Yueju Opera Li Min's version of "The Story of the Western Wing" sounds like a very old singing style, may I ask if it is a four-worker tone singing style?

Vietnamese Opera does not belong to the system of four-work tunes. Yueju Opera is a local opera originated in the area of Shengzhou, Zhejiang Province, and its singing is developed according to the local music and folk art, which is different from Peking Opera, Kunqu Opera, etc. Therefore, Yueju Opera's singing system and musical characteristics are independent.

About the singing of "The Story of the Western Wing", the singing in Yueju Opera is mainly divided into four major tunes, namely, Erhuang, Sanhuang, Sihuang and Wuhuang. Among them, Yueju Opera's "The Story of the Western Wing" usually adopts the singing style of Erhuang or Sanhuang, both of which are one of the older singing styles in Yueju Opera, which can better reflect Yueju Opera's unique musical characteristics and performance style. Li Min's version of "The Story of the Western Chamber", on the other hand, uses the Erhuang tone, which is also one of the older, more traditional singing styles in Yueju opera.

Overall, the singing style adopted in the Vietnamese opera "The Story of the Western Wing" is mainly Erhuang or Sanhuang, while Li Min's version of "The Story of the Western Wing" adopts the Erhuang singing style, which has a strong style of Yueju opera and historical and cultural value, and is an important part of the traditional culture of Yueju opera.