What is Kanazawa's occupation?

Jin Zeshan, male, was born in 1972, and is known as Sickle Half Knowing Hall. Member of China Calligraphers Association, Deputy Director of Hard Pen Professional Committee of Heilongjiang Calligraphers Association, and Vice Chairman of Suihua Calligraphers Association. Tang Jinlong is an outstanding calligrapher and one of the founders of BeiLanting.

Chinese name: Kanazawa Mountain

Nationality: People's Republic of China (PRC).

Ethnic group: Korean.

Place of birth: Heilongjiang

Date of birth: 1972

Occupation: calligrapher

Graduate School: Correspondence College of Painting and Calligraphy, China.

Main achievements: National Award of the 10th National Calligraphy and Seal Cutting Exhibition.

Representative work: Essay on Understanding Lotus House

Awards:

Excellence Award (highest award) in the 10th National Calligraphy and Seal Cutting Exhibition.

Excellence Award (the highest award) of the First National Handscroll Calligraphy Art Exhibition

First prize (highest prize) of People's Daily's painting and calligraphy exhibition commemorating Deng Xiaoping's 100 birthday.

First Prize of the First Calligraphy Exhibition of "Gebei" and "Fu"

First prize (highest prize) of "National Poetry, Calligraphy, Painting and Printing Competition"

Bronze Award of "Liang Piyun Cup" National Calligraphy Competition

Bronze Award at the National Calligraphy Exhibition to Commemorate the 2578th Anniversary of Laozi's Birth

Bronze Award of "Zhongshan Cup" International Calligraphy and Seal Cutting Grand Prix

Nomination Award for the National Calligraphy Exhibition to commemorate the centenary of Deng Xiaoping's birth.

Nomination Award of the Second National Cursive Calligraphy Exhibition

Enter the exhibition:

The first national youth calligraphy and seal cutting exhibition

The first national fan calligraphy art exhibition

The first national calligraphy exhibition

The Third National Cursive Calligraphy Exhibition

The 9th National Calligraphy and Seal Cutting Exhibition

National exhibition of thousands of works

National exhibition of 500 people

The second national official script exhibition

The second national youth calligraphy and seal cutting exhibition

The 2nd National Fan Calligraphy Art Exhibition

Exhibition commemorating the victory of the Long March

Exhibition in memory of Ms. Xian

National Calligraphy Exhibition to Commemorate the 85th Anniversary of the Founding of the Party

The 2nd China Linyi Scholar Culture Festival "Xi Cup" National Calligraphy Grand Prix.

"Gaofeng Cup" national calligraphy exhibition to commemorate the 60th anniversary of China people's War of Resistance against Japanese Aggression and the victory of the world anti-fascist war.

National Famous Artists Invitational Exhibition in the Hometown of Shusheng

National Famous Artists Invitational Exhibition in the Hometown of Shusheng

China Calligraphy TV Grand Prix

National calligraphy exhibition to commemorate the 50th anniversary of Yu Shinan1450th.

China Du Yan Cup National Calligraphy and Seal Carving Exhibition

Sitangbei National Calligraphy Exhibition

Awarded by China Book Association; 20 1 1 China's calligraphy ranks among ten thousand advanced individuals.

Awarded by China Calligraphy magazine; Contemporary famous system engineering. Young and middle-aged nominated calligraphers

Explain yourself.

It's cold, keep a bosom friend and spend this life slightly.

Jinzeshan

I wanted to write about Zheng Jun a long time ago, but I couldn't write it. I always feel that he is one of my best friends, and he can do it anytime, which is an excuse for being lazy. Until a few days ago, Zheng Jun came to Kazakhstan for medical treatment because of a chronic disease. I stayed with some friends in Harbin during the period. This is probably the most frequent meeting with him in the last seven or eight years since I came to Kazakhstan. I talked to him a lot, and he said that it was the most relaxed and free experience he could remember. From his tired eyes, I can see that he has too many concerns and wishes. During the ten days in hospital, he received special treatment, and the effect was not bad. Soon after the first stage of treatment, he insisted on coming to my house to see my old mother, but I refused. Every time he comes, he goes straight into my study. This time, he only stayed in the living room for about five minutes and then left in a hurry. I can't say what it is. Looking at his thin back in the car reminds me of many past memories.

Zheng Jun is a stubborn and emotional person, and his emotions are as distinct as the four seasons. He grew up in the countryside as a child and served in military service as an adult. Hard life experiences shaped his perseverance. He is lofty in character and sincere and straightforward in doing things. Excellent reputation in the circle of friends. It is precisely because of this that we hit it off as book lovers at first, and later became brothers who talked about interdependence in life. In those years in Suihua, we were bored together almost every day and talked about calligraphy and painting. When we are in a good mood, you write a few strokes and I wipe them, rewarding each other. We often stay up late and don't want to leave. In a blink of an eye, ten years have passed, and Zheng Jun's school has gradually grown into the leading calligraphy teaching base in the local area. I also moved from Suihua to Harbin, and we went about our own business. Naturally, there are not many meetings. However, the feelings are still the same, and I can't bear to talk about the past.

Zheng Jun's calligraphy is a kind of person, simple and simple, without the so-called complicated Jianghu disadvantages. In his early years, he was good at regular script, and he was fascinated by Chu Suiliang's fine strength and wide body, and Zhao Meng's warmth and fullness. He is not lacking in modeling ability, copying is natural and easy, so he can say that he has not achieved much. "Change" is the soul of art and the law of development of anything. The Book of Changes has clouds; "If you are poor, you will change, if you change it, you will have a long rule." Once the learning process is repeated, it means that new nutrition is needed to improve. Zheng Jun's choice is the inscriptions in the Northern Wei Dynasty and the writings in the Jin and Tang Dynasties. In this regard, we communicated. He wants to trace the source of regular script and find out the most real thing of regular script, which may not be superficial, but it is there after all. The mature regular script in Tang and Song Dynasties is easy to be familiar with after long practice, and practice makes perfect. Clever is vulgar. Zheng Jun knew this well, and he wanted to dig out the primitive, simple and simple spirit from the inscriptions in the Northern Wei Dynasty. The same is true of life, as someone said; "Life is acting. True performance is the highest realm, but most of them can't. " . Perhaps Zheng Jun wanted to find a realm of the unity of humanity and calligraphy. He learned to write classics in the Jin and Tang dynasties in order to solve the fetters caused by too many techniques, so as to obtain high-level writing and unintentional writing. Su Shi said; It is difficult to fly in regular script. It must be somewhere in between. In recent years, Zheng Jun has been fascinated by some Qin bamboo slips and silk books by studying ancient books, which may be a manifestation of Zheng Jun's exploration of the meaning of the characters themselves. He wants his calligraphy to be more varied and antique, as Fu Shan said. "I don't know the change of seal script, that is, it is a vulgar style to write a clever plan." Zheng Jun is only verifying these assertions step by step. It is also to explore the true meaning of life between pen and ink.

Generally speaking, Zheng Jun's writing is more emotional than pen and ink, and his creation is higher than modeling. In his words, paying attention to the leisure life of literati is certainly his remarkable feature, but his pen and ink language seems not complicated, but his seemingly simple conclusion just shows its inherent richness, which is very exquisite and wonderful.

I have an idea about calligraphy.

Jinzeshan

In recent years, I have been looking for a release from the six States of writing, in the true sense. Open from the depths of the soul, the sage has the desire to read, and then spread his arms, which is right. I even began to hate the word "creation" and thought it contained commercial elements. I want to get rid of all factors that have nothing to do with natural writing, and even ignore some artistic elements, so as to gain a kind of freedom. Because I have written things too many times, I can't impress myself, and I can't integrate my most essential things with pen and ink. I once put down my brush and rationally analyzed the classic works of the ancients, and found that every classic work was unintentionally produced, which inadvertently weakened the carrier itself and injected a strong cultural content, which was extremely random and unrepeatable inside and outside. When I first started writing, I was in a simple and simple writing state, expressing my thoughts directly. Regardless of the work, the sense of accomplishment revealed by the pen tip from time to time was invisible, but I could feel it. Just like this string of phoenix-eye bodhi on my wrist, the color goes from shallow to deep, low-key and speechless, and it grows old inadvertently.

Contemporary scholars are often suspected of fattening books, and often spare no effort to make a fuss about the fruits of their predecessors, rarely asking about the cultivation process and the causes of the fruits. We often see contemporary calligraphy works with exquisite techniques, exquisite papers, novel forms and strict statutes. But they are tasteless for a long time, and there is almost no fault in routine and completion quality. They are meticulous and thoughtful in management, but it is difficult to have accidents when they think of anything, and they lack tolerance for defects, just like drinking tea. I can't stand the pain. How can I compare with that little sweetness? This will fall into the creation of local small interests, which seems to be haggling over every ounce. It is a vague expression lacking cultural support. The expression content is too shallow and single, the focus is not atmospheric, and there is no humanistic taste. The reason is due to lack of self-cultivation. It is to create for the sake of creation, and to create for others to see. Simply put; A kind of potherb that is often eaten, there is no difference between planting it on the mountain and planting it in a plastic greenhouse, and the fine products can't be the same.

Before Yuan Dynasty, China's calligraphy had no artistic creation in a strict sense. China's calligraphy history and China's art history are all created by literati, not artists, which is different from the West. Therefore, the creative purposes of ancient calligraphy and contemporary calligraphy are different. Contemporary calligraphy is mostly for the purpose of exhibition, which is expressive, while ancient calligraphy is mostly in the form of literati, entertaining itself and being arbitrary. Speaking of this, it reminds me of Go, which is one of the four arts of calligraphy. It is a life state of literati, and Mr. Wu Qingyuan once suggested that Weiqi is "harmony". Chess is like a bosom friend game. Although there are winners and losers, it doesn't matter. Go, as people usually know, is a competitive sport with the sole goal of killing each other. It's no different from western boxing, but there is no physical contact. Is this still Go in the Four Arts? Now, as long as there are high and low points, they will be basked in the choice of first or second. If inferred from this, writing is also ornamental, and there are also high and low points. Will calligraphy be listed as a sport in a few years?

Calligraphy is a mirror, which is misinterpreted as the beauty and ugliness of the body in the popular sense. If it is really so simple and mechanical, there can be no calligraphy art. In the state of natural writing, people's cultivation, aesthetic orientation, determination to pursue, pleasure or depression, joy or sadness, etc. You can see it inadvertently. These are the fundamental reasons that constitute noble character. Of course, learning needs a process and learning needs accumulation. Standing at different heights, the scenery is different. Everyone's accumulation can't be exactly the same, and their understanding of things will be different. Although elegance and vulgarity have different understandings in different times, they will never be appreciated.

20 13、7、6

Lu Zhilian's essays

Jinzeshan

Sue; "On the similarity of paintings, see the neighborhood with children" What a pity! Mr. Dongpo's witty remarks are like gold. However, it is difficult for people who don't read much to do this. If you oppose Yu Ling, your fingers will make a loud sound. If the stone is inferior, the heavy hammer is silent. There are many ridiculous people now, and there are also many people who encourage others, such as an empty boat and a leaf. Diseases are transmitted through the mouth. People who are deeply worried about their skin are afraid, and those who are afraid of discoloration of grains are very sad! In the past, calligraphy had predecessors and was knowledgeable, and it was difficult for works to express their feelings. They said, "All scholars are bound." I must be upset about eating the past. Imagine, is the right army full of knowledge? Is Dongpo learned? I don't understand! "Books draw for the heart", from "Fa Yan". Yang Xiong's Ask for Heaven in the Western Han Dynasty. Running water comes from the mountains, pen and ink come from the sea of hearts, and Feng Ying is everywhere, which naturally leads to interest. Therefore, when a gentleman learns books, he puts the ignorant first and cultivates his temperament.

The book dispelled the victors with peace. Peace of mind is peace of mind, and mistress is simple and distant, like spring breeze and rain, brewing a seamless land. If you want to be domineering, you can only rely on pen and ink skills to impress others. Therefore, it is superficial and exposed, so it is rude and messy, and it is inevitable to feel inferior. It's really strange to be surprised to know. There is a saying in Chinese medicine: "It hurts if you can't do it". I think that everything is like this, everything has contradictions, and the word "Hua" is the most important. One day, playing chess with a dog, I knew I was no match for it. In order to avoid his sharpness and seek change, I didn't fight fiercely in the frontier. When I saw that I had a son hanging in the middle of the road, I was surprised and asked me why. I am proud of this; Swallows don't know the ambition of swans. After listening to him, he looked disdainful and walked out casually; How can swans know the ambitions of sparrows?

Books without learning from the past are like walking at night without fire. The book is abstract, it has been * * *, and it is difficult to find its trace when eating and sleeping. It's just popularizing the law all over the world, and there's no way to go without abandoning Linchi. Learning from the past is like climbing a peak. There is a main peak and a secondary peak. The main peak is that all other mountains look short under the sky. The second peak is to observe the sky in the well.

Books win by talent, which hides more clever minds, so they will be less diligent. Because it is good at changing with time, it will certainly confuse the world, or everyone at that time knew it, but it eventually fell into the ears of bamboo shoots in front of and behind the house. Passion is easy to be blunt, it will be cooked after a long time, and it will be learned after a long time. It will be empty and boring in the end. "Today people say that there is no ancient law, and I don't know how the ancients learned it." When Zhu Ruoji said this sentence, it was mostly used by lazy and impetuous people, so he planned to reject the past and let himself go. Alas! I thought that ancient law was not the work of one person, but the practice of ancient sages. After thousands of years of spring and autumn, today is a great success. Since you can be greedy for three or five thousand years, why not learn the ancient law?

diary

Lu Zhilian Diary 1

It's still early to travel again today. I am lying in bed browsing a painter's painting collection. Usually, I seldom read the works of modern people so patiently. It's not that people's paintings are not good, but that most of the current works are published in commercial nature, and there are too many whitewashes. The editing form is nothing more than the author's star photos, resumes symbolizing brilliant achievements, and dozens of formal works. I look cold and nervous. Even worried about the author, afraid of which link is wrong, affecting the purpose of publication. Today, this painter's collection of works makes me feel refreshed. I've been watching it for days. I brought it when I went out today, and I'll look through it when I have time. Compared with his works, I prefer reading his diary and writing essays, traveling feelings and so on. I don't have to say how touched I am, but at least I can fully understand this person and his inner thoughts, which is more real. There is such a passage in it: "Sometimes it is for exhibition, sometimes for entertainment, and sometimes for selling works. Assuming that these are the contents of our daily life, we usually unconsciously use several artistic concepts to deal with different artistic creations: participation in exhibitions, sales and entertainment. In this way, he became a man who made a living by art, which is sad. Therefore, my greatest wish is to be a scholar who is good at making reading notes (art). "

Occasionally, I read something that coincides with my own point of view and secretly rejoice-there is a bosom friend in my thoughts and thoughts, and I am sincere and correct. I suddenly remembered and felt very sorry. I hate that I have too few reading records and insufficient savings. I don't seek a good solution, and I am too general and detailed. After reading it, I have nothing, no system, and finally fail. How can you become an artist if you can't learn?

Diary of Lu Zhilian II

Qin's Value and Human's Value

With the development of social economy and the improvement of material life, Guqin, a mysterious instrument, has also stepped out of the study, entered the ranks of those instrumental examinations angrily, and is gradually transitioning to the favorite instruments, showing the so-called "prosperity scene".

It is worth mentioning that this prosperity has promoted the development of Guqin manufacturing industry. When no one can name the piano, it is hard to find a good piano, which shows that more people like playing guqin and are willing to spend more time studying and researching. This is a good thing. However, as a kind of guqin based on the traditional cultural background of China, it has the temperament and character of plum blossom in Luofu Mountain, and it was originally a musical instrument for Jianghu hermits to mourn for themselves. However, it is puzzling that the price of a piano made by a good worker is amazing, and it is labeled as Wang Peng, Ma and other famous artists, starting from hundreds of thousands, up to millions and tens of millions. Ask, is it really worth it? If it's worth it, is it a literati's play? Who can afford this piano? As far as I know, most of these pianos are bought in large quantities by some arty bosses and entrepreneurs, or hoarded by some sellers. Poor thing! I don't know that the greatest respect for God is to admire a hero and let him go where he should go. We can look at the pianos used by our ancestors in the museum. Its value lies not in who plays the piano, but in who plays it. Guqin will ultimately be judged by sound. In the process of vocalization, it is controlled by people. In other words, if you buy a piano with a price of11million, it may not play well, and you may never play it. Because your style determines the fate of this piano. I think, as a musical instrument, the piano has a minimum quality standard. As long as this standard is reached, the rest depends on who plays. And this basic standard is the most dignified and authentic value, just like a brush used by a painter, it is a tool to complete artistic creation. Don't praise the piano as a tool, and don't call it a master. I think calling it a "good worker" is the greatest respect for the manufacturer. I also hope that in this materialistic era, Qin people can downplay Qin itself and attach importance to improving their understanding of Qin theory. Literati pay tribute by playing, don't take tools too seriously, don't put the cart before the horse.

Diary of Lu Zhilian III

The day before yesterday, Brother Hu came to my humble abode for tea and chat. Knowing my leg disease, he brought me several bottles of Yunnan Baiyao spray, which solved my temporary need. Thank you! Hu Ge, a university teacher, is engaged in literature and history research, loves painting and calligraphy, and is good at tasting tea. Old friends don't need more greetings when they meet. Boil water to make tea. Coincidentally, just then, the doorbell rang and Li Xiong, an art friend, came to visit. I got up and greeted him. I opened the door and saw Li Xiong's simple smiling face and a strange friend behind him. I quickly took the slippers and called the two and Hu Xiong to sit down. In mutual introduction, I learned that this friend is from Beijing, a classmate studying calligraphy in Beijing, and his surname is Pan. Because Hu Xiong and I are familiar with each other, I mainly chat with Pan in Beijing out of courtesy. Li Xiong went into my study and couldn't come out. Hu Xiong sat listening to me chatting with Pan and flipping through the books. I am from Beijing. I have seen the world. It really taught me a lesson for people in poor areas and frontier areas. This senior brother speaks very radically, as if he were giving a lecture. Three or two sentences must have been said and taught by xxx, a famous figure in today's book world. I know khufu's character. He is the most annoying person. He always takes the teacher out first. This is a sign of extreme guilt. I'm afraid of causing Hu Ge's dissatisfaction. I tried to change the subject, but this Xiong Pan seems to have nothing else to say except this, and kept talking about how bad his teacher is and how rich he is. I used to admire his teacher. Seeing that he is a student, I really drew a question mark for this teacher. Just like Pig Bajie in Journey to the West, he said to everyone, "My brother was the Monkey King who made trouble in Heaven 500 years ago." . The more he talked, the more excited he became. He took out his portfolio, one for Hu Xiong and one for me. Seeing that Hu Xiong had long been disgusted, he deliberately taught him a lesson and turned over two pages with a squint. He said slowly, "No wonder you wrote so badly, so you are his student." .

This reminds me that not long ago, I asked a pianist about the origin of his learning skills. The pianist never mentioned who his teacher was. Later, he told me that he was afraid that his learning skills were not perfect and that he had insulted his master. This kind of respect for teachers is awe-inspiring. In fact, today's art world has become a beautiful landscape. As an artist with personality and influence, it is a good thing to accept a few talented students and carry forward what they have learned all their lives. The question is how much is appropriate. Can you be responsible for this? Some teachers may not even be able to name their students, let alone preach art. As students, it is only natural that they sincerely seek advice, learn art and cultivate their morality. However, it is very dangerous to use it as a show-off capital just for the sake of mentoring. Although "it is good to enjoy the cool under a big tree", it is sometimes struck by lightning.

Diary of Lu Zhilian 4

"Are you greedy for sugar?" A smiling face, holding a piece of white and glittering rice candy, said to me. This has nothing to do with us talking about Hu Kan, which makes me dumbfounded! Just answer; "I'm not greedy." So everyone who listened was relieved and chewed-I seldom eat snacks at ordinary times, only a few kinds of fruits are ok. Rice and sugar are traditional snack foods that can be seen everywhere. Of course, I am not greedy. However, at the moment when the other person held up the rice candy, I really wanted to eat that bite. It can be seen that I was insincere at that time. Suddenly I feel that this is hypocritical and sad-it is a kind of "possessiveness". The moment passed, and the stimulus paralyzed my taste. I no longer think about whether I like it or not, whether it is delicious or not. But first put it in a position of active choice. Terrible desires can make people weak in an instant. Desire is innate. It is important to know its origin and feel its reason. Let nature take its course in the grasp of desire and degree. Just as some people force themselves to study thousands of books in order to know everything, they fall into business. I have no objection to reading. But how to face the problem of reading correctly. If what you read can't shape a person's character, it can only be its "reference book" even if it is broken. It is better to say it directly; I really want to eat your rice candy. There are natural reasons for the existence of rice sugar. If you think it's delicious, just eat as much as you like. One piece won't do, just two. After all, you can't eat it because the skin is limited. Want to possess rice candy, can't satisfy. Because, desire is infinite. I hope one day I can sincerely say "I'm not greedy for sugar"!

Jinzeshan was born in Harbin on April 20 13.

works appreciation