Talk about Ni Xing pottery, China's four famous pottery, as well as the experience and views of production technology! !

The manufacturing process of nixing pottery includes earth borrowing, ground breaking, blank making, molding, blank trimming, drying in the shade, blank checking, decoration, firing, finished product acceptance and polishing.

With the development and restoration of Ni Xing pottery, the protection and development of Ni Xing pottery can learn from the positive opinions of experts and scholars from all walks of life. Facing the bottleneck problem of "no market for products", the protection and development of Ni Xing ceramic art was once lost. On the protection and development of traditional folk crafts, Professor Wan of Guangxi University for Nationalities put forward the viewpoint of "four modernizations". One is curing. Organizers record traditional folk handicrafts in various ways, such as photography, video recording and audio recording, and make them into CDs or edit them into books. The second is activation. Activate traditional folk crafts in various forms, such as coordinating with tourism, protecting the descendants of folk customs and traditional crafts, strengthening collective memory through traditional festivals, and using market mechanism to inherit and protect traditional crafts and give them new vitality. The third is evolution. The history of traditional craft is an evolutionary history of traditional craft, and only evolution is the best protection and inheritance, so we should actively promote the progress of traditional craft and combine protection with innovation. The fourth is identification (symbolization). Part of the essence of traditional craft embodies the national spirit and tradition and has rich humanistic connotation. These representative national and folk crafts can become the symbol of traditional crafts. Becoming a cultural symbol of a nation or region is conducive to its inheritance and development. Ni Xing pottery in Qinzhou is one of the most national cultural handicrafts in Guangxi, which has always been valued by the relevant government departments and has strong vitality. I believe that through hard work, protecting, developing and carrying forward this skill will make greater contributions to Qinzhou's local economy and culture.