Traditional Culture Encyclopedia - Traditional stories - What are the specialties of Mianzhu?
What are the specialties of Mianzhu?
Mianzhu Daqu \x0d\ \x0d\ Mianzhu Daqu is the predecessor of Jiannanchun wine, as early as 1922, won the first prize of the Sichuan persuasion, in 1928, was awarded the medal of the Sichuan National Exhibition and medals. 1963 to 1988 was named the Ministry of Commerce of the Chinese high-quality products, won the Ministry of Commerce of the "Silver Jennifer Award", "Jin Jue Award". 1991, was named the famous Sichuan Province; in 1999, was the fourth Sichuan Province famous brand title, From 1963 to 1988, it was honored as a high-quality product of the Ministry of Commerce of China, and won the "Silver Jennifer Award" and "Golden Jennifer Award" of the Ministry of Commerce of China. \x0d\\\x0d\\ Mianzhu New Year's Paintings\x0d\ \x0d\ Mianzhu New Year's Paintings is one of the four major Chinese New Year's Paintings, which is a kind of folk art of painting, and its paper is taken from Mianzhu's bamboo, which produces many varieties of slender and soft bamboo. Du Fu has a poem praising: "Chinese fiber, other years to, Mianzhu Pavilion out of the county high. No such thing before the river house, fortunate to share the verdant whisk waves." Ming and Qing dynasties Mianzhu paper industry flourished, for the production of New Year's paintings provide favorable conditions. \x0d\ Qing Xianfeng years, "Mianzhu County Records" said: "bamboo paper of the profit up to tens of thousands of families is still insufficient, it is printed for the books, made of peach symbols, painted in colorful Shentian Yubai, embellish the year." During the Jiaqing period of Qing Dynasty, due to the economic prosperity, Mianzhu New Year's Paintings entered the heyday period, and the New Year's Paintings Guild was also established accordingly with the name of "Fuxi Guild", with more than 900 professional practitioners, more than 300 workshops, and the paintings businessmen were even more crucian carp, purchasing, selling and stockpiling and trafficking, which became the business content of engaging in the paper industry. \x0d\ The heyday of Mianzhu New Year's Paintings workshops were mainly located in the urban areas of Mianzhu and the southwestern countryside, and their styles varied. For example, the Qingdao workshop favored colorful water robes; the Zundao workshop favored beauties, doll plays, and storytelling; and the urban area New Year's paintings focused on topography, miscellaneous strips, doufangs, cases, or concurrently with door paintings. \x0d\ Mianzhu New Year's Paintings are diverse in content and novel in subject matter, either festive or humorous, with many treasures, such as The Mouse Marrying Her Daughter and Yingchun Tu. The Spring Festival Picture is a realistic painting elaborated by a Qing Dynasty artist, which vividly depicts the traditional folklore of the Qing Dynasty in Sichuan. Taking Mianzhu County in the Qing Dynasty as the background, the author realistically and vividly reproduces the images of more than four hundred and sixty characters of different ages, genders, identities and dresses, and expresses the colorful celebrations of folk music, dances, operas, juggling and other celebratory activities. The Spring Festival Picture provides valuable information for the study of folk art and folklore in modern Sichuan. \x0d\ Mianzhu New Year's Paintings have a long history \x0d\ When exactly did she originate, is still a secret. According to the "Classic of Mountains and Seas" and other records, according to legend, in the East China Sea, Duoshuo mountain there is a bend extends three thousand miles of the big peach tree, its branches and forks have been extended to the southeast of the ghost gate, the ghosts and gods in the caves have to go in and out from here, under the tree there are two gods and goddesses to keep watch, is a brother and sister, named Shentian (read Shin Shu), Yubi (read Yulu). When they found the evil spirits that were harmful to people, they would bind them with reed ropes and send them to the tiger, so that people could live in peace and work in contentment. (This ancient legend may be the origin of the phrase "Great Luck in the Southeast" and the idiom "Bringing to Justice.") From the Zhou Dynasty onwards, every New Year's Day, people will use peach board (six inches wide, one foot two long) painted on the image of the two gods and generals, hanging in the door or bedroom door on both sides, to quell evil spirits, pray for good luck and good fortune (this may be the first pair of Chinese New Year's Eve paintings of the God of the Door). Later, in the Tang Dynasty, there appeared the portraits of Qin Qiong and Yuchi Gong, who were capable of suppressing evils and bringing good fortune. There were more and more door gods after this. \x0d\ Northern Song Dynasty's "Chengdu Ancient and Modern Records", written by Zhao_, the imperial historian of the Northern Song Dynasty, wrote about several markets in Chengdu at that time: "Lantern Market in the first month of the lunar year, Wine Market in the month of October, Plum Market in the month of November, and Peach Symbol Market in the month of December". The "Peach Symbol Market" is the common name for the New Year's Paintings Market. Southern Song Dynasty Meng Yuan Lao "Tokyo Dreaming Records" Volume 6: "New Year's Day in the near, the mat store department store, painting door peach symbols, spring cards, paper horse store printing Zhong Kui, wealth horse, back to the horse feed with the patron." And there is a "New Year's Eve for the door god, hanging Zhong Kui, nail Peach Charms," said. It can be seen that the Song Dynasty, Chengdu has a market for New Year's paintings. And Chengdu "Peach Symbol City," most of the paintings by the nearby Mianzhu, jiejiang and other counties of the year paintings workshop to provide, therefore, Mianzhu year paintings as early as in the Song Dynasty is quite famous. According to the "renewed Mianzhu County Records" records: Mianzhu New Year's Paintings as far as the Ming Dynasty has been quite successful? Qing dynasty Qianlong, Jiaqing years, Mianzhu yearbook production scale has been quite large, according to incomplete statistics, the yearbook workshop up to more than three hundred, yearbook artist more than a thousand, more than 10,000 employees. New Year paintings are sold to Shaanxi, Gansu, Qinghai, Yunnan, Guizhou, Hunan, Guangdong, Guangxi, Xinjiang, Hong Kong and Macao, and even to India, Japan and Southeast Asia. \x0d\ Mianzhu Hand-painted Traditional New Year Paintings - Zhao Gong Zhen Residence Mianzhu New Year Paintings are highly painterly In terms of the painting style, she has inherited both the production style of hand-painted New Year Paintings prior to the Tang Dynasty as well as the style of engraved and printed New Year Paintings after the Tang Dynasty. Mianzhu New Year Paintings, like other Chinese New Year Paintings, are firstly engraved as linocut, but the linocut in Mianzhu New Year Paintings only plays the role of outline, and all of them are painted by hand, and are never produced in overlay color. After different artists' handwriting, different styles are presented, and the same artist draws different paintings with different interests. This is one of the main characteristics of Mianzhu New Year's Paintings that distinguishes it from all other New Year's Paintings, and it is also one of the most wonderful things about Mianzhu New Year's Paintings. Painting process, artists call her a black (refers to the black line version), two white (refers to the characters of the hand and face base color and the soles of the boots for the white), three golden yellow (refers to the crown and the orange of the road drama), colorful clothes (refers to magenta, peach, yellow Dan, Buddha green, blue, green, etc.). In addition, it is supplemented by the technique of "Mingzhanminghanging", which enhances the rhythm and decorative interest of the picture with the help of changes in the shades of similar colors. \x0d\ Mianzhu traditional New Year's Paintings - Female General Mu Guiying Mianzhu New Year's Paintings are bright and colorful, and New Year's Paintings artists use as many colors as possible in their works: peach red, Buddha green (similar to the original color of orchids), scarlet, grass green, gold, etc. The colors of Mianzhu New Year's Paintings are bright and vivid. Big red, big green, lively and exciting, full of vitality and energy. But in the midst of strong contrasts, they also emphasize aptness and harmony. They often use a small amount of compound colors: "Ermenzi Gray", or gold, silver, black, white and other lines and surfaces interspersed in the middle of the contrasting colors, in order to harmonize the tone of the picture. The artists have summarized their experience in color matching over the years into a motto that contains a profound aesthetic principle: "Deep with light, strong with light, strong with light, and strong with light." The colors of Mianzhu New Year's Paintings are mostly mineral colors and civilian dyes, and different ingredients of gum are mixed with alum according to the seasons, so that the works are colorful, resistant to sunlight and rain, and do not lose their color over time. \x0d\ Mianzhu New Year's Paintings Ancient Topographies \x0d\ Money Tree Mianzhu New Year's Paintings have a wide range of contents and forms summarized in a variety of ways, such as to ward off evil spirits and welcome good luck, customs and habits, life and production, operatic stories, historical figures, myths and legends, satirical humor, birds, insects and fishes, etc. The forms are rich and colorful, with doorways, doors and other doors. Forms are colorful, there are door paintings, doufang, horizontal push, in the hall, screen, single, woodblock topography, etc., with the development of the times and add a booklet, fan, New Year's cards, calendars, calendars, hand scrolls, advertising and other new forms of New Year's paintings. \x0d\ Door God is the main variety of traditional New Year's paintings in Mianzhu. Its size is divided into "big hair", "two hair", "three hair", "four hair" and other specifications (hair is a special term for the size of the paper). (Mao is a special term for the size of the paper) Mr. Lu Xun had collected Mianzhu New Year's Paintings "Mouse Marrying Daughter" Mianzhu New Year's Paintings ancient version of Lin Zexu's calligraphy is very rich in content, there are loved by the people of the historical figures, brave warriors, beautiful beauty, happy children, as well as auspicious animals, flowers and fruits and so on. Doufang, mostly satirical allegorical one-page sketches, is a kind of folk satire. Such as "Mouse Marrying a Daughter", "Three Monkeys Scalding a Pig" and so on. \x0d\ Mixed strips, mostly with reference to folklore, as well as filial piety, cultural content of good fortune and longevity, the most moving episodes of operas and literary works carved and painted into figures. There are also paintings of flowers and birds in folk style. Such as the Twenty-four Filial Piety Paintings, Hundred Longevity Paintings, and Journey to the West. \x0d\ Horizontal Push, usually a horizontal scroll showing a large scene with many figures, such as "Welcome Spring", "Hundred Sons" and so on. Welcome Spring Figure" she is Mianzhu New Year's Paintings horizontal rows of masterpieces, the author of the Department of Mianzhu New Year's Paintings master Huang Ruiguan, this picture depicts the Qing Dynasty Mianzhu Spring Festival, scroll depicted to the more than 400 characters and colorful activities to welcome the Spring Festival, vividly reproduced the folklore and folk customs of the Qing Dynasty, with high ethnographic research and artistic value. It is a national cultural relic and is known as the Qingming Riverside Scroll of the Qing Dynasty by experts. \x0d\ \x0d\ Mianzhu New Year's Paintings are famous all over the world \x0d\ As of today, Mianzhu New Year's Paintings have been collected by more than a hundred museums around the world and by tens of thousands of experts, scholars, artists and collectors; dozens of times by CCTV, People's Daily, Guangming Daily, China Cultural Relics Newspaper, Today's China, People's China, Hong Kong's Wen Wei Po, Declarations, New Evening Post Taiwan's "Earth"; Japan's "Study Stirrup", etc., more than two hundred newspapers, magazines, radio, television, featured, has gone to the United States, France, Britain, Japan, Hong Kong, Taiwan and other more than 30 countries and regions to exhibit. \x0d\ Mianzhu Shu embroidery New Year's Paintings\x0d\ "Shou Tian Bai Lu" Since the establishment of new China, especially in the last ten years, the Party and the government have attached great importance to the watering and cultivation of this strain of folk art wonders, so that the Mianzhu New Year's Paintings have been rescued and protected by the _, inheritance and development. Make Mianzhu New Year's Paintings in the inheritance of tradition on the basis of following the true meaning of "art when with the times", from the form to the content, from the content to the carrier, from the carrier to the production methods, packaging and so on have carried out innovations, so that the Mianzhu New Year's Paintings gradually towards the daily life, practicality, decorative, gifts, collectors, publicity, and the times of the fine products to the collection! The field of collection. And especially the last two provinces and cities "Mianzhu New Year's Eve Festival" held to the development of Mianzhu New Year's Eve has brought new opportunities and vitality.
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