"Intangible heritage" is the "intangible cultural heritage" expressed by living treasures, which is relative to "cultural heritage". Generally speaking, people have a clear understanding of "cultural heritage", including Dunhuang murals, Forbidden City buildings and Banpo ruins, but their understanding of "intangible cultural heritage" is relatively limited. So what's the difference between the two? I thought about it for a long time and looked up a lot of information-for example, Suzhou Pingtan, Fengyang Flower Drum, Nuo Opera, Huishan Clay Figurine and Yuxian Paper-cutting are all intangible cultural heritages. Isn't that clay figurine and New Year pictures the same thing? Isn't it matter, too? Later, I made it clear that intangible cultural heritage is a folk cultural heritage with national historical accumulation and wide outstanding representation, which mainly includes oral traditions and expressions, performing arts, social customs, etiquette, festivals, knowledge and practice about nature and the universe, and traditional handicrafts. Intangible cultural heritage needs people to spread-it must be people who have been deeply integrated into that land from generation to generation and passed on with their hearts and emotions. It is not a simple craft or custom, but a regional culture, a kind of people's feelings for their homeland and reverence for their ancestors. In a word, "intangible cultural heritage" is a living treasure and a national memory, and folk artists are the patron saint of "intangible heritage". As an ancient oriental country with a long civilization history of 5,000 years, China is rich in intangible cultural heritage. However, due to various reasons, the world intangible cultural heritages in China currently evaluated by the United Nations include Kunqu Opera, Guqin Art, Xinjiang Uygur Muqam Art, Mongolian long-tune folk songs and so on. In fact, these are just a few waves in the sea of Wang Yang, China's intangible cultural heritage. There are hundreds of kinds of dyeing, weaving, New Year pictures, shadow play, puppets, paper-cuts, dramas and epics of various nationalities and regions in China. They are all symbols of the wisdom of our ancestors and the crystallization of hard work. Compared with cold cultural relics and ancient buildings, "intangible cultural heritage" is always vivid, including simple and lovely Huishan clay figurines, Yuxian paper-cut with thin hair, melodious and plaintive Kunqu opera and cheerful and lively Muqam in Xinjiang. Behind these vivid "intangible heritages" are artists handed down from generation to generation. They follow ancient traditions, they sing ancient songs, and their spirit and works together build a living cultural treasure house. "Intangible heritage" is a national memory and needs to be remembered, while "intangible heritage" embodies distinctive folk and local characteristics and can truly preserve the laughter and bitterness of ancestors along the way. In the past, many traditional local arts, handicrafts and folk customs were ignored and regarded as rubbish. Nowadays, it is these "earthy" things that make people relive our national feelings and trace back to our national roots. People are proud and admire: it turns out that there are such beautiful New Year pictures in my hometown! It turns out that the songs sung in our dialect are so nice! It turns out that paper-cutting can cut out such rich patterns! "Intangible cultural heritage" is the embodiment of the cultural tradition of a nation or region, and it is an important way to find the root of this nation, from which we can see the development of a region and the feelings of a nation. Without them, our memory of our ancestors' civilization will be blurred. Due to historical reasons, the treasures of these nationalities have quietly left us. With the development of the times, we finally found that what has gone is not only folk songs or handicrafts, but also the memory of our ancestors. After a series of cultural fractures in China, traditional culture is being revived, which is a reflection of people's concern for traditional culture, whether it is the craze for Chinese studies or the craze for collection. People hope to find new strength from the old tradition, seek inner peace and identity with our national spirit in this world of interest disputes. "Intangible heritage" is not as magnificent as Jiayuguan, nor as priceless as Yuan blue and white porcelain, but some of them are national stories and traditions, some are local feelings and attachment, and some are honest stories we tell our ancestors to our children. When we were about to lose them, everything came back. The patron saint of "non-legacy" is that as soon as this "BMW Cultural Tour" started, artists received attention from all directions, and the media also increased their reporting efforts. Those folk art inheritors are no longer embarrassed when facing the camera, but confident and even proud, because there are countless Chinese sons and daughters behind them who are eager to inquire about their ancestors' voices. The protection of intangible cultural heritage is different from the protection of cultural relics. It doesn't need a large museum or complicated anti-theft devices. All it needs is folk artists struggling in that soil-their art comes from life and tradition, and they are the real artists! "Non-legacy" comes from the people, and the final development depends on the power of the people. On this "non-legacy" protected ship, the government, cultural institutions and enterprises are just engines, and the fuel to support this huge ship's voyage still needs to be continuously provided by the people. Whether folk artists can be passed down from generation to generation is directly related to the rise and fall of an "intangible heritage" project. To protect and carry forward the "intangible heritage", it is necessary for these folk artists to have a good economic source and living security, so that they can devote their enthusiasm and wisdom to their creation. Therefore, how to further improve the status of folk artists, recognize their wisdom and value, and improve their lives is an urgent task for the protection of intangible cultural heritage. These folk artists need more than just a few cultural festivals or interviews with journalists. They need a bigger stage and a better environment. Some people think that once culture and business are linked, the motivation is not pure. In fact, linking "non-legacy" projects with commercial activities will better enhance their popularity and recognition. For example, listening to Naxi ancient music in Lijiang has become a key project of Lijiang tourism. If there is no such performance, perhaps no one will learn ancient music, and the commercial value generated by these performances has driven a group of local young people to learn to play ancient music. After many years, they will naturally become a new generation of inheritors of Naxi ancient music. Unfortunately, there are still many "non-legacy" projects in China that are not known to the public. The "BMW Cultural Tour" activity is to promote these projects in depth and widely. This kind of activity, in which social institutions and large enterprises join hands, cultural protection and comprehensive publicity are carried out simultaneously, social resources are integrated, and the strength of all parties is exerted to attract the attention and participation of the general public, is undoubtedly a new idea worth learning in the arduous work of "intangible heritage" protection.
In recent years, Lhasa has continuously strengthened the protection and inheritance of excellent Tibetan traditional culture and conducted in-depth excavation.
Scientific, historical and artistic value of intangible cultural heritage, rational use of traditional culture, give full play to its existence value.
Travel,
The important role of education,
Further strengthen the protection and inheritance of Tibetan excellent traditional culture,
Make it inherit in protection and innovate in inheritance. Inheritance, Protection, Innovation and Development of China Lhasa Snow Festival
Is a typical example.
People in Xizang's excellent traditional culture is protected and inherited in Lhasa.
A very important work in cultural construction. Effectively strengthen the protection and inheritance of Tibet's excellent traditional culture.
Work is not only conducive to the development of cultural undertakings and cultural industries in Lhasa, but also conducive to enhancing national unity and promotion.
Promote the harmonious development of society. To do these tasks well, it is far from just the early guidance and investment of government departments.
Enough, this requires us to use innovative ideas and means from the height of building an advanced socialist culture.
Strengthen the protection and inheritance of Tibetan excellent traditional culture, and truly put Tibetan excellent traditional culture
It is necessary to implement the protection work and achieve results, and gradually form a situation in which the government leads and the whole society participates.
The protection system and system of excellent traditional culture in Tibet.
Only by protecting it as well as possible can the content of inheritance come down in one continuous line and the intangible cultural heritage be enriched.
Value. exist
"
Intangible cultural heritage
"
In the process of protection, we should treat the relationship between inheritance and innovation and development with dialectical eyes.
Department. Besides preserving local folk customs and cultural roots, we should also serve the construction of harmonious culture and make biographies.
Unified cultural protection planning, clear protection scope and protection focus, and seriously implement it.
Innovation and development should be tailored to local conditions and vary according to the project content. We must fully realize the protection and inheritance.
Tibetan excellent traditional culture is facing new situation and new tasks, and consciously shoulders the gods endowed by history and times.
Sacred duty, constantly open up effective ways to inherit and carry forward the excellent traditional culture of the Tibetan people, and constantly protect it.
Protect national intangible cultural heritage and other excellent traditional cultures, study traditional cultures, and condense cultural achievements to make them
Better turn it into a driving force to promote social civilization and progress, so as to achieve a good situation of great cultural development and prosperity.
noodle
(
Chen runru
)
Talk about how
Develop characteristic economy
at present
Generally speaking, the economic and technological foundation of our city is weak.
The comprehensive competitive advantage is not strong
Can you make it?
The provincial average,
It depends on whether our characteristic economic development can achieve the expected goal.
So,
develop
Characteristic economy of our city
undoubted
It has important strategic significance.
One,
correct
Characteristic economy
Some understanding of ...
The so-called characteristic economy is rooted in a place's unique geography, humanities, history and resources.
Advantages, after a long period of brewing, gradually developed into a characteristic industrial cluster.
As can be seen from this definition,
The development of characteristic economy is actually based on characteristic resources.
Take characteristic products as the core
,
Characteristic technical support
,
Relying on characteristic industries. Under the condition of market economy
Follow the principle of differential development and comparative advantage
Yi Shi
Allocate resources on the basis of market and establish advantages through market competition.
,
So as to create a regional characteristic economy.
Characteristic resources are the basis of developing characteristic economy.
**
Relatively cheap land and labor resources
、
Coastal margin
Port resources and tourism resources along the Yangtze River are the unique basis for developing characteristic economy.
. Characteristic economy is to be established.
Based on characteristic resources
,
It is the processing and transformation of the material form of characteristic resources.
Characteristic products are the core of characteristic economy.
industry
air conditioning equipment
And other products, after long-term market competition, occupy
A certain number
market share
,
Find a better one.
Profit rate and economic benefit