Huang Yue's solo exhibition

Exhibition City: Beijing Exhibition Time: 2009-1-5 ~ 2009-1-7 Exhibition Location: Preface of China National Painting Academy.

Today, the worship and attention to traditional culture has reached an unprecedented level. But the tradition has been passed down for thousands of years and gradually drifted away. Because its composition is too complex and huge, it is difficult to distinguish the essence from the dross. We don't have enough time to research the more profound or important thoughts and experiences left by the ancients for human survival and change human survival. The reality of human nature also makes us cringe and hesitate before tradition. So it is difficult for modern people to inherit the tradition. Huang Yue juxtaposes Chinese Peking Opera figures, flowers and birds, shadow play, calligraphy and many other elements with modern figures from a brand-new creative perspective, showing the painter's thoughts on the origin and relationship between tradition and contemporary, as well as the inheritance and development of China's traditional culture.

On September 3rd, 2000, the "Yellow Moon Flower and Bird Oil Painting Exhibition" sponsored by China Calligraphy and Painting Collectors Association was held in China National Painting Academy.

Zhang Siqing, Director of the Painting and Calligraphy Office of China People's Political Consultative Conference and Vice Chairman of the 10th China People's Political Consultative Conference.

Sun, Party Secretary and Deputy Secretary-General of China Municipal People's Political Consultative Conference.

Chinese People's Political Consultative Conference, member of the Standing Committee of the All-China Federation of Industry and Commerce, and Lang Kun, the famous director of Sun Xiaohua CCTV.

Wang Yongmao, executive vice president of Mi Nanyang Chinese Calligraphy and Painting Collectors Association, is a famous calligrapher.

City participating in the ribbon-cutting exhibition: Beijing Exhibition Time: 2010-9-3 ~ 2019-5 Exhibition Location: Mr. Ye Wulin, a painter of China National Academy of Painting, commented on Huang Yue's flower-and-bird oil painting in this way: "In China's freehand brushwork, the brush dipped in ink moves freely on the Xuan paper, resulting in a strong brushwork and western oil painting color. It is the long-cherished wish of several generations of China artists to combine the advantages of the two paintings. As far as oil painting is concerned, there are not many successful experiments. However, I am delighted to see that Huang Yue showed China's spirit of freehand brushwork by using the color technique of oil painting and just rubbing, rubbing, fainting and dyeing. Rare ethereal and natural, he caught it. This is a realm that is difficult to achieve. "