How to write a good running script?

Question 1: How can I write a good running script? Running script technology:

Running script has the characteristics of both regular script and cursive script, but it is by no means that you can write beautiful running script by writing regular script well. Running script, as an independent character, has its own characteristics in its development.

To learn running script well, we must go through special copying training and master its brushwork and writing rules. We introduce the technical characteristics of running scripts from two aspects:

In terms of brushwork:

Take advantage of the trend to write: running script is no longer like regular script, which requires going backwards and forwards, hiding the head and protecting the tail. Instead, the pen enters the front, the pen moves with the heart, and the pen follows the trend, or the pen is involved, or the front is picked. Never go back to the front. So many strokes have been changed. The following pages. Most of these strokes are exposed. The brush gesture is obviously smooth. It also makes the running script more curved, and the strokes should not be too straight, which increases the sense of stippling and will not stagnate. These changes in brushwork naturally accelerated the speed of writing.

Echo of stippling: Because calligraphy and pen collection no longer return to the front, but mostly put forward the pen tip, it forms the hook of stippling, that is, the last pen ends and goes down with the trend, while the next pen naturally takes over, so that although stippling is disconnected, the pen is disconnected from the meaning, resulting in an obvious relationship of looking around and echoing. Obviously, these condescension and echoes make the font more vivid and interesting.

Leading strings: The ticking between the dots and the painting makes them expect an echo. Sometimes this echo is written as a hairspring through the pen tip, and two or more strokes are connected in one go, which makes the words appear coherent and unique. For example:

Generally speaking, the inherent strokes of each character are heavier, and the connection between the two paintings is lighter, but they can't jump completely, otherwise they will appear dull and dull. Binding effect is one of the main features of running script, but it should be used properly. Blindly implicated and entangled, when intermittent, but self-defeating, forming weakness, is the taboo of running script writing. A calligrapher once said that "the effect of connection and disconnection is different, and it is easier to connect than to disconnect, so you should know when to disconnect". Therefore, it is another important feature of running script to separate the ribbon tied with thread from the echo of stippling to distinguish their different functions.

Abbreviations and ellipsis: As mentioned earlier, Lian can write two or more strokes together, which has actually simplified and accelerated the writing speed, but its original strokes have not decreased, only the strokes are related and do not exist alone. In the running script, it is even simpler, that is, the original stippling is simply merged to form a unique writing method in the running script. such as

Among them, the four vertical points in the middle and the four vertical points below the word "Wu" are replaced by a set of connected vertical strokes, which not only keeps the appearance of the original word but also simplifies it. The rest of the words are written in this way. Sometimes, for the convenience of calligraphy, when writing calligraphy, you can even change the original stroke order, such as:

The change of collection and interpretation: compared with regular and rigorous fonts such as regular script, official script and seal script, running script has the same characteristics as cursive script. That is, it can adjust its font and stroke shape at any time according to the needs of composition and the characteristics of a word. For example, the words in Wang Xizhi's Preface to Lanting Collection, such as:

You can restrain, indulge, bend, stretch and contract at will, so you can do it for a long time. For example, you can also flatten it. This is the characteristic that running scripts can be collected and released.

Avoid the circle by leaving the square: There are many circles in regular script, but there are many squares in the folded part. Even the writing with Zhao Meng's circle as the main part reveals the meaning of the square from time to time, which is undoubtedly necessary and increases the strength of the characters. Running script moves with the trend and changes endlessly. Fiona Fang is flexible and vivid. For example:

Therefore, notice the changes in Fiona Fang, and make it blend naturally, so that the effect of writing has both the rigidity of Fang Bi and the fluency and agility of a round pen. If you fold the square blindly, it will look stiff, while if you simply turn the circle, it will look vulgar, slippery and weak. In short, we should observe more in our study and think more in our creation.

Heavy pressure and light lifting: Some strokes in regular script, such as stopping writing and reversing writing, are no longer used or rarely used in running script, and more are carried out according to the trend. Where it is light and thin, you need to close the pen and lift it gently, a little faster. The heavy part needs to be pressed again, and the speed is a little slower. Of course, the alternation of stroke thickness should have a reasonable ups and downs process and be natural. Lifting and pressing can be seen almost everywhere in the running script, and the changes of lifting and pressing within one word, such as the preface to the collection of words and holy teachings, should also be different within a painting, such as:

As for the layout of an article according to the needs of composition, it is also common in running script works. Calligraphers of all ages have their own experiences. If we carefully taste the works of later generations, we can appreciate the wonderful use of lifting pressure in running script writing.

Good wrist: "The beauty of calligraphy lies in ... >>"

Question 2: How to write running script quickly and well? Second, start with running script.

How to separate writing from calligraphy? Starting with a simple running script font, it can be made possible and become a reality.

Writing is for reading, not just appreciation. For convenience, you need fluency. For the convenience of others, you need to be clear. Regular script and even official script are not clear and fluent, and obviously cannot be used as a common font; The cursive script is fluent and difficult to identify, which is convenient for oneself and hinders others; Seal script is not easy to write and read. If it is used for communication, it will harm others and yourself. There have been five fonts, only running script, which is clear and smooth, practical and practical. Mr. Lv Shuxiang said, "What we write always smells like running script." .

Since ancient times, we have said that we should practice regular script, and we should stand firm before we go. Today, even in calligraphy classes, this is no longer the only way. Calligraphers mostly regard practicing regular script as a means and a process, but it turns out that a well-written running script is not necessarily good. Such as regular script yue, in particular, attaches great importance to starting, receiving and folding pens. If you use this action to write running script strokes, there will be many decorative strokes. We call the "nail head" that appears at the beginning of regular script writing "unnecessary little moves". If you get into the habit of writing, it will definitely affect the speed and fluency of writing; Therefore, if freedom and lyricism are considered, regular script cannot be used as an ideal font for basic training. It should be said that it is good to learn regular script first, but it also has bad consequences for learning to write ink.

As a practical writing, we think it is enough to practice a running script well. What does it matter if you don't have your own style (but writing personality undoubtedly exists and is inevitable)? After practice, you can omit some side pens and write with lines, or you can add some Lian Bi and write with lines, which is enough for various daily uses. Even for simple calligraphy creation, it is thankless to write letters, official seals and seals with a pen. A pen is a pen. Write smooth and beautiful handwriting with a pen. It's certainly better to write something artistic.

Running script is a practical font with a certain degree of freedom, but it is convenient to apply what you have learned. Starting with regular script, it will lead to writing regular script when practicing calligraphy and running script when writing daily. Learning is useless, learning is useless, and learning is out of touch with use. For most people, except those interested in writing, it means spending more time and suffering more. Only by practicing running script well can we apply what we have learned, which is an important foundation for 3S crash.

1. Which font should I start practicing?

The traditional way to learn calligraphy is to start from Tang Kai, and practice Nanbei Han Liqin seal script on the basis of writing regular script in reverse time. Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has not changed much, from cursive script to regular script. These two concepts have their own reasons. However, I think the hard pen calligraphy we learn is essentially different from the brush calligraphy mentioned above. We can't follow its practice method, and we can't be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write China's calligraphy well, you can still write well. There is no need to take a detour.

What font should I practice in hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard pen calligraphy, we should start with fonts that never require fast strokes and heavy changes. It is best to print in bold. The beauty of this font mainly lies in its structure. We can master the structure of fonts by trying to figure out and analyzing bold. On this basis, you can choose your favorite font according to your personality and hobbies and practice hard.

2. What should I practice when practicing calligraphy?

First of all, practice your eyesight, that is, read the post carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days. The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height. If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior."

Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook. Do it with confidence and words in your heart.

Third, we should practice our hands. Practice your eyes ... >>

Question 3: How to write a good running script? Before writing running script, write regular script, because no matter what font you write, you can't do without the most basic strokes of Chinese characters and a good font rack. Calm is also the key to writing well, but it is difficult for many people to do it, because writing can't be practiced in a day or two. Many people may have patience for other things for more than ten days, but patience will take a day or two when practicing calligraphy, and they will soon give up, so they must have the determination to fight a protracted war before practicing calligraphy.

Question 4: How can I write a good running script? I have been practicing calligraphy since the first grade.

I still think we should start with block letters ~ and then start writing running script ~

This is faster >/<;

It is not unreasonable to say upstairs that you don't have to learn block letters. . .

Running script mainly depends on personal style.

But regular script is the basis of calligraphy.

If you don't have any regular script skills.

If you want to write a good running script, it is also a castle in the air ~ ~ ~

I wish Loulou can find a way to practice a good running script ~ ~

Question 5: How to write a running script (flower)? 1) Several ways to write Hua Zi's running script

Hua Zi Debiao's Pen Running Script Writing Method

Simplified writing method of cursive square hard pen calligraphy

Hanako's classic and complicated writing method

A brand-new shorthand method for Hanako's hard-pen calligraphy

Simplified writing method of Ye Genyou's cursive brush running script

2) The characteristics of running script:

Running script is a writing style between regular script and cursive script. Write more freely and smoothly, and those close to cursive script are called cursive script; The writing is relatively correct and stable, close to the standard of regular script.

In the process of writing, the brush strokes are obviously manifested in various forms of stippling. This brush stroke often leaves a delicate trace between stippling and characters, which is silk thread.

Question 6: How can I write a good running script? Architecture 1 is simply misleading. Find out what a running script is and what a standard word is before you answer this question.

1, to learn running script well, learn regular script first;

2. Learn regular script and choose the one that suits you. Europe, Yan, Wang and Liu are optional, others are not recommended;

3, the running script can be selected as king, Europe;

4, running script is not fast, be careful, out of shape

Question 7: How to practice running script (calligraphy) How to practice running script?

To practice running script, you must first practice regular script, and then you can start to learn running script.

The basic skills of running script are: words should be scattered but not scattered, writing speed should be appropriate, and reality should be appropriate.

How to practice calligraphy well

1, copy combination

Copying is the most basic way to learn calligraphy, not only for beginners, but also after a certain foundation. Learning regular script requires copying, while learning seal script, official script, running script and cursive script still requires copying. Calligraphers spend their whole lives copying, learning, thinking and creating in copying.

Copying is to cover the copybook with thin paper, and then follow the shadow with a pen and write according to the exposed handwriting, which is also called "imitation" or delay writing. Another method of copying is called "tracing red", which is to fill in the words printed with red lines with double hooks.

The method of copying posts: the first step is to draw red. That is, select clear and complete words from posts and cover them with transparent and ink-tight tissue paper, such as typing paper, glossy paper and tracing paper. , and according to the outline of the word with a very thin line hook into a hollow word, known as the "double hook". Then use the marked words as red books, fill them in red ink, then fill them in blue ink, and finally fill them in ink. This writing can not only deepen memory, but also save paper.

When copying a post, you should pay attention to the pen that follows it, and never go out of shape. You should look at the ins and outs of strokes and try to figure out its brushwork and structure. Copying posts means "writing", and the strokes are full and accurate. Don't fill in the gourd painting.

Sticking a post is to have a basic understanding of the rules of using a pen and writing on the basis of copying a post, and then you can write a post. There are three ways to post: face to face, face to face and back.

Face to face, that is, put the copybook on the opposite shelf and write according to it. This is the most convenient and commonly used face-to-face method.

A glimpse, that is, make a grid with transparent paper (Tian Zige, Mi Zige, Jiugongge, etc. ) and write in style. Mainly used to master the structure of the post.

Back-to-back is to put away the post and write the words in the post by memory, seeking both its shape and its spirit. After the recitation, you can define the words as couplets or articles, and then enter the creative stage.

Copy a pen with a shadow, and we will write like the ancients did. Size, length, width, thickness, Fiona Fang and skew should be written according to the post requirements, and there are certain norms and constraints. The characteristic of copywriting is that it is easy to learn the structural position of the ancients, but because the norms are too dead, they lose the brushwork of the ancients, and the pen is rigid and inflexible, which makes people feel unbearable. Pro-posts or pro-posts, or pro-posts, or pro-posts, or pro-posts, plus many writers' own personality characteristics, it is easy to get the brushwork of the ancients and lose the structural position. Writing freely and casually, pursuing individuality, but gaining little.

Therefore, in copying, it is necessary to copy and combine, copy first and then present, which not only obtains the ancient brushwork, but also obtains the ancient construction method. When practicing, you can copy first, then copy in turn and then copy later. Or use the "double hook" method to study the structural law. Imitation and interpenetration, learn from each other's strong points, have excellent results. Read more, think more, ponder more, and then write. Writing must be accurate, similar first, and then similar, in order to have both form and spirit. After copying, we should repeatedly check and compare, sum up experience and lessons, improve in negation and mature in lessons.

2. First in and last out

Copying is the most basic and effective way to learn calligraphy. Copying is inheritance, that is, learning from the ancients, learning the beautiful brushwork, beautiful words, beautiful composition, beautiful charm and momentum in the excellent inscriptions of predecessors. However, there is another key problem with replication. If you don't enter the post, you can't write it, or if it doesn't look like it, you can't talk to the ancients and learn the beauty of ancient calligraphy. But if you don't post it, you can't get out if you go in. Too much like the ancients, you have become a book slave of the ancients, and you have no personality at all. Writing like this will eventually become your own book style.

Regarding posting, Yao, a man of the dynasty, put it well: "I can't be posted without me, and it is vulgar to have me"; When posting, "you can't live without me, it will be very complicated without me." "There is no me here", that is, to study the ancient law posts wholeheartedly and grasp the spiritual outlook of the posts, "every word must follow the ancient posts". If you don't enter the post, there will be no books. "You can't live without me" is to absorb the advantages of other inscriptions on the basis of images, integrate them, combine your artistic accomplishment and creative ability, gradually form your own style, personality and creativity, and gradually move towards a new realm of free creation.

3, I began to understand after reading the post.

Reading is very important, not only to be close, but also to learn books and be good at understanding, that is, to understand some excellent ancient calligraphy posts from reading posts does not have to be close. As long as you read them carefully, appreciate them repeatedly and appreciate their statutes and charm, they will naturally blend into your own book ... >>

Question 8: How to write a good running script? Running script technology

Running script has the characteristics of both regular script and cursive script, but it is by no means good to write regular script.

As an independent style, running script has its own characteristics in its development.

To learn running script well, we must go through special copying training and master its brushwork and writing rules.

We introduce the technical characteristics of running scripts from two aspects:

In terms of brushwork:

Take advantage of the trend to write: running script is no longer like regular script, which requires going backwards and forwards, hiding the head and protecting the tail. but

When you put pen to paper, you go with the wind, and when you put pen to paper, the center swims. When you receive a pen, you usually take it out with the wind, or participate in writing or hook it up.

Choose the front. Never go back to the front. So many strokes have been changed. The following pages.

Most of these strokes are exposed. The brush gesture is obviously smooth. It also makes more songs in the running script.

Pens and strokes should not be too straight, so as to increase the sense of stippling and make it not stagnant. These paintings

Change will naturally speed up writing.

Pointing echo: It is formed because the running script is no longer a pen tip, but mostly a pen tip.

There is an introduction to the tick and pick of stippling, that is, after the last stroke is finished, take it down conveniently and take over the next stroke naturally, so that stippling can be done.

Although seemingly connected, the pen is disconnected from the meaning, resulting in an obvious relationship of looking around and echoing.

Obviously, these condescension and echoes make the font more vivid and interesting.

Tie the thread and lead the tape: the cross-drawing between stippling and painting makes it look around and produce an echo, sometimes this echo is written through the pen tip.

Travel silk, connected to form two or more strokes, is written continuously in one go, making the words appear coherent.

Very handsome. For example:

Generally speaking, the inherent strokes of each character are heavier, and the connection between the two paintings is lighter, but it is not.

You can jump completely, otherwise it will be dull and boring. The effect of binding strings is one of the main features of running scripts, but

But used properly. Blindly involved in winding, when intermittent, but self-defeating, forming a weak float.

This disease is a taboo in running script writing. A calligrapher once said, "Connection and disconnection have different effects. It is easy to connect but difficult to disconnect.

So, you know, break. "Therefore, in order to distinguish their different functions, we should separate the tie from the stippling echo.

This is another important feature of running script.

Abbreviation and ellipsis: As mentioned earlier, Lian can write two or more strokes together, which has actually played a role.

In order to simplify, the writing speed is accelerated, but the original strokes are not reduced, only between strokes.

They are related, but they don't exist in isolation. In the running script, there is a simpler situation, that is, simple combination.

The original stippling has formed a unique writing style in the running script. such as

Among them, the middle four vertical points and the lower four vertical points of the word "Wu" are replaced by a set of connected vertical strokes, which not only keeps

The face of the original word has been simplified. The rest of the words are written in this way.

Law. Sometimes for the convenience of calligraphy, you can even change the original stroke order when writing calligraphy.

For example:

The change of collection and interpretation: compared with regular and rigorous fonts such as regular script, official script and seal script, there is a kind of running script that is the same as cursive script.

The characteristics of. That is, it can adjust its font and stroke shape at any time according to the needs of composition and the characteristics of a word.

State. For example, the words in Wang Xizhi's Preface to Lanting Collection, such as:

Can restrain, can indulge, can expand and contract at will, and can do it for longer.

Make it flat, for example, this is the feature that the running script can be collected and released.

Away from the square to avoid the circle: regular script is more round and less square, and the folding part is more square, that is, the book transformed from Zhao Mengyuan to the prototype.

It is undoubtedly necessary to express one's intention when writing, which also adds some strength to the writing. The running script follows the trend.

Turning point, endless changes, Fiona Fang, flexible and vivid. For example:

Therefore, notice the changes in Fiona Fang, make it blend naturally, and make the effect of writing have the power of Fang Bi.

Strength, and the fluency and agility of the round pen. If you fold the square blindly, it will become dull and stiff. If you simply turn it around, it will

Slippery and weak. In short, we should observe more in our study and think more in our creation.

Press it again and mention it gently: some strokes of regular script, such as returning to the front of the pen and reversing the pen, have been used in running script.

Now it is not used or rarely used, but more used is the use of homeopathic lifting and pressing. Where the sun is shining, there is a need for sunshine.

Pick up the pen gently, so it's faster. And the heavy place needs to press the pen again, and the speed is a little slower. Of course, a stroke

The alternation of light and heavy thickness should have a reasonable ups and downs process, and it should not be ups and downs, so it should be self-contained

However. Almost everywhere in the running script, you can see the change of lifting and pressing within one word, such as the preface to the selected works of Saint Education.

Chinese: There should also be light and heavy points in a painting, such as:

As for the light and heavy layout in the article according to the needs of composition, it also appears repeatedly in running script works.

Very rare. Calligraphers of all ages have their own experiences about this, and we can understand it by carefully tasting the works of later generations.

Wonderful use in running script writing.

Lucky ... >>

Question 9: How to write a good introduction to running script instead of learning regular script? It's like learning to ride a motorcycle instead of a bike. Classmate, don't go my old way. Do whatever you want after passing the standard. In fact, there are only three stresses in learning books. 1 is to find a suitable position, that is, a position that you like and have the ability to learn well. 2 is to find the right teacher. Without the guidance of teachers, it is only one person's success after all. 3 is perseverance, especially calligraphy, which is a never-ending art. Personal point of view

Question 10: How to write a running script for each word?