Lu's calligraphy works

Zhang Lianbo, whose pen name is Lu Shi, was born in Qinhuangdao on 1947. He is currently a member of China Hard Pen Calligraphy Association, vice president of China International Painting and Calligraphy Research Institute, vice president of Guangxi Beihai Zhongshan National Painting and Calligraphy Institute, director of China Painting and Calligraphy Federation, academician of China Zen Art Research Institute, member of the Art Committee of China Calligraphy Art Research Institute, academician of Beijing Palace Painting and Calligraphy Institute, academician of China Painting and Calligraphy Research Institute, and Tianjin Bo. The following are the calligraphy works of road stones that I have compiled for you. I hope it works for you!

Appreciation of Lu Shi's Calligraphy Works

Pictures of Lu Shi's Calligraphy Works 1

Pictures of Lu Shi's calligraphy works 2

Lu Shi's calligraphy works Figure 3

Figure 4 of Lu Shi's calligraphy works

Lu's life experience

Mr. Zhang Lianbo began to study calligraphy at the age of six and has been engaged in professional calligraphy creation for decades. His achievements have been widely recognized by the calligraphy circle in China. He sticks to tradition and strives for innovation and change. His books are widely sought after, comprehensive and unique.

Rich life experience has laid a solid foundation for Mr. Zhang's artistic creation. But he knows that this is not enough. There are still many ways to go to become a real calligrapher and form his own calligraphy style. After work, I visited famous people from all walks of life and studied under Mr. Du Xingyou, a master of Ou Kai. The level of calligraphy has advanced by leaps and bounds, and he participated in the national calligraphy nomination exhibition, and his calligraphy works have been widely recognized by people in the industry. His works have been collected by fans in nine countries, including the United States, Britain, France, Italy, Australia and Japan, and have been interviewed by Tianjin TV and radio stations in calligraphy. Personal data were compiled by Beijing Zhongxin Hong Wen Painting and Calligraphy Institute into A Concise Dictionary of Artists in China and Art in Momo, China.

Mr. Zhang's official script started from the Han tablet, imitated by heart and chased by hand. It has the demeanor of a ceremonial stone tablet, the solid foundation of Shi Chenbei and the agility of Cao Quanbei. The combination of the three is not easy. His running script is elegant and free, like flowing water, gentle and honest, especially the flying white hairspring at the beginning and end of the pen and the turning point, which is also the lively place of spiritual movement. Whether writing or drawing is full of interest.

Looking at Mr. Zhang's calligraphy, my first impression is: smart and beautiful, elegant and elegant, high-spirited, with a valuable atmosphere. Under the high-quality goods, between the lines, it is graceful but not flattering, just but not astringent, with strange changes and graceful demeanor. Every stroke, every structure and every composition can be found in the works of the ancients. It is different from the aesthetic treatment of the ancients, but is endowed with contemporary flavor.

Mr. Zhang clearly realized that calligraphy creation is a persistent cause. He has always advocated "speaking with good works" and "correct writing requires a correct heart". On the road of calligraphy exploration, he needs not only time, self-cultivation and talent, but also continuous efforts to improve his artistic thought and master his artistic language.

Calligraphy theory knowledge

What do you mean? Come back through the paper : In painting and calligraphy? Force? It is an abstract expression of pointillism, linearity and the author's inner spirit. Specifically, if you can stroke in the center, that is, when you stroke, the bristles are evenly scattered and the pen center walks in the strokes. The strength of the arm can be cut into the paper through the soft pen tip. This is called? Come back through the paper . If the bristles are twisted or twisted into a ball when writing, the bristles are not properly adjusted and spread evenly, and the bristles sweep across the paper like paint. What kind of stroke is this? Shit? Come out, like ink pig, pen power is out of the question. The strength of brush strokes has nothing to do with the thickness of lines, but the key lies in the author's ability to control the brush and write with the center.

From Chu Suiliang's Preface to the Big Wild Goose Pagoda, we can see that there are many tiny strokes, delicate and powerful. From Yan Zhenqing's "Yan Family Temple Monument", we can feel the dignity of the writing brush, which is like an iron hook and a silver painting. These are all examples that run through the back of the paper.

What is a diversion? "Diversion" means that the stippling of each part of a word gives way and echoes each other, so that words with more strokes do not appear dense, and words with fewer strokes do not appear sparse, such as the words next to "horse" and "bird", and the left side should be written straight to make room for the half word on the right; Other words with left and right radicals are also analogized.

What are the requirements for shelves? The size, length, width and inclination of Chinese characters should be appropriate.

What are the basic rules for learning calligraphy? To learn calligraphy, we must master the four basic laws of writing, transportation, use and construction.

Why can't you hold a pen with your fingers? If you move the pen tube with your fingers, the pen tube cannot remain upright, and the range of motion of the pen tube is very small. I can barely cope with writing small words, but I can't write middle letters, big letters or even bigger words. Moreover, the fingers of the pen are not practical, and the words written are vain.