What is the cultural connotation of Ruins among Ruins and the inspiration of the author's View of Ruins?

Speaking of ruins, people who like traveling and sightseeing can find its vague and clear impression from their memories. Still a Gu Xiang; Or a wall; Or a cave. Ancient Loulan and Jiaohe Ancient City Sites in Xinjiang; Beijing Yuanmingyuan, Badaling and Forbidden City; Xi 'an Terracotta Warriors and Horses, Famen Temple; There are Yellow Crane Tower, Yueyang Tower, Wangtengting and so on. They are either prominent in the bustling city, scattered in weeds and graves, hanging alone on the Gobi Desert, swaying among the green mountains and green waters, or standing in the center of the blue waves. For many people, sightseeing is just sightseeing, but Yu is the only one who has profound views on the site and has risen to the level of cultural philosophy. The short prose of less than 3,000 words makes people feel from the ruins, and then gives birth to deep thinking about life, culture and history.

The first two sentences of the essay "I curse the ruins, I feel sorry for the ruins" clarify the author's ambivalence towards the ruins. Curse because it "devours my expectations, my memory". The former Jinge iron horse has gone; Carved columns and painted buildings are empty; The willow bridge has been broken. "The book records that childhood fantasies were all destroyed in ruins. The glory of the past turned into ridicule, and the ancestors of entrepreneurship roared in the cold wind. " A pile of ruins wrapped up all the successes and failures, glories and glories in the past years, mourning the present and the past. The author gave his love to the ruins, because "the ruins are destruction, burial, farewell and choice". "Ruins are capital, let us read geography as history; Ruins are processes, and life is to start from old ruins and move towards new ruins. " "At the beginning of the construction, I thought of its withering, so the ruins are the destination; The updated construction is based on ruins, so ruins are the starting point and ruins are the long chain of evolution. " Ruins are the starting point of life, which contains truth, goodness and beauty, but also hides false ugliness. Different people read different answers from the ruins; Ruins are the starting point of culture. Because there is no written record, our ancestors left one ruin after another. Oracle Bone Inscriptions culture, paternal culture, matriarchal culture, Hetao culture, Yangshao culture, etc. , can be integrated into a shining five thousand-year civilization. Ruins are the starting point of history. If we can't find the ruins buried under the long yellow sand and thick dust, where can we interpret history? Life cannot be without ruins; Culture cannot be without ruins; History cannot be without ruins. Life without ruins is pale; A culture without ruins is superficial; A historical nation without ruins is naive. Ruins are a lock in the long history.

Ruins have a kind of formal beauty, which transforms the beauty of leaving the earth into the beauty of converting to the earth. Any expression of beauty, whether elegant or sublime, comic or tragic, only exists in people's vision, senses and psychology for a while. With the passage of time, any beauty will lose its magnificent color, turn into ruins, become a solidified and monotonous landscape, be held in the arms of the earth, and silently tell the latecomers everything in the past.

However, it is a realistic and serious problem that we should know the ruins with what mentality and explore the ruins with what angle. "I can't imagine that ancient bronzes in distant times need polishing, unearthed broken halberds need nickel plating, books in the Song Dynasty need plastic surgery, and the old lady in the Han Dynasty unearthed in Mawangdui needs skin grafting." "Let history return to reality, let life return to the process", only real sites can have real culture and real history. Preserve the ruins without disguise, develop rather than rebuild them. Because it is a mockery of history and a destruction of culture. However, many facts in reality are so absurd and ignorant. Bulldozers are driving on the ruins, replacing the ruins of the past with today's glory, and historical traces such as knives and axes are wiped flat and clean by modern decorative materials. Erase last night's story to clean up the dream of the night before yesterday, but not the dream of the night before yesterday, but today's game. Such ruins are just piles of real modern rubbish.

"China has always lacked the site culture". The author stares at the cultural fault in China with sharp eyes. Yes, our nation has always liked to wander between two extremes, either thick today and thin today, or thick today and thin today. In the endless struggle, history is scarred and culture is fragmented. "A big country, before me, time has passed? Behind me, where are the future generations? And I think of heaven and earth, there is no limit, and I cry alone. "

Our nation always likes reunion to get psychological satisfaction and spiritual comfort. Afraid of the real tragedy, always hide from the ruins. Filtering in the net of perfection, there is only one Confucian culture that has been circulating for 5 thousand years. However, Qu Yuan, Du Fu, Cao Xueqin, Kong, Lu Xun and Bai Xianyong are all critics of the times. "They preserved the ruins and purified the tragedy, so there was really profound literature."

The charm of a nation comes from its culture. Only the national will be the world. A profound nation should dare to face all successes and failures. "If China people want to become atmospheric, they can't drive all the ruins out."

Ruins are messengers of culture and bridges between ancient times and modern times. The ruins have the strongest ligament in history. Ruins are not a kind of display and decoration. They need us to crack and find the key to the future.

Ruins make the nation full of self-confidence, make civilization thicker, let us turn the ruins into fables, and let us take the ruins to modernity.

Ruins is like a prose poem, poetic and philosophical. The author's unique perspective and surging passion between the lines have strongly shocked the readers' hearts. "I curse the ruins. I feel sorry for the ruins." This sentence at the beginning of the article is saturated with the author's complex and rich thoughts and feelings. This article contains the author's deep meditation on history and culture in a short space.