Chinese painting pays attention to color expression.

Chinese painting pays attention to the expression of color in light.

The color of Chinese painting is different from that of western painting, and it is not so complicated. It takes the traditional pen and ink of Chinese painting itself as the main modeling means to shape its body structure. Color, as to make up for the lack of pen and ink, plays a supporting role. In landscape painting, after thousands of years of development, it has formed a color-using law and remarkable characteristics with excellent national traditions.

In the process of color setting, can we identify the inherent colors of different objects in nature, that is, can we grasp the particularity of contradictions. Therefore, in practice, we should make full use of the rich expressive force of Chinese painting pigments, and achieve mutual contrast and contrast through the mutual cooperation of ink colors, so as to make them more colorful, expressive and infectious. This is a remarkable feature of Chinese painting color.

In the creation of Chinese painting, sometimes according to the needs to be expressed, the characteristics of western painting colors are used for reference, and they are integrated into the traditional colors of Chinese painting to enrich and enhance the expressive force of the picture. At this time, it is necessary to properly consider the relationship between environmental change and light reflection. This is the result of painters' long-term creative practice, and they clearly realize that color has a strong appeal to people's feelings.

Taking landscape painting as an example, there are two kinds of landscape painting: ink painting and color setting. Colors are divided into light crimson, turquoise and boneless, and turquoise landscape is divided into three types: gold, big turquoise and small turquoise. There are many ways to set the color of landscape painting, which reflects the richness and diversity of color setting of landscape painting. Moreover, "painting is made of color, so we must pay attention to the fact that color does not hinder ink, and ink does not hinder color."