Where is the monument known as the treasure house of China calligraphy art?

Xi 'anbeilin is located in the former site of the Confucian Temple in Sanxie Street, Xi. Founded in A.D. 1087, it is a concentrated place for the preservation of the thirteen classics carved in the Tang Dynasty. Built in the past dynasties, there are seven exhibition rooms, eight verandahs and eight pavilions.

Xi 'an Forest of Steles is the earliest and largest existing treasure house of ancient forest of steles in China, displaying more than 0/000 pieces of steles and epitaphs from Han Dynasty to Qing Dynasty. There are many stone tablets here, hence the name "Forest of Steles". Historically, there are four forest steles in China: Xi 'an Forest stele, Qufu Confucian Temple Forest stele, Xichang Forest stele and Kaohsiung South Gate Forest stele. Among the four forest of steles, Xi 'an forest of steles is the most representative and has the greatest influence.

Xi 'an stele forest is rich in content, which is not only a treasure house of ancient calligraphy art in China, but also a master of ancient literature, classics and stone carvings. It records some achievements of China's cultural development and reflects the historical facts of cultural exchanges between China and foreign countries, so it enjoys a good reputation at home and abroad. Xi 'an Forest of Steles was developed on the basis of preserving the stone scriptures of the Tang Dynasty. The Book of Songs mentioned by people in the Tang Dynasty includes the Shitai Xiaojing written by Li Longji in 745 AD and the Book of Songs in Kaicheng carved in 837 AD.

In front of the first showroom of Beilin, there is a pavilion dedicated to displaying the Book of Filial Piety. Shitai Xiaojing is the largest stone tablet in the forest of steles. It was carved in 745 AD and written by Li Longji. The Book of Filial Piety was compiled by Confucius' students and devoted to filial piety. The first part is Li Longji's Preface to Filial Piety. Xuanzong prefaced the Book of Filial Piety to show that he wanted to rule the world with filial piety. Secondly, the original filial piety. The fine print is Xuanzong's annotation on filial piety. The base is composed of three stone platforms, engraved with vivid line descriptions, such as creeping weeds and lion flowers, which are more representative in the middle Tang Dynasty. This is a relief cirrus beast. This monument consists of four stones with a stone platform under it, so it is called "stone platform filial piety".

The first showroom of Beilin mainly displays the Book of Songs in Kaicheng, including Zhouyi, Shangshu, The Book of Songs, Zhou Li, Yili, Book of Rites, Biography of Zuo Family in Spring and Autumn Period, Biography of Yang Gong in Spring and Autumn Period, Biography of Gu Liang in Spring and Autumn Period, The Analects of Confucius and the Book of Filial Piety. More than 30,000 words on 7 sides of the Qing Dynasty's block-printed Mencius/KLOC-0 are also displayed here, collectively known as the Thirteen Classics. 12 Confucian classics are required books for intellectuals in feudal society. Because printing was not very developed at that time, in order to avoid mistakes when scholars copied the scriptures and to preserve them permanently, we carved this 12 scripture on a stone tablet as a model and set it up in imperial academy, Chang 'an for proofreading. Since the Eastern Han Dynasty, China has been engraved seven times. "Opening the Stone into Classic" is the only remaining complete set of stone carving classics.

The forest of steles is a treasure house of calligraphy art, which brings together famous calligraphers of all ages. A variety of calligraphy styles, such as seal script, official script, cursive script, original work and calligraphy, are dazzling and elegant. Especially in the Tang Dynasty, calligraphers, Yu Shinan, Chu Suiliang, Li, Yan Zhenqing, Liu Gongquan, Zhang Xu, Huai Su, Zhi Yong, Shi and others carved stones by hand, which is even more commendable. Famous ink paintings in the Song, Yuan, Ming and Qing Dynasties, such as the works of Mi Fei, Cai Jing, Su Shi, Dong Qichang and Lin Zexu, have also attracted considerable attention. Various patterns such as reliefs, line carvings and ground shrinkage carvings on the head, side and base of the monument have become blueprints for artists to learn from. The content of the inscription also preserves various historical materials. If you love the profound Chinese culture for 5,000 years; If you really want to understand the inheritance of China's profound civilization; If you come all the way to the ancient city of Xi, just click on our website and see this webpage, then don't miss the forest of steles! The forest of steles under Kuixing Building in the south wall of Xi is named after the forest of steles. This is an art treasure house with the earliest and most famous stone tablets in ancient China. It was built in Yuan You, northern Song Zhezong for two years (1087). It was originally built to preserve the Thirteen Classics and the Shitai Filial Piety, which were carved in the Kaiyuan period of the Tang Dynasty. Later, it was collected from generation to generation and its scale gradually expanded. It was called "Forest of Steles" in Qing Dynasty. After several renaming, it was officially named Xi 'an Beilin Museum on 1992. The museum is an art museum expanded from the former site of Xi 'an Confucius Temple, which mainly collects, studies and displays steles, epitaphs and stone carvings of past dynasties. Covering an area of 3 1.900 square meters, the museum consists of three parts: the Confucius Temple, the forest of steles and the stone carving art room, with 7 exhibition halls, 6 verandas and 1 pavilion, with an exhibition area of 4,900 square meters. The Forest of Steles Museum is a typical traditional temple complex in China. Its facade was rebuilt by the Confucius Temple, which was originally dedicated to Confucius. In order to show respect for this saint, the doors of Confucius Temple are divided into east and west sides, the east gate is called Ritual Gate, and the west gate is called Yilu. In the south, the main entrance is closed, named Saimen, and there is Taihe Yuan Qi Square, which was moved from Xiyue Temple in front of Huashan Mountain. Known as "the first clock in the world", the Jing Yun clock was cast in the period of Jing Yun in Tang Ruizong. It is engraved with various decorative patterns, beautifully carved and vivid, with an inscription by Tang Ruizong. On New Year's Eve, the New Year bell played by china national radio was recorded by Jingyun Bell. The exhibition hall of the museum is symmetrically arranged from south to north with the central gate of Xingxingmen as the main axis. The first half is a temporary special exhibition room. The north of the exhibition hall with the words "Forest of Steles" engraved in the center of the central axis is the Forest of Steles exhibition room, and the west is the stone carving art room. Strolling through the bluestone trail, the forest of steles is antique and leisurely, and thousands of inscriptions are dazzling, which can not help but sigh the profoundness of China's ancient culture. In front of the first showroom, there is a pavilion specially built for displaying the Stone Stage Classic. Shitai Xiaojing is the largest stone tablet in the forest of steles. It was carved in 745 AD and written by Li Longji. The Book of Filial Piety was compiled by Confucius' students and devoted to filial piety. The first part is Li Longji's Preface to Filial Piety. Xuanzong prefaced the Book of Filial Piety to show that he wanted to rule the world with filial piety. Secondly, the original filial piety. The fine print is Xuanzong's annotation on filial piety. The base is composed of three stone platforms, engraved with vivid line descriptions, such as creeping weeds and lion flowers, which are more representative in the middle Tang Dynasty. This is a relief cirrus beast. This monument consists of four stones with a stone platform under it, so it is called "stone platform filial piety". The showroom mainly displays The Book of Changes, Shangshu, The Book of Songs, Zhou Li, Yi Li, Li Ji, Chunqiu Zuoshi Biography, Chunqiu Biography, The Analects of Confucius, Xiao Jing, Er Ya and so on. More than 30,000 words on 7 sides of the Qing Dynasty's block-printed Mencius/KLOC-0 are also displayed here, collectively known as the Thirteen Classics. 12 Confucian classics are required books for intellectuals in feudal society. Because printing was not very developed at that time, in order to avoid mistakes when scholars copied the scriptures and to preserve them permanently, we carved this 12 scripture on a stone tablet as a model and set it up in imperial academy, Chang 'an for proofreading. Since the Eastern Han Dynasty, China has been engraved seven times. "Opening the Stone into Classic" is the only remaining complete set of stone carving classics. Alas, I was thirsty after only introducing the first exhibition hall, but I persisted in order not to let everyone miss such a great cultural attraction as Beilin. In the second exhibition hall, there are a number of famous monuments in the Tang Dynasty, a large number of calligraphy masters such as Ou Yangxun, Chu Suiliang, Yan Zhenqing and Liu Gongquan, as well as the situation of flowers blooming in Zheng, Cao, Li and Zhuan Xu, which have been truly reproduced here. The third exhibition hall is an introduction to the history of calligraphy. Here, people can see different styles of calligraphy inscriptions in different periods from Han Dynasty to Song Dynasty, and people can understand the development and evolution of calligraphy through comparison. There are also exhibition halls 4, 5, 6 and 7 and stone carving art exhibition halls, all of which are wonderful and thought-provoking. I'm afraid it will take three days and three nights to finish this introduction! With its vast collection and rich cultural connotation, it has been praised by the world as "the treasure house of oriental culture", "the cradle of calligraphy art" and "the oldest stone carving library in the world"-this is the Xi 'an Forest of Steles Museum, which provides extremely valuable information for the study of China's ancient history and calligraphy and painting art. What are you waiting for, smart? Go and visit quickly. Index of scenic spots and tourist routes: The First Exhibition Room of Northern Wei Dynasty Epitaph Gallery Beilin, the Third Exhibition Room of Beilin, the Fourth Exhibition Room of Beilin, the Fifth Exhibition Room of Beilin, the Sixth Exhibition Room of Beilin and the Seventh Exhibition Room of Beilin Stone Carving Art Exhibition Room.