Music Appreciation and Song Video of Moonlight Flowers on the Riverside.

Moonlit Night on the Spring River is one of the representative works of China classical folk music, with profound artistic conception and long musical sound. Let's follow my footsteps to learn about the music appreciation of "Moonlit Night on a Spring River"!

Music Appreciation of Moonlit Night on the Spring River

Moonlit Night on the Spring River is a famous song in Chinese classical music and a classic in Chinese classical music. This is an elegant and beautiful lyric music. It is like a landscape painting scroll. On a quiet night in spring, it shows us the charming scenery of nature. The moon rises in Dongshan, boats are rippling on the river, and flowers are swaying gently in the west bank. Through euphemistic and simple melody, smooth and changeable rhythm, clever and delicate orchestration and clever performance, music vividly depicts the charming scenery of the riverside on a moonlit night and praises the charm of Jiangnan water town.

The whole song is like a long scroll of landscape painting, with delicate strokes, soft colors, beautiful and elegant, and fascinating. This song is extended to 10, namely: 1. Sunset flute and drum; Second, stamens are scattered and return air; Third, the mountain is near the moon; Fourth, the sunset is near the water; Fifth, the sound of maple autumn; Sixth, Chivalrous Chihiro; Seven, Xiao Sheng red forest; Eight, Linjiang night; Nine, the fishing boat sings late; Ten, the shadow returns to the boat. The titles of each section are: returning to the sky, avoiding the moon, facing the water, climbing mountains, screaming, watching at night and returning to the boat.

"Moonlit Night on a Spring River" has beautiful artistic conception, compact musical structure, simple and elegant melody, relatively stable and stretched rhythm, and shows profound artistic conception in an implicit way, which has strong artistic appeal. Although the theme melody of this piece changes a lot and new factors emerge one after another, each paragraph ends with the same phrase, which sounds very harmonious. In Han folk music, this technique is called "changing the head and ending", which can reveal the artistic conception of music from different angles and deepen the content of music expression. The idea of "Moonlit Night on a Spring River" is very clever. With the constant change and development of music theme, the artistic conception depicted in music also changes gradually, sometimes quiet and sometimes warm, realizing the endless changes of natural scenery.

The first paragraph, "Bells and Drums in Jianglou", describes the setting sun reflected on the river, and the smoke rippled. Then, the band played a beautiful theme in unison, and the phrases were linked and euphemistic. The drums are soft and profound. The second and third paragraphs show the artistic conception of "the East Mountain on the Moon" and "the wind turns to bend the water". Then, if you see the river blowing gently, flowers swaying, reflections in the water, layers of trance. Entering the fifth stage of "deep clouds", the magnificent scenery of "there is no dust in the sky on the river, and there is a solitary moon wheel in the sky" arises spontaneously. The band played in unison, speeding up the pace, just like the picture of white sails, fishing songs in the distance, singing one by one from far and near. In the seventh paragraph, the pipa is played with a sweeping wheel, just like a fishing boat breaking through the water and setting off waves lapping on the shore. The climax of the whole song is the ninth paragraph "Going Home", and the melody is exciting from slow to fast, from weak to strong. The artistic conception of returning to the boat and breaking through the water, splashing waves and screaming "Nai Nai" has reached the emotional peak from far to near. Then the music came to an abrupt end in a rapid way, returned to a calm and gentle artistic conception, and then ended. The music at the end is so ethereal and long that it disappears in the distance like a canoe on the river. The night sky by the river is quiet and serene, and the whole song ends in a melodious and slow melody, which makes people indulge in this poetic and charming artistic conception?

Brief Introduction to Music of Moonlit Night on the Spring River

The score of this pipa was first seen in Jushilin (about 1736? 1820), and the true biography of the northern and southern schools of pipa, the manuscript of Zhang Jianshan in Songjiang, Jiangsu Province, 18 19.

"Sunset Flute and Drum" is a lyrical and freehand Wen Qu with elegant melody. The left hand uses various playing techniques such as pushing, pulling, rubbing and reciting. The music begins with drum music and flute, and the theme is full of Jiangnan water town sentiment. Later, the following paragraphs used variations such as expansion, contraction, changing the range and changing the head and tail, as well as quasi-vocal music such as water waves and paddles to enrich the music. With its gentle melody and peaceful mood, this song depicts the beautiful scenery of the world: the sunset is sent away by the dusk drum, and the full moon is ushered in by the flute; People float by the river in canoes; On both sides of the strait, there are green mountains and green waters and flowers; The surface of the water is full of waves, and it is noisy?

The Music Development of Moonlit Night on the Spring River

This song was adapted for piano by Liyinghai, for Senguan Quintet by Liu Zhuang and for symphonic music and painting by Chen Peixun. Quanqu is the most common multi-stage structure in national instrumental music.

Yin Biao, a classical guitarist from China, adapted this piece into a guitar solo "Xunyang jathyapple" and won the classical guitar championship of Guangdong, Hong Kong and Macao on 1988. Li Haiying adapted it as a piano solo, Liu Zhuang adapted it as a Mori official quintet, and Chen Peixun adapted it as a symphony.

Guess you are interested in:

1. Appreciating the calligraphy works of Li Shu in the moonlight and flowers on the spring river with ancient poems

2. Appreciation of Zhang's "Moonlit Night on a Spring River"

3. Guitar solo score on a moonlit night in the Spring River

4. Guzheng spectrum of moonlight and flowers in Chunjiang River

5. A brief score of the pipa on a moonlit night in the Spring River