Four kinds of flat and even metrical patterns of the seven unique lines.

Four kinds of even and flat metrical patterns of the Seven Unique Lines:

(A) the first sentence into the rhyme.

As usual, metrical poem: Li Bai's "Early Sending Baidicheng"

Flat and light, flat and light. Flat and light, flat and light.

Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away. The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.

The first sentence doesn't rhyme.

As usual metrical poem: Bai Juyi's Memories of Liu Jiang

Plain, plain, plain. Flat and light, flat and light.

I planted willows in Jiang Nanan, and I bid farewell to Jiangnan twice in spring. Looking back at the green river, I don't know who Pan Zhe is.

(c) rhyme the first sentence.

Metric Poetry as usual: Notes on Li Shangyin's Rainy Night to Friends in the North

Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping. Plain, plain, plain.

When you ask about the return date, it's hard to say, evening rain, Manqiuchi. When * * * cut the candle at the west window, but talk about the rain at night.

(d) Fold the first sentence that doesn't rhyme.

Metric poem: Wang Wei's "Remembering my Shandong brothers on vacation in the mountains"

Flat and light, flat and light. Plain, plain, plain.

I am a lonely stranger in a strange land, and I miss my family more often during the holidays. When I think of my brothers' bodies climbing high, I will feel a little regret for not being able to reach me.

Seven-character quatrains are a genre of China's traditional poetry, which belongs to the category of modern poetry. There are four poems in this style, each with seven words, and there are strict metrical requirements in rhyme and adhesion. The poetic style originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties or folk songs in the Western Jin Dynasty, and its stereotypes matured in the Tang Dynasty.

Genre characteristics

Seven-character quatrains belong to modern poems with strict metrical requirements. The first is fixed length. The whole poem consists of four sentences, each with seven words, totaling * * * 28 words. Secondly, the rhyme is rigorous, usually only flat, not rhyming. Also pay attention to the level tone, that is, it is required to conform to the level tone law, that is, under normal circumstances, two syllables (two words) are a step, and the level tone is alternately arranged.

According to the level of the first two words in the first sentence, seven-character quatrains can be divided into two categories: upgrading and upgrading. Among them, there are two types of flat-rising: one is flat-rising and flat-receiving, and the first sentence rhymes; Second, the first sentence doesn't rhyme. There are also two types of pouting: one is to flatten out and rhyme the first sentence; Second, from beginning to end, the first sentence doesn't rhyme.

According to the law of parallel prose, there are four standard sentence patterns of seven-character quatrains: one is flat and parallel (the last word is flat and parallel, called flat ruler); The second is flat and flat (flat and flat, the last word is flat and flat, called flat and flat feet); The third is flat and flat (flat and flat, the last word is flat, called flat feet); Fourth, plain (plain, the last word is plain, so it is called plain). Its flat sticker has a certain elasticity, that is, the so-called "135 regardless, 246 is clear", but it is also necessary to avoid making a flat three-level tone.