Traditional Culture Encyclopedia - Traditional stories - Introduce a work of art
Introduce a work of art
Artwork, an artifact rather than a natural object, a spiritual product rather than a material product, artwork is primarily the culmination of imaginative thinking rather than the fruit of abstract thought. There is a striking orange pumpkin in the turning corner of our bedroom. This pumpkin was given to my grandmother by my aunt, who keeps it on display in my home. This is my favorite piece of art. This pumpkin is about 36 centimeters in diameter and has a flower handle about 4 centimeters at the top. There is a small bit of green in a large swath of orange, and the whole thing goes together so well that the more you look at it, the more it looks like the pumpkin carriage from Cinderella!
This pumpkin is ceramic and weighs about 3 pounds. The surface is very smooth, icy and hard, but can make people love it, like holding a pot of treasure. The dark green flower handle is a bit transparent, giving people space to imagine, but also adds a bit of vitality. A pumpkin is divided into 10 parts, which is really perfect! This pumpkin construction is relatively simple, and farmers grow the same pumpkin look, construction; this pumpkin is not so bright and colorful, but the general orange, let a person feel vibrant and happy. This simple and plain view is much better than the pottery sculpture pumpkin encrusted with exotic treasures it is striking for its simplicity and plainness.
The pumpkin is so realistic that it looks like a freshly picked pumpkin from the vine! The surface of the glass pumpkin is shining brightly, and if you put it on the table without turning on the light, you will be tempted to go up and take a bite.
The simple color of the glass pumpkin is that I feel the hard work of the working people; its birth is in the glass pottery workers that pair of hard-working hands are inseparable. This pumpkin, for my family to add a few colors. Because of the rich imagination of glass pottery workers, there will be more people get more beautiful art enjoyment!
2, crafts yacht
In my desk put a craft - yacht. This yacht is chic, well-structured, antique and has the national style of Venice, Italy.
This magnificent yacht is made of plastic, 40 centimeters long, 10 centimeters wide and 15 centimeters high. It consists of two parts: the hull and the base. The base is cone shaped, red in color and covered with a fine pattern. The upper part is connected to the bottom of the boat. The bottom of the boat is black, the hull is golden yellow and the bow is pointed. There is a small light that can be loaded and unloaded in the part of the boat between the cabin and the bow. This lamp is for night lighting. Since this is a craft, there is no real bulb inside the lamp. At the front of the cabin there is a bottom bracket with a small hole for a dancing figurine. The little man does not look small, but the manufacture of fine, she wore a silver-white short top, the lower body is a red dance skirt, the waist is also tied with a blue belt. Her hands are raised in a dancing position. Her upper body was connected to her legs by two brass rings. The legs hang straight down, suspended in the air. The cabin is the main part of the ship, in the shape of a three-dimensional trapezoid, with a semi-circular roof, and empty walls at the front and back, and in the part of the prismatic frame are carved with patterns of different shapes in large and small sizes. Some of them are fish-shaped, some like flowers ...... form realistic, lifelike. It is as if the fish are playing in the water, the horses are galloping in the grassland, the flowers are opening in the bushes, and this delicate little cabin can also be opened! There is a movable screw at the base of each of the two rear prongs that lifts the entire lid of the cabin. I assume this is the mechanism for the door in the cabin. After lifting the lid, you can see that there is a small box inside, and inside the box there are rows and rows of small chairs, so that you can sit in the cabin to see the outside of the city of Venice on the water. In the back of the hatch cover is also hanging eight small light bulbs, like an upside-down bottle of wine, red, yellow, blue, green four colors. In the stern there is also a boatman standing, he wore a small yellow bowler hat, dressed in white pants, collar with blue fluttering belt, waist tie a red belt, elegant, hands holding an oar, which is the characteristics of the Venetian sailors, rowing with an oar, it seems, he rowing technology is still very high.
This splendid boat can not only be a handicraft can also be used as a toy. In the base of the boat with a plug, the boat body, small people and other installed, connected to the power supply, the boat can turn up the circle, dancing small people also began to turn in a circle to dance. Cabin wall lamps also followed the light up, and then rang the beautiful music. Watching and listening, I seem to be really in Venice. As a VIP sitting on this rich and luxurious yacht, some people in the dance for me, the boatman in the rowing for me, take me to visit this magical water world of Venice; let me watch the rippling waterways, a classical stone bridge; let me appreciate the ancient splendid culture of Venice ...... this beautiful dance, beautiful music, so that the people are intoxicated! It's like a dream.
This golden yacht is small, exquisite and unique, one of the treasures of my family.
3 My favorite crafts - copper horse
A few years ago, my father bought back a copper horse from Dalian, which is placed on the cabinet in the hall of my home, although there are many beautiful artifacts in the cabinet, but the number of my favorite artifacts is still that is both the most striking and the most powerful and tall copper horse.
The copper horse, two eyes gleaming, radiant, always refracting two sparkling light, especially spiritual. The two small triangle-like ears were alertly erect, as if listening to the surrounding movements at any time. The manes on the body were in rows and rows, making the appearance of this sturdy copper horse galloping up even more majestic and dazzling. More surprising is that the copper horse fat body behind the drag a big brown tail, as long as the flick of a flick, like a lightning in front of your eyes in general, it is really dashing! The front has been hooves up in the air, the other is slightly bent, the other two hooves hard to make their bodies forward. This galloping posture is really powerful and domineering.
Whenever I see this is galloping galloping copper horse, I can not help but think of the horse that the quality of the unconquerable, is because the horse has such a character not afraid of difficulties, so it encountered difficulties can be solved, one by one to overcome. Isn't it? As Du Fu, a famous poet in Tang Dynasty, wrote: "There is no empty space where it goes, and it can really support death and life. The prima donna has such a way of traveling across ten thousand miles." These two lines represent the will and character of the horse. Therefore, whenever I see this powerful and robust bronze horse, I will try to be not afraid of difficulties, never retreat, go forward, invincible.
The bronze horse symbolizes "go forward", symbolizing "horse to success", as long as you do not do anything halfway, do not retreat, then you will be able to succeed. This copper horse has always inspired me, it will accompany me through thick and thin, it will accompany me to the other side of the shore of success, never retreat, never give in.
4 In my house, there are many artifacts on the bookcase. My favorite is the galloping jade horse.
This jade Pegasus, fat and healthy, well-proportioned body, its long neck, lifting a cool head, the head has a pair of eyes, always flashing two spiritual gaze, a pair of small triangular ears high on the forehead, as if at any time to listen to the surrounding movements, seem particularly sensitive. In front of a hoof in the air, the other slightly bent, the back of the two hard to make their bodies dart forward, above the neck is a row of neatly trimmed brown hairs, darting up the brown hairs of a shaking, so that it looks more majestic, fat body behind the drag a bunch of white tail, as long as gently flicked, like a silver lightning in front of your eyes, can be a dashing.
Students, you must think it is a separate stallion, that would be wrong. The author ingenuity, on the back of the horse and a war general wearing armor it, waist hanging a long sword, the whole body crouched on the horse's back, a hand holding the hilt of the sword, a hand grasping the reins, powerful, realistic image, symbolizing the triumphant return of the war general, domineering.
Whenever I see it, it gives me a fighting spirit to go forward, invincible and regard difficulties as dung.
5 On the bookcase in my room, there are many artifacts. My favorite
Yeah, the old black and shiny cow lying horizontally.
Look! This old bull made of porcelain is fat and healthy, with a well-proportioned body and a neat mane.
It's head tilted slightly forward and crooked to the left, the two horns curved backward in an arc, the eyes stared ahead without
turning their eyes, its tail was not generally drooping downward, but stretched forward,
as if it was swatting flies and mosquitoes on its body. It opened its mouth, and one could hear
its low mooing sound.
This is an old cow lying down. How do you show that it is lying down? The author
conceived a marvelous idea by having the cow's right front leg stretched forward, the left front leg stretched back flat, and both the right and
left hind legs in a curved shape, so that the whole body looks like it's lying down.
Students, you must think it's a separate old cow, and you'd be wrong.
The author's ingenuity, so that the old ox lying on the stone, the stone can be rich,
Ancient copper plate, engraved with "fortune", "great luck", etc., but also
golden treasure! A realistic image, symbolizing the year of the ox wealth, Daji big
Li meaning. From a distance, I thought there was only an old cow, but close up, the old cow
there are two calves around! The calves were lying beside the old cow, as if they were being fed! It makes this
craft seem less monotonous.
What a wonderful craft! I love it so much.
6 Crafts
I have a Donald Duck craft on my desk. This Donald Duck is made of plaster, which my father got when he was playing a game of hoop in Xihui Park. It has two functions, one is used as a decoration, the other is used to save.
Donald Duck tilted his head, the second hand crossed his waist, open eight legs standing. Its entire form is realistic and lifelike. Its head wearing a green navy cap, two eyes wide open, mouth pout flat, as if in anger, but also as if in the nod of the head. It was wearing a terra cotta red undershirt and a green bow tie on its chest, making it look divine. The feet were attached to the sole. It had a flat hole in its back through which the coins were put. Whenever I got coins, I would always put them on its back.
Whenever I did my homework, I would look at it, and it seemed to be supervising me, and also seemed to be asking me, "Did you do your homework today?" At that moment, I would put my head down and "work hard". When I finished my homework, I would look at it again, and it seemed to be smiling at me, as if to say, "Well, good job." It accompanied me every day, so it became my heartfelt friend and close companion.
This Donald Duck can save and do crafts, I like it! I love it even more for its humorous and comical demeanor
7 Qing Jingdezhen kiln purification bowl height 12.5 cm, caliber 20.3 cm, foot diameter 7.3 cm. The bowl has a sauce-glazed lip, a turned-out mouth, a slightly bunched neck, a deeper abdomen, a flat foot, and a small foot, with no glaze on the outside of the foot or on the underside of the foot. The bowl with obvious early Qing dynasty blue and white porcelain features, sauce glaze mouth, under the mouth decorated with the late Ming and early Qing dynasty commonly used pendulous triangular banana leaf pattern, glaze layer is fat, color flash green, blue and white color color is rich and purple, watermark pattern is obvious, the bottom of the foot has a dense spinning pattern, is a piece of absolute chronology of the next important works. A Qing Jingdezhen kiln water purification bowl, 12.5 cm high, 20.3 cm in caliber, 7.3 cm in foot diameter. It has a sauce-glazed lip and mouth, with a slightly turned-out mouth, a slightly bunched neck, a deeper abdomen, and a flat foot
Small foot, the outside of the foot and the bottom unglazed. Painted in blue and white on the outside of the vessel, with an inscription on one side, the inscription reads: "The letter of death Chen Youmu pious production of a bowl of purified water, happy to worship the ancient Lake Temple Buddha in front of the eternal supply, good luck. Shunzhi Ding You year quarter summer day of the first day of the month of the auspicious establishment." After checking, Ding You for the fourteenth year of Shunzhi. The bowl with obvious early Qing dynasty blue and white porcelain features, sauce glaze mouth, under the mouth decorated with the late Ming and early Qing dynasty commonly used pendulous triangular banana leaf pattern, the glaze layer is fatter, the color flash green, blue and white color color is rich and purplish, the watermark pattern is obvious, the bottom of the foot has a dense spinning pattern, it is a piece of absolute chronology of the succession of the important works.
8Whenever I saw that piece of beautifully crafted artifacts, I was always envious, and I always hoped that one day I would be able to use my hands to make a piece of work that I would be proud of.
Finally, the opportunity has come. Last week, our school organized us to go to the labor base to experience the hard life in the base. We experienced the hard work of military training, the fun of the art of paper-cutting in the base, and most of all, I was happy to finally make a craft by myself that made me feel gratified.
I remember that morning, under the leadership of the teacher, we came to the "craft" classroom, the teacher took out a bag of plaster powder and two cups and a mold. The teacher first water and plaster powder mixed together and stirred, stirred evenly, the plaster poured in a mold, to fill the mold, and then gently shake the mold, so that the plaster evenly spread in the mold, after about 4 to 5 minutes, you can take out the crafts from the mold, it is not, a crafts have not yet been painted on the "out! "
What's going on?
Looked at the teacher's demonstration, we did it ourselves, when I forgot that the ratio of water and plaster is 1:2, the water and plaster powder are filled with a cup, resulting in how to pour the water in the cup does not spill out. Later, after I adjusted the ratio of water to gypsum powder, I poured the water into the gypsum, and this time, I ran into trouble again - I couldn't stir it evenly, so what happened? At first I thought the water was poured too fast, so I tried again and got the same result as last time. I had no choice but to ask my teacher for advice. After I explained to her why I couldn't mix it well, she smiled and told me. The teacher smiled and told me, "One of your steps was done wrong, you shouldn't pour the water into the plaster powder, instead you should pour the plaster into the water." After listening to the teacher's explanation, I suddenly realized, really, in this way, I quickly mix the plaster, and then I poured the plaster into the mold, and finally shook it evenly, and waited for a long time, my work "came out". Although I have not yet painted the color, but I am still very happy.
In the afternoon, we couldn't wait to get to the other classroom to color my morning piece. We waited for the teacher to give us a good seat, then we held the brush in hand, to color this work, because my work depicts two small fish swimming around in the water, so it must use light blue as the base color, but there is no light blue on the table of these five kinds of paints, what to do? At this time, the teacher came over, I asked the teacher again, and the teacher still smiled and told me, "Of these five colors, you can blend them together, so that, a new color will appear." Sure enough, I will be white and dark blue together, light blue really appeared, and then I used the same method to mix a lot of colorful colors, not long after, my work finally really "come out". You see, gray lace against the light blue "sea water", two small fish in the water to swim freely, two small conch and a small starfish embellished in the side, giving a pleasing feeling, see this work, I can not help but feel very proud.
Making crafts, as long as you master the method, careful and meticulous, you will be able to succeed, how about it, you also try it!
9 Fans
Fans are people's daily necessities and decorations. It is its cheap, convenient and practical, elegant and vulgar **** appreciation and loved by the people. Fans are divided into six categories: folding fan, bamboo fan, silk fan, feather fan, sunflower fan and straw fan. In addition to its practicality, as a work of art, it brings together weaving, carving, painting, calligraphy, embroidery and other craft skills, and can also be used as props for theater, dance, opera and other performing arts. It can sometimes even serve as a status symbol. The image of Jigong, the living Buddha, circulating in Chinese folklore, is a favorite. He wears a tattered monk's hat, is dressed in rags, holds a broken fan and is crazy, but he loves to help people in need, so he is a household name and a legend. The Three Kingdoms Shu Zhuge Liang, resourceful, suave, assist Liu Bei to establish the hegemony, every fan and scarf attire, the fan often do not leave his hands, has become a symbol of his identity and wisdom. Since the fan has been passed down, the relevant legend anecdotes are numerous. According to legend, the Eastern Jin Dynasty great calligrapher Wang Xizhi, had met a fan of the old lady, she was worried about the fan lagging behind, Wang Xizhi impromptu inscriptions, so that the old lady's fan is a big best-seller, and a moment for a good story.
China is the world's first country to use the fan, and gradually spread to Japan and many countries in Europe. The fan has a long history, it can be traced back to the ancient times of Yu and Shun, Jin's "Ancient and Modern Note" recorded: "Shun wide open to the hearing, seek the wise man to assist themselves, as five Ming?". The Ming people also recorded that "Shun began to make fans", indicating that there were already fans in the time of Emperor Shun. In the Shang and Zhou Dynasties, people made "Zhai fan" with the long and colorful tail of male pheasant, and appeared "pheasant fan" with a long handle. Fan at this time became a symbol of the emperor's authority. Pheasant hair fan to the Tang Dynasty changed to peacock hair. According to archaeological findings, Chengdu, Sichuan Province, unearthed in the Warring States copper pot engraved with a servant holding a long-handled fan for the master fan pattern, which is found earlier fan image. The end of the Han Dynasty to the Wei Jin and North and South Dynasties appeared with animal tail hair made of duster, called "hair fan". Another feather fan made of poultry feathers, white texture, soft plush, light and comfortable. Jiangnan region to white goose feathers made of feather fan is the most famous, more as tribute to the court. To the Han Dynasty, the silk weaving industry began to develop, the emergence of "playboy fan", made of fine white silk, it is also known as "silk fan". In addition to the production of silk, the material can also be used damask, Luo, yarn and other silk fabrics, but also because of its "ball such as the bright moon", also known as the "ball fan". This form of fan was favored by women in ancient China, as a mainstream and greatly developed, it is in the structure and decoration to strive for exquisite, ornate, fun and small, the shape of the oval, begonias, rectangles, curves and other shapes. Some of this fan is made of sandalwood, a fan in the hand, fragrant, refreshing, highly emotional. Around the Song Dynasty, the common folding fan appeared today, because it can be folded, so it is also known as folding fan. Folding fans are convenient and practical, and are widely spread among the people. The scholar in the opera often had a folding fan in his hand, which became a symbol. Folding fan painting and poetry began in the Ming Dynasty between the Yongle, fan painting makes the fan sublimated into another form of art, for generations of collectors cherish. Throughout the ages, many literati and scholars have left their poems, calligraphy and paintings on the fans, which are highly treasured and collected by people, and thus another traditional art form, fan painting and calligraphy, has flourished. Fan painting and calligraphy is one of the wonders of traditional Chinese art, which has left colorful ink treasures and art treasures for future generations. Existing in the Shanghai museum of the ming shiei jin painted by the ting tree hook boat figure, is the earliest one of the Ming dynasty fan painting. Fan painting commonly used subjects include ladies, landscapes, flowers, birds, fish and insects, as well as poetry and calligraphy. Sometimes a common fan is worth hundreds of times more once it is inscribed with poems and paintings by famous artists. Fan exquisite craftsmanship and the perfect combination of traditional calligraphy, poetry and painting, the two complement each other, all in one, it is really interesting, people love it. The Ming dynasty Tang Bohu, Wen Zhengming, Shen Zhou and others like to paint poems on the fan. Qing Dynasty fan painting is the most abundant, famous artists, such as Shi Tao, Bada Shanren, Ren Bonian, Wu Changshuo, etc., are masters of painting fan, so at this time of fan painting, style and genre colorful, a great view. Folding fan development to the Ming Dynasty during the Jiajing period, divided into Hangzhou fan, Su fan, Ning fan and other schools, their artistic style and production methods have their own characteristics. Hangzhou fan and Hangzhou's Longjing tea, silk and known as "Hangzhou three great", there are many forms of production, including the most famous black paper fan, which is coated with persimmon juice fan surface, black color, durable, both summer and shade. Suzhou's folding fan to white paper fan-based, elaborate production, craftsmanship, Hangzhou fan, Su fan more bamboo for the fan bone, paper and silk for the fan, elegant and delicate, known as "Suzhou and Hangzhou elegant fan".
Now, the fan is mainly produced in China's Zhejiang, Jiangsu, Sichuan, Guangdong and other places. With the improvement of people's living standards, the fan as a practical function is gradually fading, more people value its artistry, and used in the collection, play. This traditional handicraft is its unique artistic charm glowing with new vitality
10 My favorite piggy bank
I have a beautiful piggy bank, which is modeled after a small white rabbit. You see, the little white rabbit puts up its two long ears and holds a peach about the size of its body with difficulty. Whenever I see its mischievous look, I can't help but smile.
It was last year, I came home from school, as soon as I entered the door, I saw my mother slightly smiling as she scrutinized something, and as soon as she saw me come back, she hid the thing behind her back, and mysteriously asked me: "Guess what good things I made for you?" I couldn't guess, while anxiously asking my mom, "What is it?!" Mom brought it to her body. "Wow! What a pretty little white rabbit!" As soon as I looked at it, I already liked it. Because it was made by mom.
Since then, when I came home from school every day, the first thing I did was to eat coins for it, and it looked at me with a slight smile every time, as if saying, "Thank you!"
This piggy bank is not only nice to look at, but also let me develop a good habit of not spending money!
11The Palace Museum
In the center of Beijing, there is a city within a city, which is the Forbidden City. It is now called the Forbidden City, or the Palace Museum. This is the imperial palace of the Ming and Qing dynasties, and is the largest and most complete ancient palace complex in China, with more than 500 years.
The walls of the Forbidden City are more than 10 meters high, and there are four gates: the Noon Gate in the south, the Shenwu Gate in the north, the East and West China Gate in the east and west, and the West China Gate in the west. The palace is rectangular, covering an area of 720,000 square meters, there are more than 70 palaces of various sizes and more than 9,000 houses. Outside the city wall is a moat more than 50 meters wide. On each of the four corners of the wall, there is a delicate and exquisite corner tower. The Forbidden City complex is grand and magnificent, exquisite architecture, layout and unity, focusing on the unique style of China's ancient architectural art.
From the Tiananmen Square inward, along a straight avenue through the Tuanmen Gate, to the front of the Noon Gate. The Noon Gate, commonly known as the Five Phoenix Tower, is the main gate of the Forbidden City. Walking into the Wumen, is a wide courtyard, curved Jinshui River like a jade belt across the east and west, the river is five exquisite white stone bridge. North of the bridge is the Taihe Gate, a pair of powerful bronze lions guarding both sides of the gate.
After entering the Gate of Supreme Harmony, you will come to the center of the Forbidden City - the Three Great Halls: the Hall of Supreme Harmony, the Hall of Central Harmony and the Hall of Preservation of Harmony. The three halls stand on a 7-meter-high alabaster foundation. There are three layers of the foundation, and the edges of each layer are surrounded by alabaster railings carved with dragons and phoenixes, and more than 1,000 round carvings of ao heads protruding from the corners and under the pillars with a small round hole in their mouths, which are the drainage pipes of the foundation.
Taihe Palace commonly known as the Hall of the Golden Emperor, 28 meters high, an area of more than 2380 square meters. Is the largest hall of the Forbidden City. In the blue sky, the golden yellow glazed tile roof, seemingly brilliant. The eaves, arches, frontal square, beams and columns of the hall are decorated with blue and gold and gold paintings. The front is 12 red columns, gold windows, vermilion lacquer door, with the base of the platform against each other, colorful, majestic and magnificent.
The center of the hall is a two-meter-high vermilion lacquer square platform, on which rests the gold lacquer carved dragon throne, behind the carved dragon screen. On both sides of the square platform there are six tall golden pillars with coiled dragons, each pillar is coiled with a sturdy golden dragon. Looking up at the roof of the temple, there is a huge carved gold dragon in the center well. From the mouth of the dragon hangs down a large silver-white bead, surrounded by six small beads, the dragon's head, the pearl is facing the throne below. Liang Fang colorful paintings, there are two dragons playing pearls, single dragon dance, there are rows of dragons, dragons, descending dragons, multi-state and multi-poses, the dragon body is also lined with streaming clouds around the flame.
The three halls of the building in the Forbidden City on the central axis, this line is also the central axis of Beijing, to the south from the Wumen to the Tiananmen Gate extends to the Zhengyangmen, Yongdingmen, to the north from the Shenwumen to the Drum Tower of the Di'anmen, a total length of about 8 kilometers.
Taihe Temple of Harmony is the place where major ceremonies are held. It was the place where the emperor was honored on his accession to the throne, on his birthday, at his wedding and on New Year's Day. Whenever there is a big ceremony, the white stone pedestal outside the hall is full of civil and military officials kneeling down, and in the middle of the royal road is lined up on both sides of the honor guards, and the emperor is seated on the throne. Under the corridor of the hall, bells and chimes were struck, and the sound of music was melodious. On the base of the incense burner and bronze tortoise, bronze crane lit sandalwood incense or pine branches, smoke.
Behind the Hall of Supreme Harmony is the Hall of Central Harmony. This is a pavilion-shaped square hall, the roof of the four hanging ridge saved together, placed in the center of a large round gilt dome, the silhouette is very beautiful. The emperor rested here during the ceremony.
Behind the Zhonghe Temple is the Bohol Temple. The square in front of the hall is where the highest level of examination, the Imperial Examination, was held.
From the Hall of Supreme Harmony, after descending the stone steps, there is a small rectangular square, starting from the Longzong Gate in the west and ending at the Jingyun Gate in the east. It divides the Forbidden City into two major parts. South of the square, the main building is the three halls and the east and west sides of the Hall of Wenhua, the Hall of Wuying, called the "former dynasty". North of the square within the Qianqing Gate called "inner court", is the emperor and consorts live in the place, the main buildings are the Qianqing Palace, Jiaotai Hall, Kuning Palace and the East six palaces West six palaces.
Qianqing Palace is the emperor to deal with day-to-day political affairs, reading a variety of reports of the place, and later in this place to meet with foreign envoys.
Behind the Qianqing Palace is the Hall of Jiao Tai, behind the Hall of Jiao Tai is the Kun Ning Palace. Kunning Palace is the Empress Palace, that is, the emperor married place.
Qianqing Palace, Jiao Tai Hall, Kun Ning Palace called "after the three palaces". Layout and the first three halls are basically the same, but the solemnity of the atmosphere is reduced, painted patterns have obvious changes. The first three halls of the pattern to the dragon, after the three palaces of the phoenix gradually increased, the emergence of the double phoenix sunrise, the dragon and phoenix auspicious paintings, as well as the flying phoenix, dancing phoenix, phoenix peony and other motifs.
The East and West Six Palaces is where the concubines live. This is commonly known as the "three palaces and six courtyards". Nowadays, most of the six eastern palaces are used as the exhibition halls for ancient artworks, displaying the palace's collection of bronzes, paintings, ceramics, handicrafts and so on. The western six palaces are roughly arranged as they were in the original form, where you can see the real history of the imperial era and the life of the empresses and queens.
In the west, the most striking is the Palace of Yangxin. From the Yongzheng Dynasty to the end of the Qing Dynasty, most of the emperors lived here for nearly 200 years. The emperor often summoned ministers here, read the reports. The Military and Political Affairs Office was located outside the south wall of the Palace of Yangxin, which was for the convenience of the emperor to summon the military and political ministers in the Palace of Yangxin.
Yangxindian east room called the East Warm Pavilion, is the emperor rest and summoned the ministers of the place.
From the Yangxin Hall to the north, a palace courtyard after a palace courtyard, elegant and quiet, which Changchun Palace and Cuxiu Palace is the Empress Dowager Cixi lived. Now the furnishings of the Palace, is according to Cixi's 50th birthday when the scene arranged. 1884 just as the imperialist invasion, the people are in dire straits, the Empress Dowager Cixi but for their birthday splurge, just the Palace, Yikun Palace, two of the renovation and to the ministers and servants of the bounty, spent more than 1 million taels of silver.
After the three palaces to the north is the Imperial Garden. Royal Garden area is not very large, there are more than 20 large and small buildings, but there is no sense of congestion and repetition. Here the layout of the building, the environment and atmosphere, and the previous parts are very different. Pavilions and pavilions, pools and pavilions, covered in the pines and cypresses; rockery, flower beds and bonsai, vines and bamboo, dotted among them. Coming here is like entering a Suzhou garden.
From the imperial garden out of the Shunzhen Gate, is the north gate of the Forbidden City - Shenwumen, opposite the Jingshan. Jingshan was built in the Ming Dynasty when the Forbidden City was constructed, with the moat dug out of the soil piled up, and is now the beautiful scenery of Jingshan Park. Standing in the Jingshan high look at the Forbidden City, heavy halls, layers of pavilions, roads and walls, intricately linked, but in order. Such a magnificent architectural complex, such a harmonious and unified layout, can not help but marvel
12 Zhenwu Pavilion
Zhenwu Pavilion is a layout of exquisite, highly skilled, unique style of wooden buildings, showing the civilization of the ancient Chinese era, today, I will introduce you to Zhenwu Pavilion's magnificent wonders!
Zhenwu Pavilion had a legend ...... Ancient times, people are still in the superstition, they live in a very dry place, a little inattention, will cause a fire, resulting in serious losses. Because of the fire many times, they began to suspect that the God of Fire in the sky with them. So they built the Zhenwu Pavilion disaster relief ....... The Zhenwu Pavilion was built in this way, and is still retained in Rongxian County.
Zhenwu Pavilion was built in the first year of the Ming Wanli, (also known as 1573). There is a stone platform under the pavilion, it is known as the "ancient strategic platform". Pavilion plan for the rectangular line, a **** three floors high. Zhenwu Pavilion is both the surrounding area ornamental objects, but also people traveling the best choice of feng shui treasure.
If you climbed the attic far away, the whole city will be in full view, but also can see the southeast far away from the Duqiao Mountain and embroidered river scenery, really is a "heaven into the ground" like feeling.
Zhenwu Pavilion of the second, third floor than the bottom (first floor) to close a lot of small, triple eave picking far and the floor is particularly low than the general attic of the eave rhythm faster, there will be a strong sense of rhythm as well as momentum, so that it does not look like a three-storey building in the eyes of the people, for more like a majestic single-storey building with triple eave features. But it is also with the general overlap of the eaves of the building is smaller, more relaxed, and the level of particularly distinctive.
Its roof slope soothing and smooth, the corner of the warping simple, increased the Zhenwu Pavilion spread generous temperament, very fresh and elegant, and fully expresses the beautiful masterpieces of the roof of Chinese architecture. Zhenwu Pavilion is not to win the rich and flashy, but to the light and elegant see long; gray and black iron Li wood without any happy read more paint elegant decorations; roof for the small tiles set on the green ridge, the tone of the very elegant and soft and win.
In the second floor of the four internal columns, column feet empty overhang, leaving the floor two to three centimeters, more peculiar is the whole cabinet column feet do not fall to the ground, but rests on a square sand plate, which fully demonstrates our country's ancient working people in the architectural technology has excellent talent!
More than 400 years Zhenwu Pavilion manager of many earthquakes and storms, still firm, safe and sound. Zhenwu Pavilion in the wooden structure, relying mainly on a lever to maintain the balance of a building like the one that has never been seen before.
The Zhenwu Pavilion also demonstrates the perfect combination of knowledge, science and spirituality of the Chinese people.
How about it? After listening to my introduction, is not also want to go to see the "rain and wind do not know the cold" Zhenwu Pavilion
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