The difference between China's four major woodblock prints and the four great masters of New Year's paintings is?

There is no difference between the Four Great Woodblock Prints of China and the Four Great Masters of Chinese New Year Paintings, all of which refer to the woodblock prints of Mianzhu New Year Paintings, Peach Blossom Dock of Suzhou, Yangliuqing of Tianjin, and Yangjiabu of Weifang. Because of the Sichuan Mianzhu New Year's Paintings, Jiangsu Peach Blossom Dock, Tianjin Yang Liuqing, Shandong Weifang Yangjiabu woodblock prints in the history of the famous, known as China's New Year's Paintings of the four great, also known as China's "four great New Year's Paintings".

1, Mianzhu New Year Painting

Simple Sichuan Mianzhu New Year Painting inherited the tradition of Tang and Song Dynasty painting line drawing and coloring techniques, thus forming a bright and colorful, simple and rich local flavor and distinctive national characteristics.

Sichuan Mianzhu New Year's Paintings began around the end of the Ming Dynasty and the beginning of the Qing Dynasty, and its varieties are the most varied in the form of door gods and door children. In the production of painters mainly dyeing, that is, only with ink lines printed out after the painting, that is, hand-painted, which is the complete opposite of the Suzhou Peach Blossom Garden all color plate overprints. Mianzhu New Year's paintings also use the method of printing, i.e., when adding the gold group of flowers, the pattern will be engraved into a stamp type, pressed on the screen.

2, suzhou peach blossom wood yearbook

Suzhou peach blossom wood yearbook, peach blossom wood is located in jiangsu province north of suzhou city, peach blossom wood yearbook originated from the song dynasty engraved printing process, by the embroidery of the image of the figure evolved to the development of the ming dynasty folk art genre, the yongzheng dynasty of the qing dynasty, the qianlong years for the heyday of the period. The printing of Taohuayuu New Year's Paintings uses both coloring and color overlay, with symmetrical and rich compositions, beautiful engraved lines, and brilliant colors. It was called the "Gusu version" by the folk painting circles.

3, tianjin yangliuqing nianhua

Tianjin yangliuqing nianhua, yangliuqing is located in tianjin city 20 kilometers west, it's woodblock prints began in the ming dynasty chongzhen years, from the qing dynasty yongzheng, qianlong to the early guangxu most popular. Dozens of villages around Yangliuqing also paint New Year's paintings.

The characteristics of Yangliuqing New Year paintings are: the combination of woodcut watermarks and hand-painting, retaining the techniques of folk painting, and influenced by the Qing Dynasty Painting Academy; more than from the old drama, beautiful women, fat children, etc., the composition of the full, neat lines, bright colors, the characters of the head and face of the more pink and gold halo, rich in decorative.

4, Weifang Yangjiabu New Year Painting

Weifang Yangjiabu New Year Painting, Yangjiabu woodblock prints were first created at the end of the Ming Dynasty, and all were handmade and produced in a traditional way, and were influenced by Yangliuqing New Year Painting at the early stage, and then reached their heyday in Guangxu Years of the Qing Dynasty, and became popular in the area around the lower reaches of the Yellow River. Yangjiabu New Year paintings have a wide range of genres, rich imagination, heavy use of primary colors, rough lines, and simple style.

Expanded Information

1. Tianjin Yangliuqing New Year Paintings are Famous in Beijing

Yangliuqing in the Ming Dynasty was a major town on the South Canal, and with the opening of the South Canal, its economy became more and more prosperous. In the middle and late Ming Dynasty, the art of woodblock prints was initially produced in Yangliuqing, and the earliest painting stores appeared at the end of the Ming Dynasty, which gradually prospered in the Yongzheng and Qianlong years of the Qing Dynasty.

The Qing Dynasty Beijing and Tianjin region as the center of Chinese culture, social culture is very complex, royal culture and aristocratic culture convergence of the essence of Manchu and Han culture, the culture of the officials and gentry convergence of Confucian and official culture trend, the culture of the marketplace is a concentration of the Jin, Yuan, Ming and Qing dynasty capital of the folk customs. Yangliuqing town is located in the north-south transportation, through the South Canal and the South close contact, so its living customs both northern style, but also the flavor of the South.

Tianjin was the main port of the capital to overseas, with the dual functions of diplomacy and trade. In this way, the art of Yangliuqing Town's New Year's Paintings was profoundly influenced by multiple cultures, and the consumers were diversified, ranging from royalty and aristocrats to citizens of towns and cities, as well as farmers in the countryside, and even foreigners. The process of half-printing and half-painting makes Yangliuqing New Year paintings closer to Gongbi Heavy Color Chinese Painting, thus forming a high and handsome artistic style.

2. Suzhou Taohuayu woodblock prints are an excellent representative of Jiangnan New Year's Paintings

Suzhou Taohuayu woodblock prints have been passed down from Lin'an (Hangzhou) in the Southern Song Dynasty. After more than a hundred years of development, the culture of the Southern Song Dynasty blended with the refined and delicate culture of Jiangnan, forming a refined and elegant cultural style that was very different from the compatibility of the new Central Plains culture at that time. Under the influence of this cultural style, woodblock prints spread directly from Hangzhou to surrounding areas such as Suzhou and Wuxi.

Since the Yuan Dynasty, the Yuan and Ming Dynasties, opera and novels and sagas are very fruitful, and almost all the scripts and novels published and distributed in the society are accompanied by woodcut illustrations, which drove the art of ancient Chinese prints and drawings to reach the peak. And Jiangnan brush printing woodblock prints flourished, led to the development of woodblock prints. Suzhou woodblock prints in the art technology also directly benefited from the Ming and Qing Dynasties Jiangnan prosperous literati calligraphy and painting art.

Zhao Meng_and_the_Four_Yuan_Dynasty_Families_were_activated_in_Suzhou,

Tang_Yin_the_Four_Wu_Men_Families_of_the_Ming_Dynasty,

and_Dong_Qichang_the_Huating_Friends_of_the_Nine_Young_People,

all_lived_and_wrought_in Their writings and paintings were well known in the south of the Yangtze River and had a wide influence. To the Qing Dynasty, Jiangnan literati painting has been popularized in the Academy, profoundly affecting the development of woodblock prints.

Therefore, historical, economic, cultural and artistic reasons made Suzhou Taohuayu woodblock prints become the center of Jiangnan woodblock prints in China, creating artistic styles and techniques that were obviously different from those of contemporaneous woodblock prints of Kaifeng Zhuxianzhen and other places.

3, Weifang, Shandong Province, represented by Yangjiabu New Year paintings. The kangtou painting is a quite distinctive variety in that place. Weifang New Year's paintings are characterized by bold lines, simple shapes and strong colors, mostly in primary colors.

4, Sichuan Mianzhu New Year's Paintings are famous for colorful paintings, with strong national characteristics and distinctive local features. The composition of Mianzhu New Year's Paintings is symmetrical, complete and full, with a clear distinction between primary and secondary, and a variety of uniformity. The colors are contrasting, simple, bright and strong, constituting a red-hot, warm artistic effect.

The lines are refined and smooth, combining rigidity and softness, sparse and dense, with a strong sense of rhythm, while the exaggerated, deformed, symbolic and allegorical modeling has a more witty and lively effect. Mianzhu New Year paintings are divided into two categories: red goods and black goods. Red goods refer to colored New Year's paintings, and black goods, refers to woodblock topographies with smoke ink or vermilion sand topography.

Baidu Encyclopedia - The Four Great New Year Paintings

Baidu Encyclopedia - The Four Greats of New Year Paintings

Baidu Encyclopedia - New Year Painting