Traditional Culture Encyclopedia - Traditional stories - The Rise and Development of China Decoration
The Rise and Development of China Decoration
China's traditional interior design has the dual qualities of solemnity and elegance. From the perspective of indoor space structure, wooden frame is the main form to show the maturity and stability of the owner. The combination of buildings in China follows the principles of balance and symmetry. The main building is located in the central axis, and the secondary building is divided into two compartments, forming an important courtyard. The principle of living in palaces and temples is the same. Its moderate architectural space reflects China's social ethics. Another feature of China architecture is the wooden frame with doors in front. China used wood thousands of years ago and invented the bridge. Because wood symbolizes life, and China culture emphasizes the feeling of life, this feature has not changed so far. For example, although some lobbies are made of wood, their tall and dignified images are derived from the architectural concept of China, while Xu You Rongzhuang Plaza Store is completely rich in the local culture of Jiangnan architecture. In line with modern people's pursuit of returning to simplicity, it is worth mentioning that China people's inner religious complex is perfectly combined, and the artistic conception of Confucianism or Zen is outlined in some details: the stone carvings carefully placed in the living room may even have the shadows of Confucianism, Taoism and Buddhism at the same time.
After thousands of years of ups and downs, a nation's traditional culture still remains in people's spirit and cannot be ignored. As a kind of culture, art design is closely related to national culture, and the two blend and reflect each other. Then, how does environmental art design reflect this national culture? Of course, all kinds of elements in the design can be used to express Chinese style. This paper focuses on the application of symbolic elements in design. Too many Chinese countries are contained in the same room, but everyone has their own ideas about home. Or home can be called home. The inheritance of classical Chinese is not simply copying and writing. When choosing classical elements to build a home, you must always integrate into your own experience. Classical elements are in the living space of modern people. It presents a variety of styles, allowing people to enjoy the classical elements of China in a new space. At the same time, it also inspires people that the creation of home is not a simple material accumulation, but an inductive expression of people's desire for inner needs. The host filled the room with China elements. Maybe it's to collect traces of time. Perhaps it is to express the belief in each other's culture. The color of logs, meticulous workmanship and the flavor added by antiques over time have never constituted the sincere charm of China. Every piece of China furniture is like a classic old song. Every flowing note has a deep charm. Only by savoring it carefully can we realize some philosophies. Its unique drum power will also attract a lot of attention, and the color matching of materials, lines and colors is in place. Roots are easy to get the opposite effect. In order to better meet the requirements of living, only by choosing appropriate Chinese furniture with Chinese elements can the room exude a quaint and fresh charm. Through the historical extension of traditional art, we can see that art itself is an open system, which is constantly updated and expanded under the impact of new technological consciousness. Its connotation spirit is the result of long-term accumulation of national history, unique to the Chinese nation and the soul of national form. With the development of the times, the international design community began to pay more and more attention to the use of China elements and symbols. Nowadays, China elements are widely used in China's interior design works, which shows its position in design and is extremely extensive. Because the modern western steel and wood production technology is very developed and the degree of industrialization is also very high, it attaches great importance to practicality and functionalization. This is a conflict and collision with the traditional form, but it is an irreconcilable contradiction. It is a combination of Chinese and western to implement "takenism" and introduce new manufacturing technology.
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