Inheritance and development of architectural culture

Inheritance and development of architectural culture

In our daily study, work and life, everyone must have been exposed to papers. The thesis is an inferential article that studies in various academic fields and describes academic research results. What kind of paper can be called an excellent paper? The following is a brief analysis of the inheritance and development of architectural culture that I collected for you. Welcome everyone to refer to it, I hope it will help you.

Abstract: Before the inheritance of architectural culture, it is necessary to investigate its roots and essence, which is also the most important. Because architectural culture is not an inherent culture, nor is it static. To understand the history of architecture, based on history, deeply analyze the characteristics and characteristics of architecture, and explore its fundamental characteristics comprehensively and deeply in combination with cultural characteristics. In this way, for inheritance, there will be spiritual inheritance, characteristic inheritance and essential inheritance.

Keywords: architectural culture; Inherit; Fusion; develop

Architecture and culture are two different elements. With the development of human society, architecture is no longer a simple shelter for human beings. Its existence also witnessed the achievements of human pursuit of direction and thinking transformation. With the passage of time, architecture, as an independent discipline, has formed its own system through changes and innovations in different times. Therefore, within the scope of human culture, architecture has also created its own unique culture. It is not only a branch system of social culture, but also a unique combination of architecture and culture. Architecture is an art, a unique combination of three-dimensional and four-dimensional art. The architectural style represents the development trend of contemporary aesthetic feeling, and also leads the trend of thought in other design fields. At the same time, architecture, as an element of communication, silently interprets the audience. Interpret the background of the times, regional customs, cultural development direction, economic strength and the lifeline of sovereignty. Buildings are divided into national boundaries and borderless ones. There are national boundaries, because the background story of the building is different, the local customs are different, the regional culture is different, and many other factors will lead to the different temperament of the building in a specific area. The distinction without borders means that architecture, as a special communication language, is communicating with visitors and calling for the soul. Because the architecture of any country in the world will have its own characteristics, and the performance of various design methods is the people-oriented design method, which will be applicable to people regardless of national boundaries.

1, inheritance of architectural culture

In different regions, there will be different regional cultures and different architectural cultures. The inheritance of architectural culture needs time accumulation and bit by bit development. The so-called inheritance is to continue and carry forward the original spiritual essence from generation to generation. The so-called inheritance is to endow architectural culture with fate and soul, not only to prolong the life of architecture, but also to release the soul of architectural culture, show its essence and expand its thoughts. Before inheriting architectural culture, we must investigate its roots and explore its essence, which is also the most important. Because architectural culture is not an inherent culture, nor is it static. To understand the history of architecture, based on history, deeply analyze the characteristics and characteristics of architecture, and explore its fundamental characteristics comprehensively and deeply in combination with cultural characteristics. In this way, for inheritance, there will be spiritual inheritance, characteristic inheritance and essential inheritance. From the surface to the inside, from the shallow to the deep, we should constantly explore its roots, that is, the roots of architecture. Including building material characteristics, building performance, building performance, building space composition, building structure framework and many other elements. For example, most of the ancient buildings in China are made of wood. The main reason is that China is rich in ancient wood, and wooden materials are easy to process and manufacture, and then wooden materials are quick to construct and shape. However, shortcomings are also fatal. Wood is fragile, prone to fire and corrosion, and needs to be renovated and adjusted after a few years. Like the Forbidden City Palace in Ming and Qing Dynasties, it is the largest complete wooden palace complex in China. After hundreds of years of baptism, the charm remains the same. Because, aware of the preciousness of ancient architecture culture, buildings will be maintained regularly. In order to protect the original appearance, it is also being renovated as it is, but the materials are more scientific.

For example, the lacquer painting process of wooden building surface will no longer use the original lacquer art, but add corrosion-resistant, damage-resistant and fire-resistant coatings to the paint to repair the surface. The glazed tiles on the roof are also difficult to repair. Because every piece of glazed tile needs to be fully trimmed, especially the tile part, it is necessary to ensure the appearance of the original graphics and the degree of color restoration, and the life of glazed tile has been damaged by wind, frost and rain for hundreds of years, so it will be very difficult to restore the original appearance in all directions.

The inheritance of ancient buildings is not only the building itself, but also the history and culture of a nation and a country. The building itself is also a witness to the development of the country. It can best reflect the characteristics of the times, history and nationality, and also best represent the development process. Therefore, the inheritance of architecture is not only the material inheritance of appearance, but also the cultural inheritance of deepening the essence and accumulating material and spiritual levels for future generations. China, from ancient times to the present, has experienced five thousand years of wind and frost baptism. In all ethnic groups and regions, there are ancient buildings of different times. These ancient buildings are priceless to us in modern times. For these ancient buildings, on the surface, we can intuitively understand the construction technology and expression forms of the buildings; At a deeper level, through the investigation, research and analysis of ancient buildings, we can understand the development process of China's construction industry in every stage and era. Many factors come together to form architectural culture, which can intuitively let future generations know the thoughts of the ancients, the science of ancient architecture and the overall development of China architecture. The existence of ancient buildings is enough to prove to the world that China's architectural culture has a long history.

2. Integration of architectural culture

Mr. Ren pointed out: "Culture is not a dead thing. It is lively, dynamic, open and inclusive. When different cultures meet, they will soon merge. The superficial life culture (such as food and clothing, etc.). ) is easy to be absorbed, while the deep conceptual culture (such as philosophical system, values, way of thinking, etc. ) you can't see through it at a glance. Only when you have a deep cultural foundation and high cultural literacy can you be integrated. ..... This is a high-level integration, which can only happen between great nations with profound cultural foundations. " The integration of architectural culture is not only superficial in the superficial sense, but also requires a deeper integration of regional culture and national culture, so as to achieve the blending of ideas and the fierce collision of thinking, so as to achieve a deeper integration. Moreover, the integration of everything is not without reason, and at a certain level, a certain agreement will be reached and the crystallization of integration will be obtained. The integration of architecture is not only the integration of architectural elements, but also the integration of architectural culture and social culture. When many different factors are integrated, more different levels of integration will be obtained, leading to different integration results.

The space view of China architecture is completely different from that of European architecture. Early ancient buildings in China pay attention to plane culture, and they should have axis orientation. In particular, a large number of buildings need to be symmetrically distributed in a regular rectangular plane, so as to achieve east-west symmetry, north-south symmetry, and then achieve axial symmetry. Moreover, the building is a layer of frame, which only extends horizontally and will not develop vertically, so the building group is also huge in plane planning. Buildings in European countries mainly use stone as the main building material, and the construction period is relatively long, because the transportation speed of stone is slow and the construction is difficult, and the building needs a lot of manpower and material resources. In ancient times, most buildings were built by hand, and later they were completed by machinery. Therefore, for ancient buildings, it is impossible to complete in a short time, and most stone buildings take hundreds or even hundreds of years to complete. Moreover, there are a large number of large buildings in European countries, such as churches, palaces, castles and so on. European architecture is not as exquisite as the ancient buildings in China. This is a plane axisymmetric mode planning. European architecture pays more attention to magnificent volume, wide indoor space, extremely high shelves and extremely wide visual effects.

Especially in the construction of churches, churches are generally one-story structures. In some churches with bell towers, stairs will be set from the first floor to the top of the bell tower. The size of the stairs is very small, and basically one or two people can walk. The reason why European churches give people a shocking feeling is that they will completely "wrap" people, whether in the church space or in the external area of the church. Because the church is a place where people pursue faith, a space where people purify their hearts and a building where people are baptized, the design and construction of the church must bear people's psychological suffering or happiness. When people are in the inner space of the church, the wide space and broad vision will make people feel their own smallness and the nature of God instantly. When people are in the outer space of the church, the sense of sacredness and mission of the church will be passed on to people. These feelings are expressed through the external form of the building, and spread through the unique language of the building, including the expression techniques and architectural characteristics of the building, and convey the spirit of the building to the audience. In ancient times, there were great differences between domestic and foreign buildings. With development, countries communicate with each other and spread their own culture to the outside world. At the same time, each country will absorb the culture of other countries, absorb the essence, and combine its own culture to improve and renovate, so as to achieve cultural integration. The integration of architectural culture has long been one of the achievements of exchanges and visits between countries. Because architecture, equivalent to regional coordinates, will convey local culture and ideas to tourists in the first time. Architectural culture is equivalent to a banner, which intuitively reflects culture and ideas. The communication between countries also leads to the exchange and integration of architectural culture. Especially in the period of rapid development, the integration of building technology, building methods, building materials and building concepts has long been a bridge for friendly development between countries. In today's era, architectural culture is like a mirror, which intuitively expresses the cultural characteristics and characteristics of the local field. Architectural culture is not only intangible, but also the characteristic of the regional culture that hits the floor, which is represented by the most representative local special symbols. Therefore, regardless of the speed and direction of social development, architectural culture must be handed down from generation to generation and keep pace with the times.

refer to

[1] Korea. China Architectural Culture Lecture [M] Beijing: Living. Reading. Xinzhi Sanlian Bookstore, 2006.4438+0.

[2] Wu Qingzhou. Architectural philosophy, art and culture [M]. Beijing: China Building Industry Press, 2005.

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