Traditional Culture Encyclopedia - Traditional stories - Culture of Weiyang District
Culture of Weiyang District
Weiyang District is located in the capital city of the dynasties from Qin to Sui, and has a deep cultural heritage. Its development and current situation are inextricably linked to traditional culture, especially Han and Tang culture. With the migration of foreign immigrants in the late Qing Dynasty and early Republic of China, the fusion of foreign cultures with local traditional cultures made the local culture richer in regional characteristics from form to content.
After the liberation of Xi'an, all kinds of cultural organizations were commonly established, amateur theatrical troupes, newspaper-reading groups, rice-planting teams, blackboard newspapers, literacy classes and other unique forms of culture in the border areas, quickly spread throughout the territory of the Weiyang, film screenings, cable broadcasting also sprang up, and the cultural undertakings of the region were full of vitality. 50's, the existing rural areas were established one after another to the Soviet Union's "Red Horn" (cultural organizations) as a way of life.
In the early 1950s, rural clubs based on the Soviet Union's "Red Horn" model were set up in the countryside to carry out a wide variety of cultural activities around the central work of different periods of time, and in the mid-1950s, the region's mass cultural activities had entered a new stage of self-editing, self-performance, self-entertainment, and self-education.
During the "Great Leap Forward" period, mass cultural activities were generally and y developed. However, due to the wrong influence of the blind leap forward, cultural work has also taken a detour, once there was "everyone composes poetry, everyone draws, everyone sings, everyone dances", cultural "Great Leap Forward", a large cultural "satellites In the 1960s, the cultural cause was caught up in the "leftist" error of "taking the class struggle as the program". In the 1960s, the cultural program was caught up in the "leftist errors" of "taking the class struggle as the program". During the "Cultural Revolution", the cultural sector was severely damaged, institutions were abolished, cadres were decentralized, facilities were destroyed, and rural clubs were renamed "Revolutionary Culture Rooms".
After 1980, cultural work entered a new period of development. The establishment of the district radio and television bureau and district radio station, the restoration of the district cultural center, film companies, the establishment of district libraries, built the Weiyang Film Theatre, the addition of cultural relics management, cultural market management committee and other institutions. Cultural (center) stations were set up in each township and street, and more than 85% of villages (neighborhood) committees established cultural rooms. Radio, television, audio-visual, book market and other gradually popularized, serving the economic construction and people's lives.
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