Traditional Culture Encyclopedia - Traditional stories - Can someone tell me more about this oil painting, the more detailed the better
Can someone tell me more about this oil painting, the more detailed the better
Title Munch "The Scream"
Category Oil Painting, Famous Paintings
Date 1893
Author Edvard Munch
Specification 90.8X73.7 cm
Attribute Collection of the National Gallery of Oslo
This one is a three-dimensional painting Haha
Norwegian painter Edvard Munch ( Edvard Munch, 1863-1944), can be called the pioneer of twentieth-century expressionist art. He was born in Loden, Norway. The experience of his parents' death in his childhood left an indelible mark on his soul. This led him to paint many works on the theme of illness and death in his early years. He studied at the School of Arts and Crafts in Christiani (now Oslo), and in 1885 he traveled to France for the first time, learning the style of Impressionism, and then being influenced by Gauguin, Lautrec, and the "Art Nouveau" movement, which led to a major change in his style of painting. 1892 he was invited to participate in the exhibition of the Berlin Artists' Association, and his works aroused fierce reactions in Germany due to the bizarre images. In 1892, he was invited to participate in the exhibition of the Berlin Artists' Association, but due to the strange image of his works, the exhibition was closed after only one week because of the fierce reaction in Germany. In response, the liberals led by Liebermann withdrew from the Society of Artists and formed the Berlin Secession. Encouraged by this action, Munch settled in Germany until 1908. These 16 years were an important stage in Munch's artistic development and a period of maturity. Under the control of a melancholic, frightened mind, he used distorted linear patterns to express what he saw as a tragic life. His paintings had a decisive influence on German Expressionist art, and he became the spiritual leader of the "Bridge School" painters. Critics noted that "Munch embodied the essence of Expressionism and practiced it thoroughly before it was named." (Robert Hughes, translated by Liu Pingjun, etc., The Shock of Art Nouveau, Shanghai People's Fine Arts Publishing House, p. 246)[2]
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