Miao Knife Knife Techniques and Characteristics of Miao Knife Strokes

Whether it is a fist fight. Or equipment fighting. Disturbances such as the art of war. The actual a small war. The principles and theories of fighting in the art of war are mostly applied to boxing and equipment fighting, and the key points of attack and defense and quotes are mostly in line with the art of war.

Strokes and is the shape of the change - attack and defense changes in the law, there is no change there is no strokes. And change is to "Yi" of the Yin with the doctrine of the guiding ideology. Yin and Yang is the contradictory sides of the mutual constraints, interdependent unity of time. There are many such unities in boxing and techniques. Such as movement and static, real and imaginary, odd and positive, rigid and flexible. Fast and slow, etc. Because of the unity within the mutual transformation of change, promote the move to "learn a fixed number. With no fixed method" development.

Many of the unity of the body is not isolated, but linked to each other, connected, A in B, B in C, C in A, each other series, articulation, penetration.

Miao Sword Strokes

Strokes is essentially the technology - tactics of unarmed or armed combat "to control people but not to control people". It is a way to unify the various functions acquired through exercise internally and externally to form a "unity of form and spirit, internal and external coordination" to win under the command of consciousness.

The content of the method of strokes includes a wide range, which involves many disciplines-physical, psychological, physiological, philosophical, mathematical, military, etc. The method of strokes is the core of the martial arts. Strokes are the core of martial arts, and are the ultimate goal of martial arts enthusiasts and researchers to pursue and deepen their research.

The term "martial arts" is considered to be a combination of the concepts of "wu" and "jiu". "Wu" is the general sports; "art" is called kung fu or gongfu, is the exercise of a certain function of the limbs or skills expressed in the strength, hardness, speed, sensitivity and so on. It is the foundation, is for "art" reserve energy.

"Gong" in the thinking activity, the requirements of thinking without external influence, but also does not allow other things to stimulate and interfere, thinking is basically in the inhibition, static, closed state. Attention is focused on the operation of their own qitong and the standardization of the body's course of action and posture. The "art" is to receive information, judge the situation, and organize the battle plan skillfully, flexibly and accurately with thinking activities, and to drive the limbs to complete the battle task with the heart.

The size of the Miao knife this instrument in history is the body of three feet eight inches, the handle, feet two inches, the whole knife **** length of five feet (Cheng Chongdu "single knife law selection" contained). This is the Ming Dynasty immediately used Miao knife. If the step down to use, it seems too long, inconvenient to use, too short to play out the power of the Miao knife in combat. Therefore, the improved Miao knife is three feet seven inches. The length is more appropriate. Miao knife is characterized by a long body, the knife if you do thick, although firm but the weight must be heavy. Non-powerful people can not be used; knife to do thin although light, but not firm, can not play the power of the knife, affecting the sudden stab. Therefore, we improve the Miao knife, the knife body should be thin, the knife spine to take the round back, to play the role of the tendons. This solves the contradiction that light can't be heavy can't be, use up "fast horse light knife, light and heavy appropriate". Knife weight must be controlled at about 2 pounds. So as to dance lightweight. "Fast horse light knife".

The Chinese Miao knife is similar to the Japanese knife, but the different characteristics are; Japanese knife body curvature is larger, the Chinese Miao knife nearly straight, this is because of the Ding with a raid (stab), cut and ruffled the edge of the three basic knife method. This is the law of unity of opposites. The key here is to create the conditions, so the new Miao knife appeared, immediately popular. The State Intellectual Property Office approved the Miao knife patent.

Motion is also a contradiction in opposites. The movement of the static in its own scope of action is "movement in the static" "static in the movement". In the two sides of the fight, not only to master, use their own movement, but also to master their movement. To determine their movements and their static, and then mobilize their movements and their static, in order to achieve the purpose of "know the enemy and know yourself, not to be in danger in a hundred battles". The Art of War also says, '.... The one who can win because of the change of the enemy is called "God". Miao knife technique is good at catching the changes on the battlefield, only then can control, harness the initiative of the battlefield seven, in order to be able to count in the chest, the transportation of the party, not blindly, in order to capture the instantaneous opportunity to fight, but also only to seize the opportunity to win.

Miao knife skills on the virtual reality

Real, representing strong, true, straight, brave. The virtual, often in the -F yin exploration, not easy to be noticed by the corner. Such as the Miao knife in the "hidden knife potential", "teasing knife potential", "anti-teasing knife potential" and so on. Real, often in the obvious knife skills. When fighting. Must be good with the virtual, such as: feints, fraudulent defeat, camouflage and so on.

Virtual and real is the embodiment of the use of change. In actual combat, only the use of the real and the real, can be unpredictable. The real and the real and the fake are often used together, so those who are good at using the real must be good at using the real, so that the real is real and the fake is real and the fake is real and the fake is real and the fake is real and the fake is real and the fake is real and the fake is real. False is false, but also real, that is, there is truth in the false, real is real, but also false. That is, there is emptiness in the real. The change of real and false can not be stipulated in advance, but should be changed with the change of the situation. In the actual combat of Miao knife, first of all, we should use our own truth, to cover our own truth with our own truth. So that their true strength is not known to them, so that their lineup is not broken. To them, we must master their reality, to use their own dynamic of the virtual, when to avoid their reality, everywhere to attack their virtual. To see the seams, to take advantage of the virtual straight people, to avoid the real and attack the virtual.

The Miao sword knife method of sound east and west. Guide to hit the north such as ruffled, ruffled point, is this tactic. This is the art of war in the real virtual, virtual and real also.

Qi is precisely the term used in the art of war, "to justify the enemy to win by surprise". It is the front to meet the enemy, the troops to fend off the enemy from the front, but to attack the enemy without protection and too late to rescue the place in order to win. This law is also applied in boxing and equipment. The application often echoes with the real and the imaginary. In the open attack and open defense to unexpected means to attack their weaknesses, so that they can not be caught off guard.

The Chinese Miao knife has a whole set of offensive and defensive use, which "positive odd" in the array of arrangements, often the forehand for the positive, that is, the right hand grip hand for the positive, the back hand for the odd. That is, the far end of the hand for the odd; the far end of the hand and foot for the positive, near the elbow, shoulder, knee, crotch for the odd; upper limbs for the positive, lower limbs for the odd. But this is not fixed, is reversible. It is to be reversed by the circumstances of the battle. Positive odd, odd positive - ... the cycle goes on and on.

The contradictory unity of rigidity and flexibility is usually expressed in boxing in terms of the degree and method of exertion, but other factors such as movement, static and reality are also included in the use of rigidity and flexibility.

The concept of "softness overcomes hardness" or "softness can overcome hardness" is often applied in other technical fields. The reason why the new Miao knife we developed and invented has a rounded back is to reduce the friction when the instruments come into contact with each other in a hand-to-hand combat, "to overcome rigidity with softness". The newly developed Miao knife is longer than the general short arms, and can be used in single or double-handed exchange, which is more advantageous in the short arms competition. The spine of the knife is thicker (than the general equipment) and is round back, used to block smashing general sword is much more powerful. From the Miao knife knife shape itself and has the advantages of "rigid to overcome soft".

However, rigidity and softness are opposites. The softness of the hardness, at the same time, the hardness is also in the softness. Both of them need the necessary conditions to overcome each other. "Rope grinding wood broken" "dripping water penetrates the stone" the phenomenon of the soft to overcome the hard, although established, but I do not know how much time it takes. And a fast knife, immediately cut numerous messy hemp, a pound of dynamite can overturn a number of earthworks, the effect is very obvious. Soft is not, the effect of soft almost invisible, often ignored its existence. So it is said that just soft two are mutual constraints, interdependent in order to be established.

The basic knife method of Miao knife is stabbing, chopping and blocking. We developed the invention of the Miao knife, must be suitable for the above three basic knife law, that is, the straight line (in favor of stabbing); knife ridge thick, knife body long (conducive to chopping); round back (conducive to smashing the opponent's knife and sword and other light instruments), so that in line with the principle of rigid and soft. Round back out of the soft, soft Shang Tanglian. Mr. Wu Shuai Miao knife cutting stick stick method is this reason. Just Shang suddenness, Miao knife in the hold to hit the split, the back of the knife grid iron potential is just can overcome the soft.

The art of war: "Static like a virgin, moving like a tiger", said the handling of static and dynamic, but also the use of rigid and flexible.

Hand to hand before the opportunity to look like a virgin general stability, calm, to cope with the changes on the battlefield, so that the opponent paralyzed and relaxed defenses, and then quickly rushed to its forbidden areas of the hinterland, and now it is not as good as defense. By the same token, '. Avoiding the real and striking the virtual" is talking about the real and the virtual, which also contains the role of rigidity and flexibility. "Avoid the practical soft, hit the virtual with just".

In ancient times, there was no one who talked about softness and rigidity more than Yu Dayou of the Ming Dynasty, who wrote in his book Qi Jing Zhi ("戚經诀"). The trick is: "Just before the other force, soft ride after the other force. He is busy, I wait quietly, and I know that the beat is yours to fight." Just before his force, that is, pre-emptive attack, attacking him in the desire to send not yet sent, pre-emptive interception, so that he was caught off guard. Softly, after taking advantage of his force, he will avoid the real and strike the virtual. His force has been issued, not to fight with its force, to dodge its peak or change the angle of the route of its force, to take advantage of its old force over, the new force has not yet been born when the return attack. So that he cannot change. "He is busy, I stay still, know the beat to let you fight". Waiting is the stillness of movement. A beat is an opening, a chance to fight. Pro-forma is to take a preemptive or post-emptive - "stay still", according to the two sides of the situation, according to the opportunity to determine the war.