife is taught with a sequence of movements that are run through with songs. There are two main types currently in circulation, one is an earlier routine, see "Taijiquan Sword and Sword Pole and Scattered Hands Compilation" by Chen Yanlin, **** 16 song phrases; and the other is a routine that is currently in wider circulation, see Fu Zhongwen's "Taiji Knife" (1959), Yang Zhenduo's "Yang's Taijiquan • Sword-Knife" (1992), and Zazi's "Yang's Traditional Taijiji Sword-Knife" (2000) etc., **** 13 phrases of song. Now the song is divided into the following, of which "Taiji sword trick one" is taken from Chen Yanlin, "Taiji sword trick two" is taken from Fu Zhongwen. Seven stars across the tiger, the white crane hangs out its wings and hides its legs in the dark.

The wind rolls over the lotus leaves, and the moon is hidden under the leaves.

Looking to the right and the left, the Jade Maiden is a woman of eight.

The lion rolls forward, the boa constrictor turns around.

Left and right, high and low, the butterfly loves the flower, turn around and tease like a windmill.

The second foot comes to strike the tiger, the mandarin duck leg sends half of the body diagonally.

Shuntering the boat with the whip as a pole, turning over and breaking up the Dragon Gate Jump.

Holding the sword with force, Bianhe returns to the nest with the stone.

Seven stars across the tiger to hand over the sword, vacillate and flash to show the intention to raise,

Left to look forward to the right and left, the crane spreads its wings and the five elements of the palm,

Wind rolls lotus leaves hidden inside, the Jade Maiden shuttles the eight potential,

Three stars to open and close the self-assertion, the two start to beat the tiger potential,

Philates the body diagonally hanging the mandarin ducks' feet, and the smooth hand pushes the boat whip to make a Penny,

Downward potential of the three free strokes, left and right to part the water to jump in the Dragon Gate,

Three free moves, the left and right split the Dragon Gate

Bian He brings the stone and the phoenix returns to the nest.

On the second part of the song, the "Taiji Knives" contained in the "Taijiquan Kungfu Explanation" of "Xinglongjie of Wanxian County", as well as the "Taiji Knives" passed down by Yang Zhenming, Zeng Zhaoran, and Dong Yingjie, all of them added the sentence "My master left behind four knives, and I teach them from heart and from mouth" at the end of the song. Mr. Shen Shou in front of "my teacher left four knives praise" and then add "treasure knife dance God free" sentence, into sixteen sentences, in order to try to pair. Mr. Li Yaxuan's transmission, or in the third sentence before the addition of "through the flowers containing the dragon line potential" into fourteen sentences, in order to try to match, or in the fourteen sentences after the addition of "my master left this knife praise, oral teaching is not presumptuous" into sixteen sentences.

Yang Chengfu's disciple Jiang Yukun, also taught by Yang Banhou's disciple Gong Runtian, who passed on the taiji knife, similar to that of Chen Yanlin's work, made up his own "taiji knife single practice to help learn the song" of 40 sentences, which basically includes the sixteen sentences of the song passed on by Chen Yanlin, which is hereby omitted.

The routine of the Taiji sword, transmitted by Chen Yanlin, is 32 styles, and by Jiang Yukun, it is 38 styles, with the name of the movement in each style. Yang Zhenduo, Fu Zhongwen, Zhao Bin's transmission, all according to the "song two" of the thirteen sentence decomposition of action, do not list the name of the action. Some practitioners, such as Yang Zhenming, Li Yaxuan, Zeng Zhaoran, etc., break down the thirteen sentences into a number of movement names for the sake of teaching. However, the names of the movements of the Taiji sword are not as mature as those of the Taiji sword. The following two groups are introduced: "Name 1" in Table XI was handed down by Chen Yanlin and Jiang Yukun, and it basically corresponds to the Song of Songs I.

The names in Table XI are the same as those in Table XI.

Table 12, "Name 2", was transmitted by Yang Zhenming, Li Yaxuan, and Zeng Zhaoran, and corresponds to Song 2. The corresponding diagrams of the sword posture transmitted by Fu Zhongwen and the second song are shown in the following section. Mr. Shen Shou also compiled his own "Thirteen Knives of Taiji", which has eighty-one forms in nine directions.