What are the characteristics of Chinese painting?

The characteristics of China's traditional painting;

First, focus on ideas with answers?

In China's traditional painting creation, conception comes first, and many painting theorists first emphasize this point, whether painting landscapes, figures or flowers and birds. In the Tang Dynasty, Zhang Yanyuan wrote a passage about "Six Laws" in Notes on Famous Paintings of Past Dynasties: "The image of a husband should be shaped, and it should be shaped with backbone." The backbone is similar. Everything comes from the general idea and depends on the end of the pen. "He believes that intention is the purpose. Only in painting can there be abnormal and strange meaning.

Second, the modeling rules of line modeling and vivid modeling?

"Writing God in Form" is a famous saying of Gu Kaizhi, a painter in Jin Dynasty, which established China's aesthetic view that artistic god is superior to form. It is very different from modern European aesthetics, which is purely abstract, that is, painting people is not only similar in shape, but also similar in spirit, painting people's mental outlook, not stopping at the simulation of shape, not sticking to the truth of nature, which is the height that artists should strive to achieve in establishing art.

Third, multi-point perspective and the composition rule of counting white as black?

China's traditional painting adopts both focus perspective and scattered perspective, which not only strictly adheres to the real space and white cloth, but also breaks the real space and white cloth according to the needs of composition, so as to meet the artistic needs of the objects on the screen when images appear in the picture.

Stretch or shorten to change its image and position. Peony flowers below the horizon can also be placed above the Zhu Ping line to achieve the best perspective effect.

Fourth, the color matching category-the color rule of Chinese painting?

The color of Chinese painting is not limited by the cold and warm tone of light source, but pays more attention to the inherent color of the object itself, rather than emphasizing the conditional color under special light. When painting an object, give it basic colors to achieve harmony between color and object, color and line, color and ink, and color and color.

Fifth, the scene is vivid and vivid?

Traditional painting in China requires the combination of pen and ink, emotion and scenery. In reality, there are infinitely rich scenes, and the painter has a strong image appeal. With this feeling, the painter aroused the passion to describe these scenes, so the works reappeared in the form of replicas of the scenes, blending the scenes together.

As for the vivid charm, that is, the artistic spirit created by the painter, which is different from the general sketch painting, should be vibrant, fresh and lively, poetic and fascinating to the viewer.

Sixth, the unique form of poetry, calligraphy and painting printing paper and pen?

Only China's Chinese paintings can be inscribed. Not only can literati paintings show their unique skills in poetry, calligraphy and painting, but even ordinary paintings always need to be inscribed. Only in this way can traditional art have a strong charm. ?

Inscriptions and poems can improve or supplement the audience's appreciation and understanding of the works, and can also enrich the structural changes, playing a variety of roles in setting off each other, complementing each other, embellishing and balancing the composition. ?

The performance of China's traditional painting tools and materials also determines the characteristics of China's traditional painting. The appearance of silk and paper used in traditional painting in China, especially raw rice paper, has given full play to the pen interest and ink color. The permeability of Xuan paper and the sharp cone of the brush make the nib change endlessly, which produces wonderful effects. At the same time, various imitations and descriptions, paintings and brushwork have been formed.

Extended data

appreciate

When you first look at Chinese painting, don't appreciate the simplicity of the picture, but also see if several items are exquisite.

Professional painter

A painter's work can show the author's achievements. The image of the picture is the concrete of the painter, and we often criticize the quality of the painting subjectively, which is the greatest influence of the painter.

calligraphy

One of the differences between Chinese painting and western painting is calligraphy. The picture of Chinese painting is often accompanied by poetry, which is the soul of painting. Sometimes a poem is the finishing touch, which makes the painting vivid, and the calligraphy in the painting also greatly affects the picture. Most painters with poor handwriting are afraid to sign, although they only have signatures. You can also get a glimpse of his basic skills.

stamp

The common seal on the screen has many uses:

Painter's seal, signer's personal seal, leisure seal, collection seal, appreciation seal, authentication seal, etc. The signer, printing content and seal position of various seals are all among the comments. Ancient paintings, in particular, often have the seals of emperors, famous artists, collectors and connoisseurs, which can help identify the authenticity.

Put it in the frame

Chinese painting mounting is unique, which can be divided into two categories: paper mounting and silk mounting. The paper is thicker and the silk is thinner. The color, width, lining, connection and mounting of the mounting edge are very particular.

efficacy

The longer he is engaged in painting and calligraphy, the more skill he shows, which beginners can't master. Calligraphy, in particular, is powerful and vigorous for an old hand. In Chinese painting, its lines, design and meaning also show the author's skills. Therefore, artists with rich life experience often have different performances from young painters. This is skill.

general layout

Layout seems to be the design of the picture, but it is actually the heaven and earth in the author's mind, which is manifested in the picture layout. There are many differences between Chinese painting and western painting, the most obvious of which is "blank space". Traditional Chinese painting doesn't add background color, so there are many blanks, and sparse, dense, gathered and scattered are called blank layout. In the blank space, someone filled the blank space with calligraphy, poems, seals, etc.

There are also blank spaces, so the uniqueness of the author can be seen from the layout.

poetry

Poetry in calligraphy and painting often represents the master's voice. A good poem can express the author's connotation and knowledge, and a good poem can also play the role of making the finishing point. For example, the Ming Dynasty painter Zhang Hong's "Chai Men Map of Village Trail", the painter wrote: "The village trail is surrounded by pine leaves, and Chai Men brings rice fragrance."

It depicts a courtyard villa surrounded by pine forests and guarded by mountains. The tall and lush pine trees are divided into two groups, like two open folding fans, covering the villages in the mountains. In front of the village is rice fields near water, and the countryside is rich and beautiful. And Xin Qiji. "Daohuaxiang said good years and listened to frogs." The meaning of the word.

seal

Whether writing or painting, there are often "corner pressing" chapters. The so-called leisure chapter is a blank corner of the picture or calligraphy. Printed words sometimes have a great influence on calligraphy and painting. We can also see the author's mentality or the environment at that time from the printed words. A good seal, combined with a good carving method, covers the calligraphy and painting and adds luster to the work.

Baidu Encyclopedia-Chinese Painting (China Chinese Painting Form)