On Zhu Yizun's Research Works (Ⅲ)

Paper: Three pairs of readings of Tong Lin and CoCo Lee's "Contradictions Complementing and Tending to Blend —— Biographies of Poems in Past Dynasties" and "Poems in Quiet Place" (Journal of Nantong Normal UniversityNo. 1 issue); On the Similarities and Differences between Qian and Zhu Yizun's Poetics (Journal of north china university of technology No.2); Wang Yingzhi's Preliminary Study on Zhu Yizun's Landscape Poems (Journal of Jinan No.4); Li Nanrong's On Zhu Yizun (Journal of Anhui University, No.4): Zeng Yifen's Preliminary Study on Confucian Classics and Righteousness (Historical Studies, No.4).

A: In this year's thesis, there are two articles that simultaneously examine Qian's and Zhu Yizun's poetics. Tong Linhe interprets the biographies and comments of three poets, Tang Yin and Yuan Hongdao, through Qian's Biographies of Poems in Past Dynasties and Zhu Yizun's Poems in Youchu, and points out the characteristics of the times when poetic theories in the early Qing Dynasty were complementary and tend to be integrated, which confirms the academic judgment that the Qing Dynasty was the summary period of ancient poetic theories. It is pointed out that both Qian and Zhu advocate that poetry should be able to express temperament, oppose imitation and eccentric poetry style, and advocate saving the disadvantages of popularity with knowledge. However, as far as the connotation of "expressing ambition" is concerned, Qian advocates expressing qi, and Zhu emphasizes gentle and sincere poetry teaching. The reasons for the differences are not only the characteristics of the times and society, but also the differences in personal experiences and thoughts. Wang Yingzhi paid close attention to Zhu Yizun's creation of landscape poems, pointing out that Zhu's pursuit of elegance was the basis of his creation, but he had a sense of national rise and fall in his early days and imitated Wang Mengzhi. Express your personal feelings in middle age and learn the power of Du Fu. After returning to the field, he reflected on his leisure state of mind and studied the works of Su Shi and other Song poets. Zhu's landscape poems reflect the trend of poetry creation in the early Qing Dynasty, which was far from political utility and changed from learning from Tang Dynasty to learning from Song Dynasty. Wang Yingzhi noticed the different characteristics of Zhu's poems in different historical stages, which was more prominent in the study of his works. Li Nanrong's "A Brief Comment" is devoted to Zhu Ci, introducing Zhu's love poems and chanting poems, revealing the style and characteristics of Zhu Ci, so as to correct all kinds of prejudices. This paper comments on Zhu Kongling's elegant theoretical system of Ci poetry and the factors that formed the Ci school in western Zhejiang. Zeng Yifen discussed the classification system and description system of Jing Yi Kao, and evaluated the academic value of Zhu Yizun's annotations. In particular, the analysis of Zhu's various intentions can distinguish the origin and get the general idea.

1998

Thesis: Textual research on the problems related to the citation of money theory in Sikuquanshu (Proceedings of the 7th Friends Symposium of Chinese Department of Kaohsiung Normal University, May); Lin Qingzhang's Study on Confusion between Confucian Classics and Righteousness by Four Library Officials (Proceedings of the First China Literature Research Seminar, Taipei Student Publishing House); Liu Yucai's Collection of Poems of Zhu Yizun (Peking University Centennial Chinese Language and Literature Volume, Peking University Publishing House).

Reporter: In the process of compiling Sikuquanshu, both Yang Jinlong and Lin Qingzhang focused on how to rewrite and delete the "illegal" text in Jing Yi Kao. At that time, officials of Sikuquanshu were afraid of the strict orders of Emperor Gaozong of the Qing Dynasty. Due to the collection of Confucian classics, there are as many as 300 volumes, which is enough to explain the prosperity of civil affairs in this dynasty. Therefore, it was highly valued by Li Hong, praised by himself and ordered to be published. Nevertheless, the Yijing can't avoid the fate of some characters being deleted. It can be seen that the revision of Sikuquanshu in Qing Dynasty was one of the things of "forbidding" and "destroying". This paper sorts out the collection and publication of Zhu Yizun's poetry works, and introduces them in detail, from Zhu Lei, Teng Xiaoji and Exposed Pavilion to the collection and annotation works outside his works. It also analyzes the general situation and value of Jiang Haoran, Yang Qian and Sun Yinke's poems. Finally, it is pointed out that compared with Zhu Yizun's position in the history of literature, the existing collation work is far from enough and needs to be strengthened urgently.

1999

Paper: Zhu Yizun of Ding Hongxuan, a bibliophile who did not hesitate to lose his official position (Nanjing Historical Records No.3); Summary of Yang's Make-up Examination (Proceedings of the Postgraduate Thesis Publishing Conference, No.9, 65438+February).

Publishing House: After the publication of Jing Yi Kao, scholars paid extensive attention to it, and a series of related works such as Weng Fanggang's Jing Yi Kao Jiao appeared. Yang Yiweng's book, Luo Zhenyu's Textual Research Catalogue of Confucian Classics and Wu Zhengshang's Textual Research (appendix in Textual Research Index of Confucian Classics) are the objects of investigation, which comprehensively reviews the achievements of predecessors, analyzes their methods, summarizes their contents, comments on their advantages and disadvantages, and points out that the existing textual research is trivial and insufficient. The full-text analysis is detailed, the evidence is clear, the discussion is thorough, and it is appropriate and concise.

In 2000,

Works: Lin Qingzhang et al. Collection of Textual Research in Zhu Yizun (edited by Shirley China Institute, Taipei Academia Sinica).

Thesis: Wei's Compilation of Ci Summary and Zhu Yizun's Theory of Elegance (Inner Mongolia Social Sciences No.2); The Song of Eternal Sorrow by He Hongling —— Gui Dian Qiu (Appreciation of Masterpieces II) by Zhu Yizun: Records of Chen Xiaojing (Part I and Part II) (Bibliography Quarterly, Volume 34,No. 1, No.2); Yang's Analysis on the Citation Pattern of Examination (Journal of Chinese Language of China Culture University, No.5 in March), Research on the Catalogue of Examination in Luo Zhenyu (No.4 in Bibliography Quarterly, Volume 33), Textual Research on the Citation of Examination (Confucius and Mencius Monthly), Shen Naiwen's Zhu Yizun and the Examination of Confucian Classics (Sinology Research, Volume 7 in June); Wang Tongce's Discrimination of the Author of Jing's Art Examination —— Comments on Kao and Si Quan Shu (Journal of Social Sciences of Jilin University, No.5): Academic Master Zhu Yizun Chen Shaochuan's philology practice (Book No.3); Zhu Yizun and Liu Hongquan's Book Compilation (Library Science Research No.3); Xu Yan's Zhu Yizun Exposing Bookstore (No.7 Bookstore).

Publishing House: This year's works and papers cover the fields of Confucian classics, philology and Ci. Research anthology edited by Lin Qingzhang and others. Wu Liang, Weng, Tian Fengtai, Sugiyama Hiroyuki, Qiu Jianqun, Lu, Cai Qiqi, Zhu Zejie, Chen Zuwu, Zeng Yifen, Huang, Yang, Qiao Yanyan, Lin Qingzhang and Zhuang Qinghui mentioned earlier. After the publication of Jing Yi Kao, there have been more than ten kinds of derivative works, such as Weng Fanggang's Correction of Jing Yi Kao and Shen Xukao, which are divided into three series: correction, continuation and supplement, which fully proves the important academic value of this book (for details, please refer to the first section of Chapter 7 of Zhang Zongyou's Research on Appropriate Examination by Zhonghua Book Company in 2009). Following the example of Qing Dynasty and sages, Chen revised the category of "filial piety" in Jing Yi Kao. Forty things, seventy things, everything, detailed analysis, enough to be called a hero; The textual research and interpretation methods used are enough to imitate. In the special study of the exam, Yang made great efforts and achieved the most outstanding results. Jing Yi Kao is famous for its rich descriptions and extensive quotations. Yang summarized its citation methods and pointed out that there are seven ways of * * *, such as direct recording, approximate citation, inflated, substitution, inversion, combination and separation, all of which were invented by examples. Luo Zhenyu had compiled a catalogue for Jing Yi Kao and wrote a proofreading record to correct its mistakes. Yang summarized the examples of Roche collation, analyzed the types of collation contents, and discussed the advantages and disadvantages of collation, all of which are important and can be said to have won the research on the law of philology. As far as Yijing is concerned, it is "research study". Similarly, Yang Fu quoted Ma Duanlin's materials from Jing Yi Kao, compared them with each other, analyzed the types of contents and the number of records, compared the advantages and disadvantages of the two books, and pointed out that scholars had to absorb the contents of Jing Yi Kao in order to be complete. After introducing Zhu Yizun's family background, scholarship and official performance, Shen Naiwen elaborated on his compilation background, style inheritance, writing time, drafting method, achievements and shortcomings, and the origin of seal cutting, among which there were many insightful opinions. Shen Shi answered the question about the quality of the book edition, quoted dozens of regulations, and compared them with each other, and reached the best conclusion of the first edition, which can be called the final evaluation. Library officials compiled the Catalogue of Sikuquanshu, quoted a large number of classics and even recorded its mistakes. Wang Tongce pointed out that the author of Elegant Music was from Dexing, not from Hefei as Zhu Yizun thought. The general catalogue follows Zhu's theory, but it cannot be clearly distinguished. Chen Shaochuan and Liu Hongquan pay attention to Zhu Yizun's philology practice and book compilation respectively, and the latter can be summarized from the ideological level.

200 1 year

Thesis: Chen Jingying's Study on Poetry of Zhu Yizun in Ming Dynasty (Master's degree thesis of Fu Jen Catholic University); The compiling intention and value of Zhugebingyi's Ci Summary (No.2 of Jianghai Academic Journal): Yang's Research on Weng Fanggang's Collation of Classics (No.7 1 issue of Taiwan Province Branch of Central Library, March); Wu Bei's Discussion on the Typical Significance of Zhu Yizun's Ci Poetry —— Also on the Reasons for the Emergence, Development and Decline of Zhexi Ci Poetry School (zhejiang academic journal No.2): Mr. Liu Shinan's Views on Selected Works of Zhu Yizun —— A Discussion with Mr. Ye Yuanzhang and Mr. Zhong Xia (Research on the Arrangement of Ancient Books No.3): Wu Meijuan's On the Local Literature Value of Acura Poetry (in the Construction of a Cultural Province)

A: The Collection of Poems of the Ming Dynasty is a collection of poems of the Ming Dynasty compiled by Zhu Yizun, and it is an important text to study Zhu's poetry theory and the development of poems of the Ming Dynasty. Chen Jingying's thesis mainly focuses on two aspects: first, the editorial spirit, editorial principles and comment connotation of Zhu Yizun's Selected Poems of Ming Dynasty; The second is the poetic thoughts contained in the book, such as the theory of poetry origin, creation, style and the evaluation of important poets. This paper discusses the value and influence of comprehensive poems in Ming Dynasty. This is the first paper on the study of poetry in Ming Dynasty. Zhuge pointed out that Zhu Yizun compiled Ci Collection in order to carry forward the style of Ci, make his own creation belong to elegance, and save the obscene, humble and trivial style of Ci brought by Caotang to the Ming Dynasty. After Jing Yi Kao was published, scholars constantly revised, supplemented and continued to compile it, among which Weng Fanggang made the greatest contribution to the collation of Jing Yi Kao. Yang studied the book, revealed its significance, clarified its content, and commented on its advantages and disadvantages. Every example is fabricated and quite detailed. As for Zhu Yizun's ci, Zhu's ci is rich in content and diverse in forms, which is unparalleled in Qing Dynasty and has exemplary significance; The school of Zhexi Ci, founded by Zhu Yizun, has always followed the trend of chanting poems. However, when chanting poems fall into elegant word games, its vitality is greatly limited, and the rise and fall of Zhexi Ci is closely related to this. Liu Shinan pointed out that the Selected Works of Zhu Yizun contains sentence breaks and annotation errors. It is not easy to annotate Zhu Yizun's works, especially for those who are well-educated and prudent. Wu Meijuan believes that the series of Acura, represented by Zhu Yizun's Acura of Yuanyang Lake, reproduces Jiaxing's history and stories of past dynasties, depicts local places of interest, records local specialties and customs, and has rich local literature and cultural value. For Acura, Wu's generalization is of universal significance.

In 2002

Paper: Yang, Analysis of Postscript Value of Exposed Book Collection (Journal of Taiwan Province Branch of Central Library, Vol.8, No.0 1, March); Looking at Li Ruiqing's "Qing" as an aspect of Zhu Yizun's aesthetics from Jing Zhi Ju Shi Hua (Journal of Liaoning Normal University No.2), Zhu Yizun's Emotion-oriented Neo-Confucianism-Poetic Choice between Neo-Confucianism and Confucian Classics (Journal of Dalian University No.3); Yang Degui's On the Gains and Losses of Ci Abstracts (Journal of zhoukou normal university No.3); Wang Yonghao's On the Relationship between Zhu Yizun's Emphasis on Poetry and the Thought of Practical Learning in Qing Dynasty (the twentieth in the research series of ancient literary theory); Lu Zhu's Yuefu Bu and Six Stories about West Zhejiang —— Also on the Formation of West Zhejiang Ci School (Journal of Nanyang Normal University, No.5): Yang's Analysis of the Description of Confucian Classics (Journal of Taiwan Province Branch of Central Library, Vol.8, No.4, 65438+February) and Zhu Yizun's Application of "Cutting Method" in Confucian Classics.

Publishing House: Zhu Yizun's "Lu Shu Ting" has 80 volumes, including 8 prefaces and 8 postscript volumes, and the postscript 14 volumes, totaling 22 volumes, which is regarded as a big volume in Zhu's poems (but there are 22 volumes in his poems, which can be compared with others). Yang inspected the value of Zhu's Postscript for the first time, and pointed out that Zhu's book collection, collation achievements, academic friends, research methods, preferences and so on can all be inspected with it. This kind of writing can be used as a useful supplement to Jing Yi Kao and become an important textual research resource for officials of Siku Library. "Emotion" is an important critical term and aesthetic concept in ancient China. Li Ruiqing combed the development course of this concept, summarized and analyzed the words containing the word "emotion" in Jing Zhi Ju Shi Hua, and pointed out that Zhu Yizun's use of these words respectively reflected his nostalgia for the tradition of "emotion" since Wei and Jin Dynasties, his admiration for soft writing style, his taste for simplicity and truthfulness, and his rectification of vulgar world style. Li Ruiqing believes that Zhu Yizun's exposition on the relationship between reason and reason is aimed at the fact that Neo-Confucianism and elegance are separated, and that they are not contradictory, and expressing emotions does not hinder morality; The so-called "the combination of elegance and elegance of Neo-Confucianism" is a reflection on Neo-Confucianism, which compromises Wang Zhu and has the original connotation of Confucian classics. Zhu Yizun's theory of focusing on poetry is aimed at Yan Yu's theory. However, under the specific historical situation in the late Ming and early Qing dynasties, it is of practical significance to correct mistakes and advocate practical learning. In this regard, Wang Yonghao made an in-depth and detailed analysis in combination with the political and academic atmosphere in the early Qing Dynasty. Wang believes that Zhu Yizun was an important advocate and participant in the ideological trend of practical learning in the early Qing Dynasty, with great influence. Lu Zhu pointed out that the discovery of Yuefu's supplementary questions inspired the enthusiasm of the Ci school in western Zhejiang to create poems about objects, and its words were exquisite and elegant, and its aesthetic feeling was pure and simple, which could sweep away the disadvantages of Ci. The neglect of emotional communication is contrary to the literary tradition of attaching importance to emotional feelings, and its disadvantages lead to emptiness and loneliness. By using computer technology, Yang made a statistical and quantitative analysis of the elements of Jing Yi Kao, which not only found out the "family background" of the book (such as the total number of descriptions, the distribution of four columns (existence, loss, lack, absence, etc.). ), the number and types of cited documents, the number of classics in previous dynasties, etc. ), but also found some problems in the book, such as improper style of writing, repetition of classics and so on. The literature cited in Jing Yi Kao is very rich. Compared with the original, there are often changes, deletions and mergers, which are quite regular. Yang called it "cutting method" and summarized the situation of deletion and modification. The advantages of this method are: consistent cutting, such as a skill; Appropriate content and moderate complexity; Orderly and orderly, with meticulous style; At the same time, there are also some shortcomings, such as incorrect deletion of content, distorted cutting and inconsistent style. The most important example in history, Yang's research on the examination of knife method, can be described as profound and clear.