What is the style of Fu Shan's works? What is the memory of him in later generations?

Fu Shan, who is in Dong Zhaowen's style, has also studied Zhao Mengfu. After the Ming Dynasty, he specialized in Yan Lugong, and then went straight to Wei and Jin Dynasties, upstream and into the abyss. The whole "A Brief Introduction to Mr. Yangqu" says: "Gongshu, arrogant Xiao Zhuan, below the official rank, are all fine painters." His short play "Qian Wen" caught up with Zhong Wang, simple and Gu Zhuo. He once said: "I don't know the change of seal script, but no matter how beautiful I write, it is always vulgar." Fu Shan likes to write books with the brush strokes of seal script, attaches great importance to the strength of bones, and worships the interest of books. Influenced by Wang Duo's calligraphy style, he has formed his own unique features, which made him famous before middle age. In his later period, he condemned Zhao Zi with great interest. "I don't like Zhao Ziang very much, but I hate his books because I despise him. If I look carefully, I can't blame it. Maturity, charm and elegance are a mean state or a positive pulse. There have been some changes since Lanting, and it is also a fate to compete with the times, not just an article. " (Frost red niche cover). The typical assertion that "books are like people" in the history of book reviews is naturally related to the special period when he was born. He also said in "Writing Words for Children and grandchildren" that "writing words first creates people, and people have strange words since ancient times. The outline is always against Kong Zhou, and pen and ink are irreplaceable. " This discussion was undoubtedly a sobering agent for the early Qing Dynasty when "slave books" prevailed. He strongly advocated that "Ning Zhuo is not smart, rather ugly than flattering, rather fragments are not smooth, rather true than arranged." For more than 300 years, the artistic concept of "nature first" has been highly respected. Fu Shan's main works are:

1. Meng Haoran's cursive poems: This volume records 18 poems such as Meng Haoran's On Climbing the Wild Mountain with Friends in the Tang Dynasty. This volume of calligraphy is elegant, words are not connected with each other, and words are connected. Gu Zhuo is vigorous and powerful, but his strokes are constantly connected, which fully embodies the characteristics of Fu Shan's calligraphy art and is also the best interpretation of his calligraphy aesthetics. This volume is considered as the masterpiece of Fu Shan's cursive script, representing the highest artistic level in the middle and late period of Fu Shan's cursive script.

2. Poem Axis Right Army Drunk: It is a famous work by Fu Shan. The poem says: "The right army is drunk and dances extravagantly, but the white brocade robe is reversed. The eyes are full of teachers. If you want to bully the older generation, you will fall everywhere. " There seems to be some awkwardness in his fluent use of the pen, but his use of the pen is in the statutes. The emphasis on winding hairspring makes the spatial contrast between words and strokes particularly sharp. Meanwhile, Fu Shan's artistic techniques, such as relying on truth, avoiding concession, overlapping and opening and closing, were skillfully used by his men, as if they were all inadvertently. His sincere feelings and ups and downs fully showed his profound mind.

3. Five-character poem axis: This axis records a five-character poem written by Du Fu, a famous poet in the Tang Dynasty. The style of calligraphy is magnificent, continuous, ups and downs, and the words are naturally connected, showing the great momentum of vitality and embodying the strong personality of calligraphers. Word instability, word instability. But from the whole picture, it is vivid and natural in structure, and the change of font size increases the vividness and movement of the work, giving people a sense of simplicity and beauty.

Interpretation: "The wind blows clouds and snow, and the cloud gate screams at the waterfall spring. I feel sleepy when I wake up, and I want to pack cotton when my clothes are cold. Wild old people come to see guests, and river fish don't charge money. Simple places have only one mountain and one water. The book is Jiao Bo Zheng, written by Mr. Song Chu. Fu Zhenshan. "

4, "Cursive vertical axis": Fu Shan's cursive, unconstrained style, so gorgeous and brilliant. His poems are flowing, graceful and lingering, such as Gu Teng's entanglement, and sometimes the pen is broken, looking forward to life. His every word is messy and rough, irresistible, but naive, with such disturbing beauty. Fu Shan's whole cursive script, from the sadness of "resting in a pavilion" and "where apes crow" to the clarity of "fishing in Cangjiang River during the day and returning to rain at dusk", is full of the beauty of freedom and quietness of the soul. Ren Xia was endowed with integrity. /kloc-PhD student at the age of 0/5, advanced at the age of 20. After studying in Li Sangong College, he was educated and favored by Shanxi scholar Yuan Jixian. During the Chongzhen period, more than 0/00 students from Fu Shan,,, * * *, etc. sued Yuan's case, heroically defeating the eunuch and powerful minister for adultery, and later became famous in the ruling and opposition circles. After the death of the Ming Dynasty, he worshipped Tuguhun Zhong Jing as a teacher and became a monk. He also repeatedly engaged in anti-Qing activities and was arrested. In prison, he "refused to give in and starved to death for several days". During the reign of Kangxi, the imperial court set up the erudite poetry department. Fu Shanshi is 72 years old. Li Zongkong and Liu Peixian recommended him to take the exam in Beijing. He refused because of illness, and Dai Mengxiong, the magistrate of Yangqu County, was ordered to drive, so that people got out of bed and went three miles outside the capital. Fu Shan resisted entering the city, and the Qing court was exempted from the test. He was awarded the "Cabinet Book" and returned. He didn't thank or accept it. When he left Beijing, the way to see him off was blocked.

Fu Shan is well versed in Confucian classics, philosophers, Taoism and Buddhism, and has written 40 volumes of Frost-red Shrine. Good calligraphy and painting, fine appreciation, open the source of epigraphy in Qing Dynasty. Fu Shan also made great achievements in medicine. He is good at internal medicine, gynecology, pediatrics and surgery, especially gynecology. His medical works "Gynecology in Fu Qingzhu" and "Secret Recipe for Clearing Capsule" have been spread all over the world, benefiting the people. In literature and art, he is a pioneer of ideological enlightenment with critical and creative spirit.

Commemoration of future generations

Fushan ancestral hall

Fu Shan ancestral temple is located in jiancaoping district, Taiyuan City, Shanxi Province. Mr. Fu Shan's hometown "West" is built on an old couple's 200-acre dual-purpose land, covering an area of about 100 square meter. In ancient times, it was under the jurisdiction of Yangqu County, Taiyuan Prefecture. After liberation, it belongs to the northern suburb of Taiyuan.

Since Mr. Nishimura died more than 300 years ago, people have been expressing their love and admiration for Mr. Nishimura in various ways. In Mr Nishimura's hometown, people spontaneously built an ancestral temple. Although short and crude, it was destroyed many times and repaired many times by the villagers' own meager strength. In the late 1990 s, it was changed to cement-wood mixed structure. Under the care of the old couple day and night, the ancestral hall was renovated bit by bit and the statue of Mr. Wang was re-carved. On June 19, 2006, on the anniversary of Mr. Wang's 400th birthday (nominal age), a plaque inscribed by Mr. Shao, the inheritor of Fu Shan's calligraphy, was put up for literati from all over the country to pay tribute to, and well-intentioned people sought immortality for medical treatment.

Fu Shan Memorial Hall

Fu Shan Memorial Hall is located in the southwest of Shengying Building in jinci museum, Taiyuan City. It is a quadrangle in Qing Dynasty, with a total area of 553.5 square meters. The whole site is 20.7 meters wide from east to west and 27 meters deep from north to south. The structure and decoration of the museum are from 1950s to 1960s. There are five towers in the south room, three rooms in the east and three rooms in the west, with a screen door in front and a courtyard in the northeast corner. Surrounded by connectivity, the exhibition is flexible and convenient. It is a cloister-style exhibition hall with elaborate carvings and painted oil ornaments, which is elegant and pleasant. The memorial hall is an important place for permanent exhibition, collection of Fu Shan's fine paintings and calligraphy, literature, foreign cultural exchanges and various activities.

Fu Shan Memorial Hall, formerly known as Le Tong Pavilion, was built in the second year of Qing Qianlong (1737). Yang, a calligrapher of Qingganlong, wrote in Le Tong Pavilion: "Li people are old, so they gave a banquet to come to Sri Lanka. There was no effort to move their bottles to win, and there was a long and salty party, so Yan Qiting said that they were very happy together. " Liu Dapeng has a joint "simultaneous response, mutual demand at the same venue, and fans * * * celebrate the Millennium ceremony; I can't be happy, I can't be happy, I have the same heart. " 1964, with the approval of Taiyuan City, the original site of Le Tong Pavilion was expanded to the west by three meters, and it was renamed Shanxi Painting and Calligraphy Museum from Le Tong Pavilion. The plaque was inscribed by Guo Moruo and later changed to Fu Shan Painting and Calligraphy Exhibition Hall and Fu Shan Memorial Hall.

As the hometown of Fu Shan, a cultural celebrity in Sanjin, there are more and more schools, streets, hospitals and shops named after Fu Shan. In order to explore Fu Shan culture and its industry and create an atmosphere to promote Fu Shan culture. As early as the beginning of 1992, Fan Shikang, the former secretary of the Northern Suburb Party Committee, gave instructions to build a famous brand of Fushan, develop tourism and cultural industries, and develop Chaoyang Street, and made three major plans: 1995 to 1998. In 2004, in order to further explore the treasure of Fushan, with the active cooperation of the leaders of the district committee, Xiangyang Town Party Committee and * * *, the construction planning projects of "China Fushan Garden" and "Fushan Square" were planned.

Shanxi is the hometown of Mr. Fu Shan, and the people of Shanxi always hold high respect and memory for him. In 2007, on the occasion of the 400th anniversary of Mr. Fu Shan's birth, the Shanxi Museum, which currently has the largest collection of Mr. Fu Shan's ink in China, joined jinci museum, Palace Museum, Shanghai Museum, Liaoning Provincial Museum, Tianjin Museum and many other large cultural and art collection units to display Mr.'s paintings and calligraphy scattered all over the country. This is the first time that many husbands have returned to their hometowns in the past 300 years, and it is also an unprecedented gathering of their works. This is a grand meeting in memory of Mr. Fu Shan. It is tentatively scheduled to open around September 25, 2007, with an extension of three months.

Fu Shan tomb

Mount Juewei in the west of Huyan Village, Chaicun Town, jiancaoping district City, Taiyuan City, runs from north to south, with steep mountain slopes, Qingfeng in the south and Feiyun in the north, and there is an east-west valley between the two peaks. There are famous Duofu Temple and stupa on the mountain, which are now a tourist attraction in Taiyuan. From the foot of Nanfeng Mountain to the top of the mountain, there are stone steps built along the mountain. Walking up the stone steps, there are about 300 steps. On the roadside, you will see a modern brick tombstone with the words "Sacrifice to Mr. Fu Shan" engraved in the middle.

In the thirty-second year of Qing Qianlong (1767), the fifteenth page of the Tomb of Geographical Mounds in Hengshui County, Hebei Province, written by Tao Shu, reads: "Forty miles west of the Ming Fushan Tomb". There is such a record in the Yangqu County Annals compiled in the 23rd year of Qing Daoguang: "The tomb of Fu Shan, the monarch of Zhou Dynasty, is in the Western Hills".