Traditional Culture Encyclopedia - Traditional stories - What specifically do the five tones in tone deafness refer to, and how to distinguish them?

What specifically do the five tones in tone deafness refer to, and how to distinguish them?

In some processes, we often hear people who are not good at singing say that they are "tone deaf", which means that singing is difficult to listen to. If you look at the expression of the four-character idiom "tone deaf", it looks like this: Sing

Sometimes, some people sing without integrating it, often go out of tune, and cannot grasp the seven roll call names of do, re, mi, fa, sol, la, and si, and their singing becomes a "singing song" or "singing song" with absolutely no beautiful melody to talk about.

"Shout a song".

In fact, there is absolutely no problem with the term "tone deaf", as long as the seven minor scales we are familiar with are transmitted from Western countries, and my country, as one of the four ancient civilizations, has its own minor scale. We have to find the answer from domestic ancient music.

Traditional ancient music generally uses a pentatonic scale, which is different from that of Western countries. If it matches the Western minor scale, do, re, mi, sol, and la will be in semitone ascending order.

fa” and “si”.

So we can understand that songs in ancient times only had five tones, and there is absolutely no problem with the "five-tone" used to describe someone who is not good at singing.

The traditional names for the pentatonic scale are definitely different from the names for the minor scale in Western countries. At the same time, they have different terms at different stages. They were initially called "Gong, Shang, Jiao (pronounced jué),

"Zheng (pronounced zhǐ), Yu". In the Tang Dynasty, the five minor scales were called "He, Si, Yi, Chi, Gong". Under normal circumstances, a large number of people continue to use "Gong, Shang, Jiao, Zheng, Yu".

" title.

There are only five tones in the tuning of the two ancient musical instruments, which is the five tones we keep claiming. Why are there no 4 and 7, but you can hear 4 and 7 in the guzheng and guqin songs. Originally, they were all right-handed chanting notes. Changed

String support and length obtained.

The five-toned sound level is 12356, and the seven-toned sound level 1234567 is less than 4 and 7. This involves the octave 1234567 i, in which 34 and 7 i are semitones, and also involves the twelve equal temperament. Zhu Zaiyu of the Ming Dynasty was the world's greatest

In this prior music theory, he divided the average vibration frequency of the seven tones into twelve equal parts. The major second degree of 12, 23, 45, 56, and 67 is divided into two minor second degrees in the middle. 34 and 7 i are

Minor second degree.

For example, 35 and 6 i are minor thirds, with three semitones in them.

"Pentatonic" refers to our Chinese pentatonic scale: Gong, Shang, Jiao, Zheng, and Yu.

1.2.3.5.6.

The adjacent major second is not related to the minor second semitone, 4, 7 occurs.

For example: Yunnan folk song "Little River Flows", Inner Mongolian folk song "Aobao Meeting", Jiangsu folk song "Jasmine", Sichuan folk song "Sunrise Joyful", "Kangding Love Song", etc., all have the traditional characteristics of our country's nationalities.

"Tone-impaired" often refers to the inability to read music, and it is forbidden to sing or play music, which is very unpleasant to listen to.