Calligraphy Works Appreciation Running Script

Running Script is a style of calligraphy between Regular Script and Cursive Script. Running Script was born from the Clerical Script, which emerged in the Eastern Han Dynasty and took shape in the Wei and Jin Dynasties, and tended to mature in the Eastern Jin Dynasty. The following I bring you is rows of calligraphy works to appreciate, I hope you like it.

Running Script Calligraphy Appreciation

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Three major lines of Running Script

Running Script is a style of calligraphy between Regular Script and Cursive Script. Running Script was born from the official script, sprouted in the Eastern Han Dynasty and took shape in the Wei and Jin Dynasties, and matured in the Eastern Jin Dynasty. Su Dongpo said: ? The Regular Script is like standing, the Running Script is like walking, and the Cursive Script is like walking. Zhang Huai also said:? Running script is not grass, not real, away from the square to hide the circle, care about the quarter between the Meng, both real is called the real line, both grass is called rows of grass. Running script is simpler and more fluent than regular script, and more recognizable, easy to learn and practical than cursive script. Wang Xizhi Running Script is the ultimate of Running Script, he is known as the Sage of Calligraphy, and his work "Lanting Preface" is known as the world's first Running Script. Throughout the ages, there have been hundreds of masters of running script, and the style of running script is diverse and rich in personality.

The classification of running script can be roughly summarized into three major series:

First, the two Wangs running script

Created by Wang Xizhi and Wang Xianzhi, later generations of literati writers were directly or indirectly affected by the Wang School of the system of running script, representative of the calligrapher Mi Fu, Zhao Mengfu.

Second, Yan Style Running Script

Yan Zhenqing created, he mixed in the traditional penmanship in the seal seal pre-meaning, the knotting style change the back to the potential, easy to square to round, representative of the Ritual Nephew Manuscripts, the seat of the fight post, and so on. The appearance of Yan Style Running Script changed the situation of Wang Shu's domination, and provided more models for the creation of running script for later generations, thus promoting the change and development of the style of running script system.

Later generations of the calligraphy world, Zong Wang Zong Yan rise and fall, sometimes hidden, or mixed with each other and fusion, so that the world of calligraphy is more colorful and vibrant.

Third, the Wei Bei running script

The Qing Dynasty calligraphers will Wei Bei's momentum and brush into the running script in the formation of a kind of running script. Representatives of the calligrapher Zhao Zhiqian, He Shaoji and so on.

The pen and ink tend to be indulgent, waving the pen and splashing the ink, the force of the pen is robust, free and easy, colorful, rich in new ideas. The calligraphy of the first division Yan Zhenqing, and then take the law of the Northern Dynasties inscriptions, made the regular script, the strokes of the rounded, known as? He is known as the "Yan Face of the Wei Dynasty".

He Shaoji calligraphy from Yan Zhenqing out, vivid and familiar, is following Deng Shiru, highly respected monumental. He advocated? Calligraphers must set up their own door? Holding the pen with the wrist back method. This pen method is far away from the normal physiological habits, so each writing must be? The whole body force to? and every time he finished writing, he would be wet with sweat. The sweat of the jacket is wet. The writing style is free flowing and superb, and it is very flavorful.

Running Script Pro Post Recommendations

1, Pro Post is the sum of understanding and power of running script.

Pro post to adhere to the reading, copying, pro three combinations, read to get its interest, through the reading of the model in the point, painting, composition, potential, stylistic features such as y imprinted into the mind; copy to get its shape, the word can not leave the structure of the charm, in the reading of the basis of the handwriting should be concentrated in the handwriting, to remember all kinds of word type; pro to get its meaning, the last two steps of the effort, this step will be like a fish out of water, and then a little reference to the meaning of their own, the Fertilizer their own accumulation, into the quasi-creative.

2, learning the Wang style running script to copy the "Preface of the Holy Religion" is appropriate

To grasp the artistic style and characteristics of this post, such as the Thuji Thuji Ruyun Confucianism, the word attitude is handsome and elegant, the breath of harmony and Yilan, etc., the pen within the tucked in astringent, thin lines, hard and strong, the combination of dots and paintings, side by side, hand in hand, draw a line, the word potential, such as pure out of the natural. Through temporary attention to correct the line dragged weak, that is, the bone is not healthy, gas is not smooth, ink is not sinking and other common problems. On the basis of through the Pro, we have to fight a good battle, from the word type, word potential, stroke type, stroke potential and the contrast between thick and thin strokes, ink color changes (can refer to the Lanting ink), a word by word. To work on memorizing the character type, to achieve the degree of proficiency in the creation of works like a bag of tricks.

The real level of a piece of work, or even the difference between the calligraphy of the insiders and amateurs, often depends on a little bit of the subtle, so-called ? Fiber to the back, hair death? is also. So when writing must pay special attention to the details, including the location of the strokes, thick and thin with the length, the size of the word, the ink is thick and thin withered and wet, the strokes and the word yield, echoing the relationship, etc., even if it is a subtle change is not to be spared, in order to train, improve their eyesight. With the "Sacred Preface" foundation, learn "Lanting Preface" is much easier, and focus on learning chapter, through the gas and the nuances; and then learn Wang's handwritten notes, learn how to Wang Xizhi because of the word shape, because of the mood of the chapter and so on.

3, for? gas? The coherence and? The potential? The study of the development.

Qi, of course, is related to the degree of proficiency, but the key is to have the concept, whether it is? The first thing you need to do is to read the book.

4, Huang Tingjian calligraphy strokes horizontal and vertical.

Huang Tingjian calligraphy dots and drawings open, although the radial structure, but not loose; body posture interjection, but not tilted. Pine Wind Pavilion Poetry Scroll" is his late masterpiece, the above characteristics are fully embodied. When copying, you need to pay attention to Huang's quest for the "object in the brush". There is something in the brush? The beauty of connotation, or? The flavor of the brush is the beauty of the inner work, or the "qi yun" (rhythm). Competitive.

5, learning Mi Fu start or relatively high

To good this post, first of all, to understand the general characteristics of the calligraphy of Mi Fu, firmly grasp the artistic characteristics of this post, and then its pen, structure, chapter and ink method, etc., are to be carefully studied, especially the characteristics of the pen to be more detailed, master, remember, will use, change their own habits of the pen; to the font to memorize, to achieve the degree of proficiency in the use of creation, do not just a pro. To achieve the degree of skillful use of the creation, do not just pro a rough. Mi Fu's wrist force was abundant, his strokes bizarre, his strokes moist and magnificent, and he paid great attention to the power and momentum of his strokes. The force relies on the potential born, potential because of the force and manifestation, so the bone force, the pen force is sound.