When and who wrote the top ten classic songs?

Classification: Education/Science >> Science and Technology

Problem description:

When were the top ten classic songs written? Who is the author?

thank you

Analysis:

China's top ten classic songs are Mountain Flowing Water, Plum Blossoms in Three Pavilions, Moonlight on the Spring River, Autumn Moon in the Han Palace, Chun Xue, Questions and Answers from the Fisherman, Eighteen Beats of the Hu Family, Guangling San, Pingsha Wild Goose and Flying in All directions. Just listening to these names was taken away by God, which shows the beauty of Chinese charm. Yu Boya played the lute by the river, but only Zhong Ziqi understood the majestic mountains and deep water. At the beginning of the month by the river, a leaf boat, a little fishing fire, floats under the moon with the water; Cold plum welcomes frost and snow, making the moon faint, with a faint fragrance, neat and straight; The desolation of leaving home is mixed with the yearning for my other son, such as weeping and complaining, being attacked on all sides, being attacked on all sides, and having the power to pull out the mountain. It's a pity that the hero is short of breath and my concubine commits suicide, which is so painful; Autumn moon, autumn wind and long autumn night, the shadow of homesickness, so lonely, why can it be so embarrassing; After Ji Kang's death, Guangling San, which has not been seen since, reproduces the chivalry, courage and righteousness of Nie Zheng who stabbed the king in those days. Today, people are fortunate to see it.

1, high mountains and flowing water

It is said that Boya, a pianist in the pre-Qin period, once played the piano on a barren land, but what Zhong Zi, a woodcutter, can understand is that this is a description of "lofty sentiments in the mountains" and "magnificent flowing water". Boya exclaimed, "Well, the child's heart is the same as mine. After the death of chef Hippo, Boya lost her bosom friend, broke the piano and never played it for life, so there was a song of high mountains and flowing water.

It is said that Boya, a pianist in the pre-Qin period, once played the piano on a barren land, but Zhong Ziqi, a woodcutter, can understand that this is a description of "ambition in the mountains" and "running water with ambition". Boya was surprised: "Great, my son's heart is the same as mine." After the death of chef Hippo, Boya lost her bosom friend, broke the piano and never played it for life, so there was a song of high mountains and flowing water.

2. Guangling Sanqin Music

Also known as "Guangling Stop". One of the Hunan-Chu Qudan Tunes in the Han and Wei Dynasties. Ji Kang was killed for opposing Sima's dictatorship. Before his execution, he calmly played this song as a sustenance, and the existing piano music was first seen in the Secret Music of Magic. Also known as "Guangling Stop". One of the Hunan-Chu Qudan Tunes in the Han and Wei Dynasties. Ji Kang was killed for opposing Sima's dictatorship. Before his execution, he calmly played this song as a sustenance. The existing piano score was first seen in the Magic Secret Score: it was originally a folk music popular in Guangling area (now Shouxian County, Anhui Province) at the end of the Eastern Han Dynasty. He once played with Qin, Zheng, Sheng, Zhu and other musical instruments, and now only the ancient Qin music is left, the earliest recorded is the Magic Secret Music. There was no content record in the early days, but now most musicians explain it according to the folklore of stabbing Hanwang (which is different from the official history). According to Cao Qin, Nie Zheng was a Korean during the Warring States Period, and his father was killed for casting a sword for korean king. In order to avenge his father, after ten years of hard work on Mount Tai, he changed his voice and appearance, returned to Korea and played the piano not far from the palace. His superb piano skills stopped pedestrians and horses. When the king of South Korea learned about it, he was called into the palace to play. Nie Zheng took advantage of it unprepared, drew a dagger from his belly and stabbed korean king. He disfigured himself so as not to implicate his mother.

Later generations added subsection titles to the guqin Song Guangling San, and some of them were named after the plot corresponding to the story. There are indeed many similarities between the emotions expressed in music and this tragic legend. Guangling San contained in The Magic Secret Spectrum consists of (one paragraph), a minor preface (three paragraphs), a major preface (five paragraphs), a positive tone (eighteen paragraphs), a chaotic tone (ten paragraphs) and a postorder (eight paragraphs) * * 45. This song has long been a masterpiece, and many musicians have translated it after liberation. The melody of the music is special, and the second string is homophonic with the first string, so that the bass melody can be played on these two strings at the same time, achieving a strong acoustic effect.

3. Wild geese fall in Pingsha

In the Ming Dynasty, this song was called Wild Goose in Pingsha. The melody is melodious and smooth, and the scene of geese hovering in the air before landing is described through the flickering geese. Also known as "wild goose falling flat sand" or "flat sand". The authors are Chen Ziang in Tang Dynasty, Mao Minzhong in Song Dynasty and Zhu Quan in Ming Dynasty. The score of this piece of music was originally recorded with authentic ancient sounds in the late Ming Dynasty (1634). After it came out, it was deeply loved by musicians. It is not only widely circulated, but also processed and developed, forming various versions with different sections, modes, modes and artistic conception. This is one of the most popular piano pieces.

For Qu Qing's understanding, there is a description of autumn scenery, which means "clear autumn is sparse and geese fly". There are "take autumn breath, calm and smooth, the cloud is Cheng Wanli, the sky is soaring, and it is used to write the heart of Yi Shi for Hongzhi"; There is also Hongyan's "feeling belongs to the care of the item, the state rises and falls, and the elephant gathers later, and it is shocked and revived." "When it falls, the sand is flat and the water is far away, the heart is idle, the friends have no guesses, and the men and women have narratives." It sends out the feeling that the world is sinister and not as good as the geese. At present, most of them are seven paragraphs, and the main melody and musical image are roughly the same, with ups and downs and continuous beauty; The timbre is quiet and beautiful, but there is movement in silence. Pingsha, written by Zhucheng School, is vivid and unique by adding a scene of geese Qi Fei calling each other through simulation under the background of fixed sound pattern.

4. Meihua Third Lane

This song is based on the white, fragrant and cold-resistant characteristics of plum blossoms. In order to praise the noble people, the exotic tunes in the song are repeated three times in different positions, so it is called "Three Pavilions".

This song eulogizes people with noble sentiments through the white, fragrant and cold-resistant characteristics of plum blossoms. The exotic tunes in the song are repeated three times in different positions, so they are called "three lanes".

Step 5 ambush on all sides

The music describes the last battle of the Chu-Han War in Gaixia in 202 BC. The Han army ambushed on all sides and defeated the Chu army. Xiang Yu died in Wujiang River, and Liu Bang won.

One of the traditional pipa music. Also known as Huaiyang Pingchu, the music score was first seen in Huaqiu Pipa Score (18 19). Ming Wangbao (1598- 1662) "Four Zhao Tang" Collection. In the Biography of Pipa in Tang Dynasty, it is recorded that Tang Ying, a pipa family, once played Chu Han. "Chu a song. The two armies fought a decisive battle, and the heavens and the earth moved. If the roof tiles fell, Xu regarded them as golden sounds, drums, gold, swords, men and horses, and there was silence. Over time, those who have grievances are difficult to understand, and they are Chu Ci; Those tragic ones are the generous voice of Wang Xiang's elegy and the sound of farewell; Trapped in daze, there is a sound of chasing; When I arrived in Wujiang, there was a king's throat, and I rode it. It makes the listener feel excited at first, then sad, and finally can't cry, and its adults are like this. "The scenes and sounds drawn are very similar to today's House of Flying Daggers. The whole song is divided into thirteen paragraphs, and the title of the song can be divided into three parts:

The first part:

(1) "Hunting Shadows" is the prelude to the whole song, showing the exciting scenes of the golden drums ringing and the people shouting before the war. Music has the characteristics of divergence and acceleration, and the complexity of modes and their alternate conversion further increase the instability of music.

2 "blow".

(3) The theme of "Dianjiangqu" shows the mighty style of soldiers in the form of a series of long round fingering techniques (but round after round) and the combination fingering of "buckle, rub, bounce and rub".

(4) "formation".

(5) The music of "Walking Team" has a certain contrast with before, and the brave posture of the army is further demonstrated by means of "covering, dividing" and "covering and rowing".

The second part:

(6) Ambush shows that the night before the decisive battle, the Han army ambushed here, and the weather was quiet and tense, paving the way for the latter two paragraphs.

(7) In the small battle of Jiming Mountain, the two armies of Chu and Han fought hand-to-hand, with swords and guns hitting each other, and the breath was short and the music began.

(8) The Jiulishan War depicts a life-and-death battle scene between the two armies. The sound of hooves, knives and shouts are intertwined and shocking. First, the alternating playing method of "row, row, play and row" is used, and then the music is pushed to * * * by techniques such as double strings and push and pull.

The third part:

(9) Wang Xiang was defeated.

(10) Wujiang committed suicide, repeating homophony in a scattered rhythm, alternating with the sound of horses' hooves with close rhythm, showing the scene of chasing each other with the Han army. Then there is a tragic melody, which shows Xiang Yu's suicide; After the last four strings are "scratched", they suddenly "fall" (also called "stop") and the music comes to an abrupt end.

The original song also includes:

(1 1) Chuan Kai.

(12) Generals will strive for merit.

(13) returned to camp triumphantly. Mr. Wei Zhongle's performance refers to "suicide", and the last three paragraphs were deleted and not performed. Today, most scholars adopt this method.

As far as the whole song is concerned, it also has the layout nature of "connecting and turning". The first part consists of five sections, namely connecting and turning, the second part consists of three sections, and the third part consists of two sections, namely connecting and turning.

6. Sunset flute and drum (moonlight on the riverside)

This is a lyrical and freehand Wen Qu with a beautiful and smooth melody. Around 1925, Shanghai Datong Music Society adapted this piece into music of bamboo and silk.

Moonlit night on the riverside. The earliest version was 1842' s Song of the Red Flute at Sunset, and 1864' s Textual Research of Today's Songs called the traditional pipa Song of the Red Flute at Sunset. When 1895 was adapted into Xunyang Pipa, six paragraphs had been compiled into ten paragraphs, each of which borrowed the title of Yuefu in Tang Dynasty to 65433. After liberation, the ensemble was divided into ten sections, like ten continuous pictures: 1, Jianglou bell and drum, 2, the moon on Dongshan, 3, the wind returning to Qushui, 4, Huayingtai, 5, deep water clouds, 6, fishing songs late, 7, lapping sound, 8, distant sound, 9, returning to the boat, 66.

7. Yuqiao question and answer

There are more than 30 versions of this song, some of which are accompanied by lyrics. Music shows the pleasure of firewood among green mountains and green waters.

It turned out to be a pipa solo, named Sunset Flute Drum (also known as Sunset Flute Song, Xunyang Pipa, Xunyang jathyapple and Xunyang Song). About 1925, this piece was first adapted into a national orchestra. After liberation, it has been adapted by many people, which is more perfect and deeply loved by domestic and foreign audiences. Through euphemistic and simple melody, smooth and changeable rhythm, clever and delicate orchestration and clever performance, music vividly depicts the charming scenery of the riverside on a moonlit night and praises the charm of Jiangnan water town. The whole song is like a long scroll of landscape painting, with delicate strokes, soft colors, beautiful and elegant, and fascinating.

The first paragraph, "Bells and Drums in Jianglou", describes the setting sun reflected on the river, and the smoke rippled. Then, the band played a beautiful theme in unison, and the phrases were linked and euphemistic. The drums are soft and profound (fragment 1). The second and third paragraphs show the artistic conception of "Mount Dongshan on the Moon" (the second paragraph) and "Wind returns to water". Then, if you see the river blowing gently, flowers swaying, reflections in the water, layers of trance. Entering the fifth stage of "deep clouds", the magnificent scenery of "there is no dust in the sky on the river, and there is a solitary moon wheel in the sky" arises spontaneously. The band played in unison, speeding up the pace, just like the picture of white sails, fishing songs in the distance, singing one by one from far and near. In the seventh paragraph, the pipa is played with a sweeping wheel, just like a fishing boat breaking through the water and setting off waves lapping on the shore. The * * * of the whole song is the ninth paragraph "Alas, it is the return of the ship", which shows the artistic conception of "Alas, yes" from far to near. Returning to the boat, everything is quiet, and the river is even more quiet. The whole song ends in a melodious and slow melody, which makes people memorable.

8. Hu Jia's eighteen beats

Music adapted from a poem of the same name. The theme reflected is "Wen Xi returned to Han". During the war at the end of Han Dynasty, Cai Wenji lived in South Xiongnu for twelve years. As Zuo's wife, she misses her hometown very much. What happened to her when Cao Cao sent someone to take her back to the mainland? I can't leave my two children, and the joy of going home is overwhelmed by the pain of separation of flesh and blood, and my mood is very contradictory.

At the end of the Han Dynasty, Cai Yan (Yueshi), the daughter of Cai Yong, a famous writer and guqin, was captured by Xiongnu in the mutiny, lived as a concubine in South Xiongnu and Zuo Wang Xian, and gave birth to two children. Later, Cao Cao sent someone to take her back. She wrote a long poem about miserable life and homesickness.

The whole poem consists of eighteen paragraphs and eighteen complete sets of songs. Guo Moruo said that in Turkic, the word "first" is called "beat", and eighteen beats are eighteen songs. Because this poem was written by Hu Jia for crying, it was named "Eighteen Beats of Hu Jia" or "Hu Jiaming". Originally A Qin music, it gradually evolved into two different instrumental music after Wei and Jin Dynasties, called "Dahujiaming" and "Xiaohujiaming". The former is a direct biography of Eighteen Beats of Hu Jia.

Huang, a pianist in the Tang Dynasty, was famous for being good at playing this piece. Li Jie has a poem "Listen to Dong Da's Blowing an Essay": "This song was written by Mrs. Cai. In ancient times, 18 verses were sung one by one, and even the Tatars shed tears on the grass, which made Han feel sad and returned home." It is a summary of the content of the song. The existing music scores were first found in the book The Secret Book of Magic published by 1425, which is called "Hu Jia Da Xiao". They are all instrumental music without lyrics. Singing piano music "Eighteen Beats of Hu Jia" was first written by Sun Pixian in the thirty-ninth year of Wanli in Ming Dynasty (A.D. 16 1 1), and it is the most widely circulated music book now. Its lyrics are Wen Xi's "I didn't do anything at the beginning of my life ...". Music basically adopts the method of one word and one sound, which has the characteristics of early songs. From the first beat to the ninth beat, as well as the twelfth and thirteenth beats, the ending is the same, influenced by the Han Dynasty and Daqu. The whole song is a six-Otoha tone, and the rising intrinsic sound (up to 5) and the high note formed in the mold (up to 1) are often used as tone external sounds. I feel sad and happy, which is quite touching.

9. Autumn Moon in Han Palace

There are two popular forms of playing this song, one is the zither and the other is the erhu. According to records, Erhu was handed down by Mr. Liu Tianhua. Autumn Moon in Han Palace is intended to express the bitterness and sadness of the oppressed maids in ancient times and arouse people's sympathy for their unfortunate experiences.

There are two popular forms of playing this song, one is the zither and the other is the erhu. According to records, Erhu was handed down by Mr. Liu Tianhua. Autumn Moon in Han Palace is intended to express the bitterness and sadness of the oppressed maids in ancient times and arouse people's sympathy for their unfortunate experiences.

Snow yangchun city 10

According to legend, it was written by Liu of Jin State or Qi State in the Spring and Autumn Period. Yangchun and Snow White are two instrumental works in the existing music score. In the spring, everything knows spring, and the wind is refreshing, and the snow is awe-inspiring and clean, and the snow bamboo forest means it.