You help to find some information to fast ah 1. bronze 2. Beijing opera face 3. Dunhuang frescoes to force the words to add points Oh ~!

Theatre face painting is a special make-up method with national characteristics. Because each historical figure or a certain type of character has a general style, just like singing, playing music in accordance with the musical score, so called "face". The origin of face painting is generally said to be from masks.

The Peking Opera face, is based on a certain character, disposition or a particular type of character for the use of certain colors. The red color of the face indicates the loyalty, courage and righteousness, such as Guan Yu, Concubine Wei, Chang Yu Chun; the black color of the face indicates the strength, integrity, courage and even recklessness, such as Bao Zheng, Zhang Fei, Li Kui, etc.; the yellow color of the face indicates the ferociousness and brutality, such as Yuwen Chengdu, Dian Wei. Blue or green faces indicate some rough and violent characters, such as Duo Er Dun, Ma Wu, etc.; white faces generally indicate treacherous ministers and bad people, such as Cao Cao, Zhao Gao, etc.

Face painting in traditional Chinese opera is a kind of program for actors' facial make-up. It is generally used in the purity, ugly two lines, in which most of the various characters have their own specific spectrum and color, in order to highlight the character traits of the characters, with "praise and blame, good and evil" artistic function, so that the audience can look at the appearance of a glimpse of its heart. As a result, the face is known as the character's "mind picture".

The evolution and development of face painting is not a product of someone's imagination, but a complete set of artistic methods gradually formed by the artists of the opera in their long-term artistic practice, observation, experience and synthesis of life phenomena, as well as continuous analysis and judgment of the characters in the play, and evaluation.

Chinese opera theorist Weng even Hong once wrote: "Chinese opera face, embryo in the ancient totem, goblet in the Spring and Autumn Nuo Festival, sin milk for the Han, Tang Dynasty face, the development of the Song and Yuan Tu face, the formation of the Ming and Qing faces. After the formation of opera, the face and masks are still used interchangeably. The most obvious Guizhou's 'ground opera', Jiangxi, Anhui's 'Nuo opera', Tibet's 'Tibetan opera', whether it is raw, clean and ugly, are wearing masks, more than a hundred per play, less must also dozens. South Kun' in the gods and goddesses, generally wearing masks, and do not draw a face. Peking Opera is a national opera with a large number of face paintings, but the god of wealth, the goddess of fortune, the god of fortune, the god of land and the god of thunder still wear masks. The trajectory of the progressive development of Chinese opera can be seen in the mixture of face painting and masks and the simplification to complexity of the face painting style."

Peking Opera face painting, like the performing art of Peking Opera, is a living art that appears on the stage together with the actors. Although Peking Opera has only a history of more than two hundred years in the history of Chinese opera, compared with other operas, it has developed fast, circulated widely, and is loved by the people with a wide mass base. Therefore, Peking Opera face painting has a special position in Chinese opera face painting.

Peking Opera face painting is a kind of writing and exaggerated art, often using bats, swallows, butterfly wings and other patterns to hook the eyebrows, eyes and cheeks, combined with exaggerated nose nests and mouth nests to portray facial expressions. Cheerful and optimistic faces always have relaxed eyebrows and eyes, while sad or violent faces mostly have curved eyebrows and eyes. When sketching, the high and low curvature of the "crow's feet" reflects the age, the up and down opening and closing of the "decree lines" expresses the temperament, and the different patterns of the "yintang lines" symbolize the characters' personalities.

Dunhuang mural painting refers to the murals in the Dunhuang caves. Dunhuang mural paintings, including Dunhuang Mogao Grottoes, West Thousand Buddha Cave, Anxi Yulin Grottoes *** there are 552 grottoes, there are more than 50,000 square meters of mural paintings of the past dynasties, is China's and the world's largest group of grottoes mural paintings, the contents of a very rich. Dunhuang mural painting is the main component of Dunhuang art, huge scale, exquisite skills. Dunhuang murals are rich and colorful, it is the same as other religious art, is the depiction of the image of God, God's activities, God and God's relationship, God's relationship with people in order to send people's good wishes, soothe people's hearts art. Therefore, the style of frescoes has different characteristics from secular paintings. However, any art originates from real life, any art has its national tradition; therefore, their forms are mostly out of **** the same artistic language and techniques of expression, with **** the same national style. The famous Dunhuang murals have nine-colored deer to save people, the biography of Sakyamuni, Sa Hamanna gave up his body to feed the tiger and other famous mural stories.