Traditional Culture Encyclopedia - Traditional stories - Do the colors, patterns and identities of the robes of Deyun Society have anything to do with it?
Do the colors, patterns and identities of the robes of Deyun Society have anything to do with it?
The artists were busy for a year and finished their last performance at the end of the year. Then put all the clothes in the box and seal them. The closure of Deyun Society is an extension of China traditional opera. The appearance order of Deyun Society is the embodiment of the actor's identity. The higher the status, the earlier the appearance. Thus, Luan Yunping is the most important disciple of Degang Guo, and his position is even higher than that of Yun-peng Yue. Of course, the order of the actors' appearance is on the one hand, and more importantly, the color and pattern of the actors' coats of Deyun Society are very important.
We can find this ranking from the coats that everyone wears. So only Degang Guo, Yu Qian, Yun-peng Yue and Sun Yue have patterns on their coats. For others in Deyun Society, this is just a symbolic meaning. In fact, this is also a symbol of the hierarchy of Deyun Society. In Deyun Society, wearing embroidered robes is a symbol of status, an affirmation of the strength of cross talk and a manifestation of status.
It is said that many new audiences who have just entered the park to listen to cross talk think that cross talk must wear long coats, which represents the inheritance of tradition. Even some time ago, there was a popular saying that in Deyun Society, actors wore hierarchical dresses. For example, inexperienced new actors can only wear colorful clothes, red apprentices can wear semi-embroidered coats, and the most famous Degang Guo and Yu Qian are qualified to wear fully embroidered coats. I don't know what you think of this matter, let's talk together.
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