Traditional Culture Encyclopedia - Traditional stories - The origin of paper cutting.

The origin of paper cutting.

Paper-cutting, also called paper engraving, is one of the oldest folk arts of Han nationality in China. Paper-cutting is a kind of hollow art, which gives people a sense of emptiness and artistic enjoyment visually. So, do you know the origin of paper-cutting? Let's have a look.

Chinese paper-cutting art is an ancient handicraft art and a beautiful folk art in China with a long history. However, it is difficult to explore the origin of paper-cutting in the study of the development history of traditional culture in China. The reason for the difficulty lies in its material characteristics. The paper is thin, fragile and difficult to preserve, and once used, it is difficult to preserve. Another reason is that most of our history books are records of official history or mainstream culture, and we despise the skills of these working women from the middle and lower classes at that time. The dual reasons of material and prejudice lead us to lack both archaeological data and literature. Fortunately, in Dunhuang, Xinjiang and other special environments, there are many discoveries of ancient paper-cutting, and researchers have also found clues of paper-cutting from various documents, weaving scattered information, and Chinese paper-cutting is finally faintly visible.

The origin of traditional paper-cutting in China dates back to before Cai Lun invented papermaking in the Eastern Han Dynasty. With the development of history and the improvement of economy, culture and science and technology, folk paper-cutting art matured in the Southern and Northern Dynasties, but it really flourished after the middle of Qing Dynasty. Because of its "preciousness" in the early days of invention, paper-cut art first spread in the court and the scholar-bureaucrat mansion, and became the "favorite" of ladies. It spread to the Tang and Song Dynasties and was very popular in various folk festivals. In the Yuan Dynasty, it spread to the Middle East and Europe. Therefore, his artistic works have been combined with people's daily life festivals in Ming and Qing Dynasties.

Of course, an earlier record in China can be found in Lu's Spring and Autumn Annals: "He lived in Yanju, helped to think it was Gui, and was awarded the title' Yu'." Uncle Yu was very happy to tell Duke Zhou ... so he named Uncle Yu in the State of Jin. The Historical Records of the Golden Family also recorded this matter. This matter was widely circulated by later generations and was repeatedly quoted. It was finally called "Jiantong" as the agent of the package. The king is Zhou Chengwang, and Yu Shu is the son of King Wu. Yu Shu was sealed in the Western Zhou Dynasty. Imitating the shape of leaves is almost a plastic art of paper-cutting. Up to now, there are still folk manual "tearing paper" as a variety of paper-cutting. Therefore, the embryonic form of paper-cutting appeared in the Western Zhou Dynasty, which is not groundless.

In Astana, Turpan County, Xinjiang Uygur Autonomous Region, from 1959 to 1966, five paper-cuts were unearthed from three tombs of the Northern and Southern Dynasties. Due to the dry local climate, the paper-cut of 1500 years ago is well preserved. These paper-cut works are all cut with origami. At that time, the popularity of paper was not very long, but the maturity of paper-cutting technology in Ma Dui, Tuanhua and Duihua was surprising. I believe that they are not the earliest works, and the source of Chinese paper-cutting will go forward. The fact that ancient paper-cuts were unearthed many times on the Silk Road in the ancient western regions not only showed that Chinese paper-cuts had been produced before the 6th century AD, but also reflected from the side that paper-cutting activities had been widely spread in the Central Plains at that time and had spread to remote areas. In the mainland, a number of paper-cut works of the Tang Dynasty were found in the ancient tomb of Yuanzitou Village, Longxian County, Shaanxi Province, with 10 pieces of paper-cut, all of which were pasted on the outer wall of a clay pot, with flower patterns ranging in diameter from 8 cm to 10 cm. It was white when unearthed, and then weathered, leaving only traces of patterns.

This ancient handicraft is very popular with people. As a part of folk custom, paper-cutting art has survived and developed among the people with its tenacious vitality, and its vigorous vitality has been greatly demonstrated today. It is the industrious and dexterous hands of ordinary farmers from the lowest level of society that have written a silent and beautiful chapter for the brilliant development of Chinese folk handicraft art.

The above is the origin of paper-cutting introduced by Bian Xiao. I hope it will help you. For more information about the origin of paper-cutting, please continue to pay attention to Tuba Rabbit Decoration Network.

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