I am looking for information about the following:>. & lt& lt Spring in Xinjiang >>. & lt& lt Brown Goose >:>. & lt& lt Saint Lucia >>. & lt& lt Song of the Volga Boatman >:> Endowment

1, Muqam is a traditional classical Daqu with a unified mode system, which is spread in the Uygur inhabited areas of Xinjiang. It consists of three parts: song, dance and music. Mostly used in folk festivals, festive weddings and entertainment parties. His lyrics mostly reflect the content of love life, hate the dark forces and pursue a happy life.

Muqam in Uygur language is divided into Kashgar Muqam, Duolang Muqam and Hami Muqam. Because there are 12 sets of Daqu, it is also called "Twelve Muqams". Wushyake Muqam is a set of Kashgar Muqam. This Daqu consists of three parts. The first part is Daqu (that is, Qiong Nai Omei); The second part consists of 3 ~ 4 ballads and 3 ~ 4 interludes. The third part is a song and dance suite composed of 2 ~ 7 songs. The ballad is called Dastain.

Ushjak Muqam Dastain Intermezza is an instrumental music. It begins with a very brief introduction, played by the dulcimer. Next is the longer adagio, solo by Khusitar. This piece of music seems to tell a beautiful story, which contains meditation and longing. With the transition rhythm of tambourine, music enters a warm, cheerful and passionate artistic conception. This piece of music is played with flute, dulcimer, erhu, cello, tambourine and other instruments. The music ended in a happy atmosphere.

2. "Huxita" is a stringed instrument of Uygur nationality. It was successfully developed on the basis of the long-lost ancient musical instrument "Aisitaqin". In Uygur dialect, "Huhu sitar" means "Happy Qin". This instrument has a soft tone and is often used for solo, ensemble and accompaniment. ?

"Tambourine" is a common name for a percussion instrument by Han people in Xinjiang. Its original name is "Dabu", which is mainly popular in Xinjiang Uygur, Tajik and Uzbek regions. Because of different nationalities, the tambourines they use are different in shape and playing methods. The Uighur tambourine is decorated with a small iron ring, and there are two sizes. Tambourine is mainly used for band and dance accompaniment, and tambourine is used for Muqam band. Tajik tambourine drum frame is deep, and the inner frame is not decorated with small iron rings, and some are equipped with three pairs of cymbals. Usually, tambourines are played by Uygur and Uzbek men, while almost all Tajiks are played by women. Because it is easy to carry, it can not only be used in general occasions, but also be used for entertainment when riding horses or camels.

Spring in Xinjiang?

Spring in Xinjiang is written in 1956. Music adopts the music language of Uygur music style, which shows the happy life and beaming optimism of Xinjiang people after the founding of New China. The feelings of the music are optimistic and straightforward, and the musical ideas are unrestrained and smooth. ?

Trilogy structure of spring in Xinjiang. The rhythm of the first part of music changes from sparse to dense, and then alternates between dense and dense. Its melody adopts the method of homophonic repetition and progression, plus the strong accompaniment of piano and various playing techniques of violin (such as receiving bow, splitting bow, jumping bow, decorative sound, strengthening force and so on). ), showing a warm, cheerful, hearty and passionate musical mood. In the second phrase, the segmented short tone pattern and the alternating changes of in-situ mi and falling mi are used, thus forming a distinctive flavor. The second part of the music is based on the tambourine accompaniment rhythm in Xinjiang dance, and the violin plays a two-tone dance melody:

This melody reached its climax after being played in D major and A major. It can be said that the second part of the music gives people a strong impression of singing and dancing and celebrating festivals. After a cadenza (violin solo), the music enters the third part. This part of the music basically reproduces the content of the first part, but the ending is different. In other words, there is an epilogue at the end. ?

This piece is in the form of solo, violin ensemble and ensemble.

Brown goose

1. Kazakhs have always regarded swans as auspicious animals. Therefore, there are more swan songs in Kazakh folk songs. The Brown Goose (whose title has also been translated into "Swan") is a typical example.

Brown Goose is a Dongbula song. It borrows images such as swans flying freely, Ling Bo splashing water and singing hymns, and expresses the thoughts and feelings of Kazakh people singing a happy life and looking forward to a better future. The song is in A major, with 3/8 beats as the main mixed beat (3/8, 4/8, 5/8, 6/8). Written in a one-piece structure, with Dongbula as the main accompaniment instrument. ?

2. "Dongbula playing and singing" is an art form that Kazakhs like very much. Singers often play and sing by themselves, accompanied by Dong Bula. Musically, it can be divided into two types. One is a singing performance. Its lyrics are fixed and its melody is excellent and broad. The second is rap performance. Its lyrics are often improvised by singers; Most of its melodies are concise and lively. Because Dong Bula's playing method is basically plucking, plucking, plucking and plucking are often used to accompany songs, thus forming the rhythm feature of Dong Bula's plucking and singing art-mixed beat with 3/8 beats as the main part.

& lt& lt Saint Lucia >>

This song is a famous "boat song" in Naples. The vocal genre of "Boat Song" cannot be separated from the narrow boat "gondola" that can be seen everywhere in the Italian water town of Venice. It is the natural conditions and living environment of Venice's rivers and ships that gave birth to and prospered this song genre called "Boat Song". The author's name "Saint Lucia" has been lost. Although some people pointed out that it was the product of Danza's works, others thought it was Manlivo's works, but more people have long regarded it as a Neapolitan folk song that originated from life and praised the moving scenery of nature. Regular and symmetrical structure, fluctuating melody, energetic 3/8 beat, guitar-like chord foil and prelude, passing the door, etc. , vividly depicts the quiet night when the stars and the moon meet, the dynamics of small boats swaying in the wind on the sea of Saint Lucia, and the regular rhythm of warm and generous people on board. There are various records of Saint Lucia, and all factions are good at using their voices or expressions. Some emphasize its free and easy, some emphasize its unrestrained, and some emphasize its femininity. In addition, there are various instrumental music and band adaptations, which are widely circulated.

Song of the Volga boatman

The Volga River is the longest river in Europe. The Russian people call it "Mother River" because the Volga River basin has beautiful natural scenery. Rich in resources, the people on both sides of the strait are hardworking and brave, have established their own homes and created excellent Russian culture.

In the distance, the labor movements and heavy footsteps of the trackers are gradually coming to us, and only a faint trumpet sound can be heard, while expressing inner grievances and pains, groans and sighs. Fishing in the sea, logging in the forest, lifting wood, paddling in the river, pulling fiber, arranging and discharging, dock handling, tamping at the construction site, climbing up the mountain to pry stones, digging gypsum, making salt, etc. Almost all of them are accompanied by different labor numbers. These are all kinds of folk songs. The prerequisite is collective labor first, and it also needs mutual cooperation, so it is created collectively in human labor. The tracker dragged the heavy cargo ship, trudged from far away, then walked far away until it finally disappeared into the distant scenery. Set foot on the uneven road of the world and sing to the sun. "It deeply reflects their perseverance, their struggle with the czar government, and their pursuit and yearning for a better future.