Public Service Advertisement for Protecting Intangible Cultural Heritage

Xinhua News Agency, Nanjing, September 26th, encouraged Japanese Taigu ghosts and beautiful Korean long drums ... September 20th to 24th in Nantong, the 9th Jiangsu Asian Arts Festival was held in Korea, and three artists gave colorful performances. Besides China opera, Japanese wild talk and Korean singing, there are also ancient calligraphy and abacus performances.

Globalization has swept Asian contemporary culture, and it is "speechless" and "indifferent" to the powerful western culture, especially many intangible cultural heritages that are on the verge of extinction. How to protect intangible cultural heritage, Japan and South Korea have become a topic of common concern.

Japan: a country of culture and art

At the 20th Meeting of Ministers of Culture held in Japan and South Korea, Japanese Minister of Culture Aoki said: "In the 2nd/kloc-0th century, culture and art are very important, and the loss of culture will lead to the loss of survival. Protecting cultural heritage and maintaining cultural diversity, the cultural revival of East Asia, Japan and South Korea needs the goal of Qi Xin's concerted efforts. "

In 200 1 year, Japan formulated the Basic Law for Revitalizing Culture and Art and the promotion strategies of various cultures. In February this year, Japan also issued a policy for the next five years, indicating that the significance of today's cultural and artistic revival lies in the fact that cultural strength is the strength of the whole country, closely combining culture, art and economy, and clearly pointing out the goal of "a cultural and artistic power". Protect artistic and cultural heritage, cultivate talents and educate young people's eyes.

At the government level, Japanese society has formed its own cultural atmosphere and love that respects tradition. In this form of drama, China Kunqu Opera artists performed the track "Qiu Jiang" on the same stage, and the audience was refreshed. Motoya Izumi, the leading actor, said: "In Japan, I am engaged in cultural heritage." The crazy talk teacher is widely respected by the society where I was born. I am proud of learning the crazy talk that has been passed down for more than 600 years. "

",such as the old intangible cultural heritage, there are many places that young people can't understand now, because it is too boring not to understand. We just want to know what is crazy and interesting about the audience, especially young people. " Motoya Izumi often. Take part in a TV program as a rave master and introduce the drama and function of rave school. Although clothing and language were hundreds of years ago, people are interrelated and beyond the times. "

In Japan, nonsense runs in the family. Motoya Izumi and his two sisters started at the age of about 3, and Mi Yuan's 4-year-old daughter also came to China. This time, his father and executive. They believe that people of all ages are closer to the audience when they are on the same stage. "Every era has its own responsibilities. Crazy is to spread the excellent culture for hundreds of years, and we hope it will continue to be passed down. " Mi Yuan said.

Korea: I understand.

At this Asian Art Festival, the audience of Korean singing drama Qing and Korean actor China experienced gorgeous costumes and colorful Korean national dance circus.

In fact, with the popularity of the Korean drama Dae Jang Geum, many Koreans are interested in Korean traditional costumes, food and traditions. The "Korean Wave" in the play makes Incheon a famous tourist attraction, and Hanbok and kimchi are products that foreign tourists like to buy. Culture and tourism

Liu Yi, president of the Art Academy, said that the Korean government spared no effort to promote the development of the cultural industry. 1997 and 1999 passed the Cultural Industry Fund and the Industry Promotion Law. After the establishment of the Cultural Industry Promotion Institute, the government also set up "Arirang Award" and other awards to encourage those.

According to reports, the South Korean government takes it for granted that the living allowance for people recognized by the state, such as the Korean Academy of Arts and Chinese intangible cultural heritage artists, is 1.5 million won per month. "Young people don't like traditional culture because they don't understand and lack systematic understanding, so education is very important to let them experience childhood. Traditional hanbok is beautiful, elegant country music and excellent traditional motherland culture are very proud. " Seoul National University and Ewha University have set up country music departments, and the education center of Korean National Conservatory of Music is open every Saturday, so the public can know that China's music is free here. Platform China: Let the "past" become

In the future of wealth, economic development and social progress, the whole world is undergoing profound changes. Under the background of economic globalization and informatization, the traditional culture in some places is declining or even disappearing. For the sustainable development of China's economy, we should increase investment, protect traditional culture and art, and publicize national key cultural relics protection units. In this year's "Cultural Heritage Day" of the Ministry of Culture, the first representative inheritors of 226 national intangible cultural heritage projects in five categories, including folk literature, traditional sports and competition, folk art, traditional handicrafts and traditional medicine, were announced, which had a wide impact on society. Inherit intangible cultural heritage by establishing a representative inheritor system.

Efforts to "rejuvenate" and "idolize" traditional art have also successfully attracted the attention of a large number of young people. The youth version of Peony Pavilion, drawn by screenwriter Bai Xianyong, is characterized by the handsome appearance, gorgeous costumes and fashionable dances of young actors, which makes the opera Chun Xue instantly swept people's enthusiastic pursuit.

2 1 century, the charm and cultural influence of a country represents this country, and the source of cultural influence provided is traditional cultural resources. Protecting traditional cultural heritage means making "the past" our future wealth.