What does Ma Huixian do for a living?

Ma Huixian (1929.2-2014.5), alias Fohui, pen name Tianchu, No. Hundred Flowers Room Master, ancestry Wujin, Jiangsu, born in Shanghai, a famous contemporary painter and arts and crafts artist, honorary curator of the Museum of the Guangxi Zhuang Autonomous Region, researcher of literature and history of Guangxi, and academician of the Calligraphy and Painting Academy of the Guangxi Literature and History Research Center, "C, member of the Chinese Democratic League, honorary president of the Ma Wanli Chinese Painting Art Research Society, and honorary president of the Art Sea Hui Lan Society. Since childhood, he studied painting with his father, the famous modern calligraphy, painting and seal-carving artist Ma Wanli, specializing in painting flowers, ladies, grasses, insects and animals. He has been the executive director of Guangxi Arts and Crafts Association, member of the fourth and fifth sessions of the Nanning Political Consultative Conference, and the first president of Ma Wanli Chinese Painting Art Research Association; he was a member of Guangxi Artists Association, member of China Elderly Painting and Calligraphy Research Association, and senior painting and calligraphy master and academic member of Culture and Art Committee of China Famous Persons and Foreigners Culture Research Association. In 1990, he received a commendation from the Ministry of Light Industry for "contributing to the development of China's arts and crafts industry". His main works include "Autumn Interest", "Heavenly Maiden Scattering Flowers", "Hundred Flowers Competing" and "Very Spring Colors".

Chinese Name: Ma Huixian

Alias: Buddha Hui

Nationality: Chinese

Ethnicity: Han

Birthplace: Shanghai

Date of Birth: February 10, 1929

Date of Death: May 22, 2014

Occupation: Painter

Graduate School: Guilin Fine Arts College, Central Academy of Fine Arts

Major Achievements: title of honorary curator of Guangxi Zhuang Autonomous Region Museum

Gold Medal in the Cross-Strait Exhibition of Painting and Calligraphy Masterpieces

Commended by the State Ministry of Light Industry

Title of Guangxi Literary and Historical Research Librarian

(1951-2006) Honorary title of Outstanding Artist in Literature

Exhibition of Ma Huixian's Paintings

Representative Works: Autumn Interest, Heavenly Maiden Scattering Flowers, Hundred Flowers Competition, Purple Clouds

Hometown: Wujin City, Jiangsu Province

Name of the Lodge: Hundred Flowers Room, Wisteria Immortal Hall

Name of the Pen: Tianchu

Personal Profile

Ma Huixian, alias Fuhui, pen name Tianchu, No. Master of the Hundred Flowers Room. Born in 1929, Jiangsu Wujin, contemporary famous painter, Guangxi Museum Honorary Curator, Guangxi Museum of Literature and History curator, "1951-2006 outstanding artists". Ma Huixian is the daughter of Ma Wanli, a famous calligrapher and seal carver at home and abroad. She learned painting from her father at a young age, and received his authenticity, specializing in painting flowers and ladies. She studied at Guilin Academy of Fine Arts (now the predecessor of Guangxi Academy of Arts), Xijiang College of Arts and Sciences and Central Academy of Fine Arts. He has been the executive director of Guangxi Arts and Crafts Society, a member of the fourth and fifth sessions of the Chinese People's Political Consultative Conference of Nanning, an academician of the Calligraphy and Painting Academy of the Guangxi Literature and History Research Center, a director of the Guangxi Elderly Calligraphy and Painting Research Association, the president of the Ma Wanli Research Association for the Study of the Art of Chinese Painting, a consultant of Nanning Artists' Association, a director of the Nanning Culture and Arts Association, an advisor of the Nanning Calligraphy and Painting Institute, and a vice president of the Nanning Elderly Calligraphy and Painting Research Association. He has been a member of the Chinese Older People's Painting and Calligraphy Research Association, an academic member of the Chinese and Foreign Celebrities Culture Research Association's Culture and Arts Committee's Painting and Calligraphy Division, a member of the Guangxi Artists Association, and a senior painter and calligrapher of Nanning Painting and Calligraphy Academy.

Style of work

Ma Huixian's painting style is clear and elegant, inheriting his father, Mr. Wanli's small writing style of elegance and vulgarity*** appreciation. His works are mostly flowers, birds, grasses, trees, beasts, insects and fish, in particular, wisteria, flowers, grapes, ladies' subjects are the most. "His works are clean in ink and elegant in color, in the style of his father." --Guangxi Zhuang Autonomous Region People's Government Counselor's Office

The quality of Ms. Ma Huixian's works is a reflection of her personal cultivation and mentality in the world: pure, clean and elegant, and free from vulgarity. Her painting style inherits Mr. Ma Wanli's style of work and writing, which not only pays attention to the precision of object modeling, but also strives to highlight the layers and effects of ink and brushwork. However, she also has her own understanding of small writing: compared with the old and ancient and heavy in Mr. Ma Wanli's works, Ms. Ma Huixian integrates the unique delicate and gentle touch of women into her paintings, which makes her works more vivid and full, elegant and gorgeous; her line walking is very deep, which is attributed to the painstaking study of famous masterpieces in her adolescence. Her rough life experience also has an impact on the style of her works, and she casts her tough character into the picture, and her strokes are all in one go without any procrastination.

Birds, animals, insects and fish, flowers, fruits and trees, as well as ladies, are all subjects in which Ms. Ma Huixian excels, so there is no single type of work. This shows the comprehensiveness of Ms. Ma's subject matter and the diversity of her works.

Artistic Evaluation

Qian Xiaoshan, son of Mr. Qian Zhenhuang, a great Confucian scholar from Jiangnan, former vice chairman of the Changzhou Municipal Political Consultative Conference in Jiangsu Province, and advisor to the Chinese Society of Poetry, once gave a poem to Ms. Ma Huixian, "It is the time for the sun to shine in the south of the Yangtze River, and the paintings are new on her return from thousands of miles away. Leave the clean air in the Qiankun, a colorful brush has a heir." The meaning is to praise Ma Huixian painting to inherit the family school of origin, not in vain Mr. Ma Wanli a lifetime of art world reputation. (Note: Mr. Ma Wanli was the favorite student of Mr. Qian Zhenhuang (famous mountain).)

Famous poet and calligrapher Yu Yifu also wrote a poem as a gift: "Xiaoshan inscription Huixian painting, art garden _ spring rhyme thing new. The spirit of Yanghu in the end of ancient times, the article painting is always amazing."

Frosty sideburns, slightly curved spine, simple clothing, eyes contain calm, face written on the vicissitudes of life, this is the Guangxi Cultural and Historical Research Museum, painter Ms. Ma Huixian.

Ma was born in Changzhou, a place of great wealth and talent, lost his mother at the age of three, and followed his father, Mr. Ma Wanli, in the north and south of the Yangtze River since childhood. Mr. Ma Wanli was a master of calligraphy and painting, famous in Ningxia and Shanghai, and renowned at home and abroad. Mr. Ma has been exposed to the art of painting and calligraphy, and it is only natural for her to use the brush and study ink. She was good at painting flowers and ladies, and she was very devoted to painting the Goddess of Mercy, so she was also known as Buddha Hui.

Giftedness is indispensable to those who study. However, Ma firmly believed that "diligence makes up for clumsiness". From the end of the War of Resistance Against Japanese Aggression to the early 1950s, Ma studied at Guilin Academy of Fine Arts, Xijiang College of Arts and Science and Central Academy of Fine Arts. Her artistic achievements not only benefited from her family's legacy, but also relied on decades of perseverance, diligent study and hard work.

Ma was a publicity officer at the Xuanwu District Cultural Center in Beijing, responsible for organizing exhibitions and tutoring mass cultural activities for 12 years; an artisan at the Yong Theatre in Nanning City for 8 years; and engaged in art design at the Nanning Arts and Crafts Factory for 12 years. In the long years, Ma experienced the ups and downs, tasted all kinds of hardships, and suffered the tragic loss of her partner and fellow artists in the Cultural Revolution. In the face of misfortune and suffering, she sought solace for her soul from the tireless pursuit of art, and used a calm and serene state of mind to perceive life, and continued to raise the sails of life with love and perseverance.

Ma's clothes were not heavy, and she did not ask for much in the way of material things. She was a man of faith, a man of goodwill, a man of sincerity, a man who seldom argued with others. Ma's attitude towards creation was meticulous: while striving to make her works reach the realm of fine ink and fine brushwork and vivid colors, she demanded that the picture be neat and clean, never dragging her feet and randomly applying paint; whenever she painted, she used fresh paint and ink, and discarded dirty or dried paint and ink; after painting, she also was sure to wash the painting utensils clean so that they could be used again the next time. I'm sure you'll be able to use them again next time.

Ma's works have been published in magazines and journals such as Art World, Chinese Painting and Calligraphy Newspaper, Jiangsu Painting Journal, Guangxi Daily, etc., and have been exhibited and honored dozens of times at home and abroad, and have been exported to Japan, the United States, Australia, Singapore and other countries. Ma's works, although there is no lack of praise from everyone, celebrities, but she has always been calm and relaxed, not to make a fuss, not to reserve their ability, neither book beauty, more not to hide the evil.

Due to the war before the liberation and the ten-year turmoil of the Cultural Revolution, Ma's early works were basically lost and scattered, and the vast majority of the works that have been collected into a book today were created after the Cultural Revolution. Although "Huixian painting exhibition" is only a small flower in the garden of culture, but it shows the fruits of Ma's labor over the years, is her understanding of beauty, but also the display of her beautiful feelings, as the so-called "paintings are like their own people". 2008 spring, Ma will be eighty years old, in his eighties, to be able to dedicate to the readers in the oldest age of the spirit of health, Ma is y gratified. Ma is y gratified.

"There is no such thing as a late night, the red sun is still full of sky". In the great practice of promoting the excellent traditional culture of the Chinese nation and building the advanced socialist culture, we sincerely wish that Ma Lao will stay young in art forever, and continue to depict harmony, and beauty, and concord with bright colors and wonderful lines!

From the introduction to the November 2007 special issue of Guangxi Literature and History, "Ma Huixian's Painting Exhibition"

Artistic experience

Ma Huixian was engaged in mass art work after finishing school in 1952, and worked as a propaganda officer in the Xuanwu District Cultural Center in Beijing from August 1952 to January 1964, in charge of organizing exhibitions and tutoring mass cultural activities, in coordination with the political campaigns of the time. From January 1964 to 1968, he worked as an artist at Nanning Yong Theater, responsible for the promotion of Cantonese Opera and Yong Opera as well as the drawing of publicity posters, and from 1972 onwards, he worked as an art designer at Nanning Arts and Crafts Factory, where he was responsible for the design of trademarks, shell carvings, Chinese paintings, and production management, etc. In 1978, he designed the "This Side of the Scenery is Unique," which was selected for display at the National Arts and Crafts Exhibition, where it was highly acclaimed. In 1978, two shell carvings designed by him, such as "This side of the landscape is unique", were selected to be exhibited at the National Arts and Crafts Exhibition. During this period, the Chinese paintings have participated in many expositions held by China in Italy, Tanzania and other countries, and exported to Japan, the United States, Australia, Singapore and other places, and quite praised by Chinese and foreigners. over the past 30 years, the works have been published in various newspapers and magazines and collections such as Guangxi Daily, Rongbaozhai, Foshan Newspaper, China Painting and Calligraphy Newspaper, Jiangsu Painting Journal, Art World, etc., and dozens of times exhibited at home and abroad, and won the prize of the National and Provincial Competition. ---from Guangxi people's government counsellor's office "counsellor curator style"

Major honors and awards

Works "spring is full of people", "ink grapes" won the "first Asian Women's Painting and Calligraphy Competition" first and third prizes;

The works "Purple Cloud" and "Dashing Six Ru Tu" won the gold and silver prizes of "Celebrating the 45th Anniversary of the Founding of the People's Republic of China";

The works "Very Spring Colors" won the first and third prizes of "The First Asian Women's Painting and Calligraphy Competition". "won the first cross-strait calligraphy and painting masterpieces exhibition" gold medal;

Works "flying purple snow in the mid-air" won the "Chinese famous painters and calligraphers excellent works of the joint exhibition" first prize;

Works "full of spring colors The work "Full of Spring Colors" won the silver medal in the "Third International Calligraphy and Painting Art Exhibition";

The work "Only This Flower Blooms Undefeated" was invited to take part in the "First "China Cup" Contemporary Masters Calligraphy and Painting Exhibition" and won the prize of the best participating work;

Works "Friendship Flower" won the first prize of "The First World Chinese Art Award";

Works "All Elephants Strive for Spring" won the "Celebration of the 50th Anniversary of the Founding of the People's Republic of China and the State of China," the "Star Award of Chinese Calligraphy and Painting". Star Award" Chinese painting and calligraphy art exchange exhibition" gold medal;

Works "wisteria goldfish" won the "Cross-century Peace Cup International Painting and Calligraphy Competition" silver medal;

Works "Red Plum Annunciation" won the "Ki Tai" held in Nanjing, China. The work "Red Plum Annunciation" won the gold medal in the "Ki Tai "Charity Cup" Chinese painting and calligraphy competition" held in Nanjing;

Ma Huixian's works have been the Museum of the Guangxi Zhuang Autonomous Region, Changzhou Museum, Guilin Museum, the General Office of the Government of the Guangxi Zhuang Autonomous Region, the Guangxi People's Political Consultative Conference, the Guangxi Children's and Teenagers' Foundation, the China Construction Bank, the Beijing West Hotel, Jiangsu, Wuhan, Hunan, Sichuan, Heilongjiang, Anhui, Hunan, Anhui, Hunan, Hunan, Heilongjiang and Jiangsu, Hunan, Sichuan, Heilongjiang, Anhui, Ningxia, Guangxi, the Central Museum of literature and history, the Chinese Academy of Calligraphy, China Calligraphy Art Research Institute, China Calligraphy and Painting Collectors Association, the Central Committee of the Democratic Revolutionary Party, the National Red Culture Collection Fellowship and other collections.

In 1989, the work "Purple Cloud" was collected by the organizing committee of the 11th Asian Games; in the same year, the work "Hundred Flowers" was published in "Selected Calligraphy and Painting Works of Members of the National Literary and Historical Research Library";

In 1990, the work "For China's Light Industry Ministry" was accepted by the State Ministry of Light Industry. In 1990, by the Ministry of Light Industry "for the development of China's arts and crafts made a contribution to" commendation;

1994, was invited to become China Jiangdu Painting and Calligraphy Academy of special painting and calligraphy;

1995, "Autumn Interest", "listening to the qin", "déjà vu swallow return", "heavenly maiden scattered flowers" and other 11 works in the Guangxi Art Publishing House published in the "Ma Wanli three generations of painting and calligraphy"; in September of the same year, works "Wisteria goldfish" won the China Federation of Literary and Art Circles, China Association of public **** relations, China International Public **** relations association jointly sponsored the "China International Literary and Art Works Fair" second prize;

1996, the work "group of flowers compete for beauty

1996, the work of "Groups of Fragrance and Brightness" participated in the National Literature and History Museum Achievement Exhibition and was received by Premier Li Peng and other chiefs and photographed;

1997, invited by the Guangxi Television Station to participate in the shooting of the "Ma three generations of painting Spring and Autumn"; in March of the same year, the work of "Jiu Ru Tu" to participate in the "Celebration of the" organized by the Hong Kong City Hall In March of the same year, the work "Jiu Ru Tu" took part in the "Celebration of March 8" and "1997" China's one hundred female painters art works joint exhibition held in Hong Kong City Hall; in December was elected as the director of the Guangxi old age painting and calligraphy research association;

January 1998, Nanning painting and calligraphy academy was hired as a consultant; works "Lady", "Tiger", "Wisteria Goldfish" and other four works in the Nanning City Art Association of Chinese painting art committee published in the "Chinese painting works"; the same year, the work Purple clouds" was selected by the art department of the ministry of culture, China academy of art, Chinese calligraphers association, Chinese artists association jointly organized the "world Chinese painting and calligraphy exhibition of outstanding works anthology"; works "everything as you wish" won the "commemoration of the two thousand years of Chinese buddhism painting and calligraphy competition". Silver Prize; in September of the same year, invited to become the Chinese Calligraphy Art Research Institute of special painting and calligraphy;

1999, the work "ink grapes" was selected as the "Guangxi Academy of Art Art Works"; in December of the same year, invited to participate in the "commemoration of the fiftieth anniversary of the founding of the CPPCC and the return of Macao painting and calligraphy exhibition" held by the Office of the CPPCC of Guangxi. Exhibition";

July 2001, the work "purple clouds" was selected by the propaganda department of nanning municipal party committee, nanning city federation of literature and culture jointly organized by the "commemoration of the 80th anniversary of the founding of the proletariat of china*** art calligraphy and photography exhibition"; December, the work "nine as the map In June of the same year, invited to participate in the "celebrate the thirtieth anniversary of the establishment of diplomatic relations between China and Japan" in guangxi museum jointly organized the "Japan and China painting and calligraphy - carving art exchange exhibition";

March 2003, won the Chinese and foreign celebrities culture research association culture and art committee issued by the "Chinese and foreign celebrities culture research, creation achievement award"; in December of the same year, the calligraphy and painting art achievements and collections. In December of the same year, the calligraphy and painting art achievements and collection of rundown standard into the State Bureau of cultural relics and Chinese painting and calligraphy collectors association edited, the academy publishing house published and distributed "Chinese painting and calligraphy collection of large-scale painting and calligraphy literature;

July 2004, the works of the seven ministries of the state and other units co-sponsored by the "celebration of the 55th anniversary of the founding of the country painting and calligraphy joint exhibition" second prize, and was selected to celebrate the 55th anniversary of the founding of the country painting and calligraphy set;

In 2006, Nanning City Federation of Literary and Art Circles awarded the honorary title of "Outstanding Literary and Artistic Artist from 1951-2006";

In 2007, the work "Very Spring Colors" took part in the National Literary and Historical Exhibition of "The Soul of China". Chinese Soul" National Literature and History Research Center Painting and Calligraphy Exhibition in the National Art Museum of China;

In 2007, Guangxi Literature and History published a special issue of "Ma Huixian's Painting Exhibition";

August 2012, the works of "Groups of Fragrance Contesting for Beauty" were published in the exhibition of "The Soul of China", which was organized by the Vice Chairman of Guangxi Zhuang Autonomous Region, Li Kang, and Vice Director of Counselor's Office, Wang Mingming, of the State Council. Wang Mingming, deputy director of the Counselor's Office of the State Council as the director of the editorial committee, the Central Research Center for Culture and History, Painting and Calligraphy Institute and the Cultural and Historical Research Center of the Counselor's Office of the Guangxi government, Guangxi Fine Arts Publishing House, published and distributed by the Beautiful Guangxi to celebrate the Ninth China - ASEAN Expo, a collection of Chinese paintings (ISBN 978-7-5494-0614-2/J-1658); in September of the same year, the works selected by the Counselor's Office of the State Council, the Guangxi Zhuang Autonomous Region, the Guangxi Zhuang Autonomous Region and the Guangxi Zhuang Autonomous Region. In September of the same year, the work was selected for the "Beautiful Guangxi" Chinese Painting Exhibition to celebrate the 9th China-ASEAN Expo, which was approved by the Counselor's Office of the State Council and the People's Government of Guangxi Zhuang Autonomous Region, and sponsored by the Calligraphy and Painting Institute of the Central Research Institute for Culture and History and the Culture and History Research Institute of the Counselor's Office of the Guangxi Government and was displayed in the Guangxi Zhuang Autonomous Region Museum. This exhibition is one of the major activities of the Ninth China - ASEAN Expo, attracting great attention from all walks of life, and widely praised;

In May 2014, he was awarded the title of "Honorary Curator" by the Museum of Guangxi Zhuang Autonomous Region.

In May 2015, in order to commemorate the first anniversary of Ms. Ma Huixian's death, by the Guangxi Zhuang Autonomous Region People's Government Counselor's Office of Literature and History Research Center, the Guangxi Zhuang Autonomous Region Museum of the joint authorship of the Guangxi Zhuang Publishing House of Fine Arts publishing and distribution of the "collection of paintings of Ma Huixian" appeared in the market; June, by the Guangxi Zhuang Autonomous Region People's Government Counselor's Office of Literature and History Research Center, Guangxi Zhuang Autonomous Region Museum of the jointly sponsored the "Tianchu Rhythm - Ma Huixian painting exhibition" and "Ma Wanli manuscripts exhibition" in "China's cultural heritage day" - the morning of June 13 in the museum of guangxi zhuang autonomous region held a grand opening ceremony, the exhibition displayed 110 pieces of Ma Huixian's representative works of various periods.

His profile has been compiled into "Who's Who in Chinese Contemporary Art", "Chinese Art Yearbook 1949-1989", "International Dictionary of Modern Calligraphers, Painters and Seal Cutters", "Dictionary of World Art Calligraphers and Painters' Achievements at the End of the Century", "Dictionary of Chinese Contemporary Artists' Personal Names", "Who's Who of Chinese Contemporary Artists", and "Dictionary of World Personalities", and other dictionaries.

Huixian's Milestones

Born in Shanghai on February 10, 1929;

Mother Tang Meiqian died of illness in 1931;

Between 1936 and 1942, Huixian attended primary school of Zhejiang University, primary school of Xida University, Zhongshan Primary School, and Guilin Women's Secondary School; he won the first place in the province's oratorical competition during his secondary school years;

In 1943, he entered Rongmen Fine Arts College in Guilin. In 1943, she entered the Western Painting Department of Rongmen Fine Arts College in Guilin, where she learned to paint Zhang Daqian's ladies in her spare time;

In 1944, her drawings of ladies were exhibited with Ma Wanli in Wuzhou, Guilin, and Nanning, etc.

1945-1951, she studied at Xijiang College of Arts and Sciences of Guangxi Province;

1951-1952, she went to Beijing to study drawing from Mr. Zuo Hui of Central Academy of Fine Arts;

1951-1952, she studied drawing from Mr. Zuo Hui of Central Academy of Fine Arts;

They also studied painting from Ms. Zuo Hui of Central Academy of Fine Arts in Beijing. He studied drawing from Mr. Zuo Hui at the Central Academy of Fine Arts in Beijing;

August 1952-January 1964, he worked as a propaganda officer at the Xuanwu District Culture Center in Beijing, where he was responsible for organizing exhibitions and tutoring the masses in cultural activities in conjunction with various political campaigns at the time (his eldest son, Ma Tengjiao, was born on December 20, 1952); he was honored with the title of "Advanced Worker" for ten years;

January 1964-1968, he worked as an artisan at the Yong Theatre in Nanning City. Yong Theater, responsible for the promotion of Cantonese Opera and Yong Opera, and drawing posters;

In 1966, her husband, Lv Mushi, passed away;

Since 1972, she has been working as an art designer at the Nanning Arts and Crafts Factory, responsible for the design of trademarks, shell carvings, Chinese paintings, and production management, etc.

In 1973, she began to participate in more than 40 exhibitions of calligraphy, painting and art in Nanning City, the whole region, and the whole country, and has exhibited her works in more than 40 times. He has participated in more than 40 exhibitions in Nanning, the whole region and national painting and calligraphy art exhibitions, and has exhibited more than 100 pieces of works. In jiangsu painting magazine, guangxi daily, guangxi arts and crafts, nanning evening paper, family friends and other newspapers and magazines published "flowers", "tiger", "wisteria chick", "Red Plum" and other Chinese paintings more than ten;

In 1978, the design of the "scenery this side of the unique" and other two large-scale shell carving depicting the beautiful scenery of Guilin was sent to the National Arts and Crafts Exhibition exhibition won praise;

In October 1979, his father, Ma Wanli, was born in the city of Nanning, and his father, Ma Wanli, was born in the city of Nanning. In October 1979, his father Ma Wanli died of illness;

In March 1980, he was invited to join the Nanning Artists Association; in the same year, he held an exhibition of his father's posthumous works in Guangxi;

In 1981, he and his aunt Ma Qinghe held an exhibition of Mr. Ma Wanli's posthumous works in Nanjing, Jiangsu Province, Changzhou, etc.

In 1982, he held the "Family Paintings of Ma Wanli" in the Exhibition Hall of the Guangxi Zhuang Autonomous Region. "In 1982, Mr. Ma Wanli's family exhibition was held in the exhibition hall of Guangxi Zhuang Autonomous Region;

In August 1983, Mr. Ma Wanli visited the Children and Youth Foundation of Guangxi Zhuang Autonomous Region and donated paintings to the foundation;

In February 1984, Mr. Ma Wanli joined the Guangxi branch of the Chinese Artists Association;

In 1985, Mr. Ma Wanli became a member of the Guangxi Literary and Historical Research Center;

In 1989, Mr. Ma Wanli's works were exhibited in the exhibition hall of the Guangxi Zhuang Autonomous Region.

In 1989, the work "Purple Clouds" was collected by the Organizing Committee of the 11th Asian Games; in the same year, the work "Hundred Flowers Competition" was published in the "Selected Calligraphy and Painting Works of Members of the National Research Library of Literature and History";

In February 1990, he was invited by the Organizing Committee to attend the first Asian Games held in Beijing Military Museum. In February 1990, invited by the organizing committee to participate in the first Asian Women's Painting and Calligraphy Competition Exhibition held in Beijing Military Museum, together with Zhang Chuancai, Ma Wenluan, Zhao Xihua, Cai Ruiyun, Tang Xiuling, Sun Yan, Jiang Xueyan, Qian Shuying, etc.; in March of the same year, by the Ministry of Light Industry, "for China's development of the cause of arts and crafts made a contribution to the" commendation;

In 1991, in order to provide relief for the people affected by floods in Anhui Province in a hundred years, to participate in the "91 China Huangshan International Tourism Festival" large-scale sale of paintings and calligraphy, donating a number of paintings;

1995, "Autumn Interest", "Listening to the Qin", "The Piano", and so on. In 1995, "autumn fun", "listening to the qin", "déjà vu swallow return", "heavenly maiden scattered flowers" and other 11 works in the guangxi fine arts publishing house published "Ma Wanli three generations of painting and calligraphy selection"; the same year, participate in the In the same year, participated in editing Rongbaozhai Publishing House published "Ma Wanli calligraphy, painting and seal-carving collection";

1996, the work "group of flowers" to participate in the National Museum of literature and history exhibition and was Premier Li Peng and other heads of the reception and a group photo to mark the occasion;

1997, January, in order to raise the fund of Chinese literature and history, donate paintings "China Construction Bank" to donate to the organization In January 1997, in order to raise Chinese culture and history fund, donated to the donation unit of China construction bank painting "wisteria goldfish"; in May, the work "wisteria goldfish" was approved by the ministry of culture in 1997 (Wenwai letter) No. 204, by the china association for the promotion of international friendship, and other units co-sponsored by the "cross-century peace cup international painting and calligraphy exhibition". Silver Medal; in the same year, invited by Guangxi TV to participate in the "Ma three generations of painting Spring and Autumn" feature film shooting;

1998, the works of "Lady", "Tiger", "Wisteria goldfish" and other four works.

In 1998, the works "Lady", "Tiger", "Wisteria Goldfish" and other 4 works in Nanning City Art Association of Chinese Painting Art Committee published in the "Chinese Painting Works"; in the same year to participate in the Heilongjiang Province flood relief calligraphy and painting exhibitions, donated a number of paintings;

1999, the works of "Ink Grapes" was selected as the "Guangxi Academy of Art Art Works";

2003, the Guangxi Academy of Art works;

Guangxi Province.

In 2003, Guangxi Art Publishing House published "Selected Paintings and Calligraphy of Members of Guangxi Literature and History Research Center for the 50th Anniversary of the Establishment of the Center", and he was invited to be a member of the editorial board;

In 2006, he was awarded the honorary title of "Outstanding Literary Artist from 1951 to 2006" by Nanning Federation of Literary and Artistic Circles;

In 2007, the work "very spring color" to participate in the "soul of China" national research museum of literature and history painting and calligraphy exhibition in the National Art Museum of China; in November of the same year, guangxi literature and history of the publication of a special issue of the "ma huixian painting exhibition";

2012, works "Groups of flowers competing for beauty" was selected by the Central Research Museum of Culture and History Painting and Calligraphy Institute and the Guangxi District Government Counselor's Office of Culture and History Research Museum jointly organized the "Beautiful Guangxi - Celebration of the Ninth China - ASEAN Expo Chinese Painting Exhibition", displayed in the Museum of Guangxi. Ouyang zhongshi ink for the exhibition, together with Han Meilin, Song Yugui, Ma Wanli, Yang Yang, Huang Gesheng, Hou Dechang, Ma Zhensheng, Yang Yanwen, Long Rui, Sun Ge, Zhang Fuxing, Zheng Junli, Liang Yao, Luo Dinghua and other famous masterpieces, and attended the "inheritance and innovation of Chinese paintings" symposium; the work at the same time into the "beautiful Guangxi" collection of Chinese paintings; in the same year, Guangxi Government Counselor's Office of literature and history research hall jointly organized the "beautiful Guangxi - celebrate the ninth China - ASEAN Expo Chinese painting exhibition", exhibited in Guangxi museum. The seal topography vertical axis ceremony and "between the square inch shows the true chapter - Mr. Ma Wanli seal exhibition" opening ceremony held in guangxi zhuang autonomous region museum, autonomous region museum awarded Ms. Ma Huixian "honorary librarian" title;

May 22, 2014 At 20:35 on the evening of May 22, 2014, due to medical treatment in Nanning City, the second hospital died at the age of 86 years.

Related People

Ma Wanli

Ma Wanli (1904-1979), formerly known as Ruitu, the word Yunfu, also known as Wanli, alias Manlu, the late Dainian. Lent name of heaven and earth hut, Mojun Hall, nine hundred stone seal essence house, etc., Changzhou, Jiangsu, Wujin, the famous contemporary painter Ma Huixian's father, is an outstanding calligraphy, painting and seal cutting artist, art educator. In his early years, he taught at Jinan University, Shanghai Fine Arts College, and China University of the Arts. 1935, he went to Guangxi with Huang Binhong to hold a joint exhibition of calligraphy and painting. After the outbreak of the War of Resistance against Japanese Aggression, he organized many charity sales of paintings and calligraphy throughout the country to support the war effort, and in 1941 he founded the Guilin Academy of Fine Arts, and in 1944 he left Gui to Chongqing, Chengdu, and Dali to sketch and hold exhibitions, and continued to engage in art education activities. After the victory of the war, he assisted Lei Peihong in developing local education in Guangxi. After moving to Beijing, he was invited by the Guangxi government to return to Guangxi in 1960, where he served as deputy director of the Guangxi Museum of Literature and History, a member of the Guangxi Political Consultative Conference, and a director of the Guangxi Art Association.

Ma Wanli has outstanding artistic attainments in poetry, painting, calligraphy and seal carving, and is famous for his flower and bird paintings, and is a beloved people's artist.

Lv Mushi

Lv Mushi (1923-1966), formerly known as Lv Ying, Mushi, Ziduan, a native of Guilin, Guangxi, the son-in-law of the famous modern calligraphy, painting and seal-engraving artist Ma Wanli, the husband of the famous contemporary painter Ma Huixian, and the honorary president of the Ma Wanli Chinese Painting Art Research Association, graduated from the Guilin Academy of Fine Arts in 1944, and was a member of the Hunan branch of the Chinese Art Association. He graduated from Guilin Fine Arts College in 1944, and was a member of the Hunan Branch of the Chinese Art Association. He studied Chinese and Western painting under Ma Wanli and Xu Beihong, and specialized in painting birds and animals and figures in landscapes, and his works were unique and exquisite, and he held many solo and group exhibitions of his works all over the country. 1966, at the early stage of the Cultural Revolution, he died because of persecution. His representative works include "A Line of Sky on Huangshan Mountain", "A Hundred Generations of Marquis", "The Three Gorges Trestle", "Piercing through the Green Sky", and "When the Clouds Open on the Ten Thousand Pine Ridges", among others.

Lv Mushi was born in a poor family in the city, he was simple, loyal and upright, he loved painting since childhood, because of the poverty of his family, he sold his paintings to help his family, in the fall of 1941, he was admitted to the first phase of Guilin Fine Arts College's Department of Chinese Painting, and he studied Chinese Painting from Ma Wanli, and after he graduated from the Guilin Fine Arts College in 1944, he worked as a teacher of art at Yongfu Middle School, and then as a teacher of art at Pingle Middle School of Guilin in 1946, he worked as a teacher of art at Lingui Liangjiang Middle School in 1948, and then as a teacher of art at Pingle Middle School of Guilin City. In 1948, he donated about forty paintings of birds, flowers, figures and landscapes to the fund for the establishment of the National High School by Comrade Pan Shan in Liangjiang, Lingui, and exhibited them in Hengyang and Changsha. In the fall of the same year, he went to Changsha and worked with Tang Daochang, a student of Guilin Fine Arts College, Lin Yuyu and Yuan Gongliang, professors of Hunan Institute of Fine Arts, to set up the "Oriental Art College" as a preparatory committee member, and donated more than thirty paintings for the school building fund, which were exhibited in Changde, Hanshou and other places in the spring of 1949, and he also joined the "Hunan Branch of the Chinese Fine Arts Association". In the spring of 1949, he exhibited in Changde, Hanshou and other places, and joined the "Chinese Art Association, Hunan Branch". In the same year art festival exhibition (March 25) he painted "double peacock" and with Tang Daochang "looking through the autumn water" to participate in the exhibition, in the newspaper won praise. After liberation, he painted at Xijiang Academy, and in the fall of 1951, he went to Beijing to study drawing at the Department of Western Painting of the Central Academy of Fine Arts, and during that time, he studied oil painting from Xu Beihong, and in the fall of 1952, he worked as an artisan at the Shijingshan Slide Promotion Station in Beijing, and from 1953 to 1958 he worked as an artisan at the Xinjiekou Cinema in Xicheng District of Beijing, and was wrongly sentenced to three years of control after 1958, and in June 1960, the Qianmen District Court of Beijing revoked the original sentence and acquitted him of the charges against him. In 1962, he went back to Guangxi to sell paintings for a living, and held many solo exhibitions in the region. He died in early 1966 due to severe persecution during the Cultural Revolution.

Lv Mushi's landscape works are majestic and magnificent, strange and steep, his brushwork is strong and robust, and his ink is suitable for both light and dark; his grass, flowers and fruits are bright and verdant, and his colors are vivid; his figures and beasts are all in the right shape and spirit, and are very animated; and his calligraphy is refined in all four styles, and is elegant and strong.

"(Wanli) son-in-law Lv Ying, grew up in the countryside of the beautiful landscape, the natural endowment of both thick, and masters of instruction, appropriate for his paintings of landscapes and figures of birds and animals, quite a strange gas, very different from the ordinary work, but unfortunately, when the time is difficult, did not get to live forever in their natural years." -- from "Ma Wanli three generations of painting and calligraphy selection" Yu Yifu preface

Lv Mushi successively under Ma Wanli, Xu Beihong two masters of the sea school of painting, but his works are very different from the style of the two tutors. His landscape works mostly have the style of the northern school of landscape, which is due to the fact that he diligently copied the art works of hundreds of famous artists and masters since he was a child, studied hard, and gradually formed his own unique style of creation, which is also integrated into his own upright and straight character and rich life experience. His paintings are characterized by strong, powerful yet beautiful strokes and precise handling of details.

Ma Tengjiao

Ma Tengjiao (1952--), known as Cangchi, alias Master of Mojuntang and Master of Qingyun Pavilion, with an ancestral home in Wujin, Changzhou, Jiangsu Province, was born in Beijing, is a famous painter of Guangxi in the contemporary era. He is the grandson of the famous modern calligraphy, painting and seal cutting artist Ma Wanli, the son of Ma Huixian and Lu Mushi, and the chairman of Ma Wanli Chinese Painting Art Research Association. He began to study painting with his grandfather Ma Wanli at an early age, and returned to Guangxi with his mother Ma Huixian in 1964 at the age of eleven, losing his father at the age of thirteen. Afterwards, he worked for a long time in the Guangxi Research Center for Literature and History. His style of painting inherited the freshness and elegance of the Ma family school of painting, and he was good at painting flowers, birds, fish and insects, and people and landscapes. His main works include Double Longevity, Morning Reading in the Canghai Sea, Jade Hall of Fortune, Fortune on Fortune, Leaping Carp in the Lotus Pond, Drunkenness of Li Bai, etc. He has been honored in Australia, Canada, and the United States. His works have been widely circulated in Australia, Canada, the United States, Germany, South Africa, Malaysia, Japan, Singapore, Hong Kong, Macao and Taiwan, and have won numerous accolades.

Ma Tengjiao's floral plumes are bright, elegant and vivid; his landscapes are ancient, simple and elegant. The brush and ink are very strict, and the painting style is clear. Both inherited the family school of origin, color and elegant, pen feelings superb, but also take the strengths of each family, open a new school of painting style. His calligraphy is elegant and robust, thick and clear, and he has mastered the four styles of "Zheng," "Cursive," "Clerical," and "Seal Script," with a stretching and upright style, donating and letting go. He has a good knowledge of poetic metre and is a good calligrapher. He is well versed in poetic meter and is good at poetry and song. His poems have a rounded language, fresh and beautiful, quite readable, inscribed on the paintings, especially with the picture of harmony and beauty, elegant and far-reaching mood.

Related Publications

Guangxi Fine Arts Publishing House published "Ma Huixian's Paintings" (ISBN 978-7-5494-1299-0/J-2322) in May 2015, which contains 102 works by Ma Huixian.

Mr. Zhao Shao'ang, one of the "Five Elders of Lingnan", gave ink for the exhibition, and Guangxi Literature and History published a special issue of "Ma Huixian's Painting Exhibition" in 2007.

Guangxi Fine Arts Publishing House in July 1995 published "Ma Wanli three generations of painting and calligraphy selection" (book number ISBN 7-80582-880-6/J-627), a collection of 11 works of Ma Huixian.