Model essay on undergraduate thesis of modern literature research

The development and deepening of modern literature research in China is closely related to the arrangement and excavation of modern literature. The following is a model essay of undergraduate thesis on modern literature research compiled by me for your reference.

The position and method of close reading of modern literature education texts.

Close reading of texts is conducive to cultivating students' interest in reading, enhancing students' aesthetic taste and academic ability, and is an important means to overcome the disadvantages of paying one-sided attention to the history of literature in modern literature education. Modern literature education in colleges and universities should adhere to people-oriented, pay attention to students' intuitive reading experience, cultivate students' problem consciousness and form problem-oriented reading habits; Adhere to the combination of aesthetic criticism and social criticism to enhance the theoretical depth of students' intuitive reading experience; Innovate the classroom form from the outside, establish the subject position of students' subject teaching, and cultivate students' habit of reading consciously in the colorful subject form.

Close reading of keyword text; Colleges and universities; Modern literature education; State and method

Since the spring of 1929, when Zhu Ziqing started "China New Literature Research" in Tsinghua, modern literature education has gone through nearly 90 spring and autumn periods, and gradually formed a set of academic and teaching system with the history of literature as the core. The education of literary history plays an important role in constructing students' theoretical system and cultivating students' historical consciousness. However, it also brings a series of problems, mainly reflected in students' contempt for intensive reading of texts, which makes students' ability to interpret texts decline and their aesthetic interest in literature weaken, thus affecting the academic research atmosphere: "Why&; Lsquo explains rsquo and macro-control of & lsquo. Enthusiasm "and" like to engage in grand projects "are harmful. Therefore, we must reflect on the disadvantages of the centralized teaching system of literary history and attach importance to the basic position of text intensive reading in modern literary education.

First, the position of text intensive reading in China's modern literature education.

Mr. Chen Sihe once had such a vivid metaphor about the relationship between texts and literary history: they are "similar to the relationship between stars and the sky". The most basic element of literary history is literary works, which is the aesthetics of literature. Hellip& amphellip forms a magnificent sky map under the canopy. "Just imagine, if there are no stars in the sky, only a few symbols say that this is the moon and this is the sun, then it is estimated that we will not be interested in watching the starry sky. Therefore, the text is the core of the history of literature and plays a fundamental role in the modern literature teaching system with the history of literature as the core. Its value is mainly reflected in the following aspects: First, intensive reading is one of the most important means to stimulate students' interest in reading. Interestingly, if our class starts with an overview of the literary history of a certain period, talks about the basic characteristics of a writer and gives several examples of the same old tune, then students will even despise modern literature after listening to the gobbledygook, thinking that modern literature is just a boring term such as anti-feudalism and pursuit of freedom and equality. For example, Diary of a Madman, according to the traditional teaching method, first analyzes Lu Xun's life and reveals that his thought is about "the ethics of eating people", which is artistic, simple and boring, with theory first. However, if we take students to read Diary of a Madman, let them experience it and ask questions. For example, "Tonight, the moonlight is really good" and "I haven't seen it for more than 30 years; Seeing you today is particularly refreshing. " Students may ask: why do you feel refreshed when you see the moonlight, and feel dizzy before? Arouse thinking. Then "I'm scared!" Why? There is both fear of eating people in the past 30 years and fear of the future. I woke up from my dream and didn't know where the road was. This is just a psychological portrait of a newly awakened person. Then guide students to read the image evolution of cannibalism, dialectical the relationship between cannibalism and feudal thought, and turn abstract cannibalism into a rich aesthetic existence, thus stimulating reading interest and mobilizing students' enthusiasm for extracurricular reading. Secondly, intensive reading is the basis of improving students' aesthetic ability and academic accomplishment. Nowadays, university education has become a basic education. Shaping students' sound personality, elegant taste and rational spirit is the basic function of universities, especially comprehensive universities. As the saying goes, "there are poems in the belly", so how to improve students' personality cultivation, aesthetic taste and rational spirit? Reading is an important means. Mr. Chen Sihe once said: "At the undergraduate stage, even at the graduate stage, it is much more beneficial to guide students to read literary classics carefully, improve their artistic aesthetic ability and improve their basic understanding of literary history than to advocate or recite some knowledge of literary history with teleology." Modern literature has both the general characteristics of literature and its particularity, that is, modernity, not only the modernity of language, but also the modernity of "human study", such as reading Zong Baihua's "Yun Shi&; Bull; Good night Integrate the instant feelings of self into the universe. It seems that things are in harmony with me, but it is not a classical artistic conception, but the feelings of modern people. Man is not a vassal of nature, but a rational existence. The instantaneous change of mood changes in the image relationship between "star" and "universe", and the rhythm is emotional and ups and downs. If we take our students to recite the body odor, analyze it word by word and experience it slowly, wouldn't it be great for us to treat ourselves and society rationally? It can also help them distinguish the aesthetics of poetry, improve their interest in appreciation, and perhaps purify the online language.

Second, the method of text close reading

First of all, people-oriented, pay attention to intuitive experience, constantly ask questions, pursue questions for thinking, and form a problem-oriented reading habit. Literature is human studies. Literary reading is a process in which readers and authors meet spiritually. Therefore, when reading literary works, we should face the works directly and pay attention to intuitive expression. Especially modern literature, describing the situation of modern people, is more likely to have a spiritual collision with readers. After the collision, we will ask all kinds of questions. With questions, we will have a starting point for reading, we will gradually find the incision of the work, and then we will examine the work step by step and reflect on ourselves. For example, when reading Lu Xun's Passers-by, our modern readers first think that this person is "on the road" and insists on "on the road", so why should he always be on the road? We've been on the road, too. Will we live for flowers? Or don't leave when you see the grave? Have we thought about who we are? After thinking about these intuitive experiences, let's untie the metaphor he refused step by step and further think about the life state and philosophy of passers-by. Flowers are hope, giving up, graves are despair and exile. Even I don't think about anyone, but live for the absolute command of "I must go", which is precisely the most powerful willpower. In the process of questioning and doubting again and again, he approached Lu Xun's "resistance to despair" step by step. Secondly, he insisted on the combination of literature and history and the combination of aesthetic criticism and social criticism. In the close reading of the text, we should adhere to the combination of theory and history, literature and history, aesthetic criticism and social criticism, and remember to fall into the mode of "new criticism" formalism criticism. As for the specific methods, I agree with what Wang Zhuoci said, "Teachers can guide students from reading literary works to theoretical thinking through intensive reading, and then use the corresponding literary theories to analyze and comment on the works", "so as to have a deeper understanding of the literary works they are exposed to." Specifically, it is to experience intuitively first, then theorize students' reading by combining the history of literature, the author's life and related literary theories, and finally return to the text to deepen their impressions, sum up methods, accumulate experience and guide future reading. For example, in Xu Zhimo's poems, we first intuitively read the joy of snowflakes, the faint sadness in Farewell to Cambridge and the anger in the train. We combine Xu Zhimo's life and thoughts with the history of modern poetry in China to deepen our understanding. We will find that this is a portrayal of Xu Zhimo's love, life and thoughts, and it is also the evolution of Xu Zhimo's poetry from romanticism to modernism. Finally, break the central position of teachers in teaching and let students become the main body of reading works through guidance. The teacher demonstrates first, leads the students into the reading situation, guides the students to ask questions, thinks deeply step by step, and is responsible for explaining the difficulties. For example, when we explain a novel, we can make students understand it through reading, adapt it into a script and rehearse it. The process of adaptation is not only the process of deepening reading and re-creation, but also the process of students thinking deeply about ideological connotation and artistic techniques and applying them to practice. The process of rehearsal is not only a process of deepening students' reading comprehension, but also a process of cultivating students' personality and enhancing students' aesthetic taste. In addition, students can lead the classroom, design questions, discuss in groups and comment intensively, which can enhance students' reading interest and enhance their ability to analyze and solve problems. In short, the diversification of classroom forms is also one of the important means to cultivate students' ability to read the text carefully from the outside.

Third, the conclusion

Intensive text reading is an important way to stimulate students' reading interest, improve aesthetic taste and cultivate academic ability, which plays a fundamental role in modern literature teaching. In order to better carry out modern literature education and correct the modern literature teaching system centered on the history of literature, it is necessary to adhere to the people-oriented teaching concept, attach importance to students' intuitive role in close reading of texts, set up doubts directly, establish problem consciousness and form problem-oriented reading habits; We should adhere to the reading method of combining aesthetic criticism with social and historical criticism, and cultivate students' critical thinking ability and theoretical depth in close reading of texts; It is necessary to innovate classroom teaching forms, break the central position of teachers, guide students to become the main body of intensive text reading, and consciously cultivate the ability of intensive text reading in rich and diverse reading forms.

References:

[1] Xu Keyu. Close reading in current text research [J]. Literary Competition, 2009(03).

[2] Chen Sihe. The significance and methods of intensive text reading in contemporary times [J]. Hebei Academic Journal, 2004(02).

[3] Wang Zhuoci. The overlap between intensive reading of folk literature and selected reading of famous works [J]. Journal of Heihe, 2005(05).

The Modern Connotation of Modern Literature in China: Model essay II, Undergraduate Graduation Thesis of Modern Literature Studies.

Abstract: Under the overall pattern of modernity of modern literature, many writers have participated in the gradual improvement of the connotation of modernity of modern literature in their own unique ways. They expounded the modernity connotation of modern literature from different angles, hoping to improve the spiritual realm of the nation through the remolding of civilization, and then gradually enrich the modernity connotation of modern literature.

Keywords: modern literature; The connotation of modernity; National spirit; Human nature liberation

China's modern literature has certain advantages, which has a far-reaching influence on China's literary career and fully embodies the contradictions and conflicts in modern politics, economy and culture. The spiritual core of China's literary modernity is enlightenment, which is a re-examination of feudal system and traditional thought. It calls for the liberation of human nature, advocates the publicity of individuality, and also dominates the main development trend of modern literature in China. Mr. Zhou Shuren, a famous writer in China, devoted his life to the exploration of national thought and character. His article "Blessing" fully embodies the enlightenment trend of modern literature. This paper tells the whole story with "I" who hurried home from other places on Lunar New Year's Eve. As a "modern" outsider with a brand-new spiritual world and language system, facing a feudal and conservative Luzhen, my ideological education could not be integrated into it at all, and I even felt extremely sad and distressed at Luzhen's decadent thoughts, and "I" was accepted by Master Ruth who had long followed feudal ethics and thoughts. From Master Lu Si, we can see an image of an old man who is immersed in traditional culture and hostile to new things.

From the diligent and pedantic Xianglinsao, "I" saw a female image persecuted by traditional ethics and feudal patriarchal system. Sister Xianglin thinks that "I" is a well-informed person. So, she mysteriously asked me if there was a soul after death. I was surprised, surprised and puzzled. Why does a person who doesn't have enough food and clothes care about his own problems instead? What I see is sadness and disappointment, and all kinds of sighs when a kind and simple person is called "fallacy" after death. From the point of view of modern civilization, Master Lu Si and Mrs. Wei have good intentions, but their long-term immersion in feudal ethics is completely revealed.

Spiritual culture is the best way to treat diseases. Shen Congwen believes that western culture corrupts people's virtue, weakens people's spirit and personality, and makes the nation lack vitality and vigor. Traditional national virtues and qualities exist only in humanity unaffected by modern civilization, and only in "humanity" and "hope" enshrined. Husband is such a human song. It is a very common custom for young husbands to let their wives sell themselves to support their families in western Hunan, but it is intolerable by modern civilization. By telling the story of young people visiting their wives in the city, we can show their process of numbness, ignorance and awakening. Husband is not only entertained by pimps when he enters the city, but also has no opposition and embarrassment in the eyes of modern people after meeting his wife's client. They got along relatively calmly, and finally the husband took his wife back to the country. If it is rigidly attributed to class conflict, it is better to regard it as a transformation of human demands in customs and old habits. When his wife secretly suppressed his breath when dealing with others, he felt ashamed and regretted, and his heart was no longer calm because of the conservation of water. After a series of psychological struggles and struggles, he finally made up his mind to take his wife back to the countryside, which was the last awakening of human nature. They have no freedom and dignity on that ship, and he can't even be gentle with his wife for a moment. It was such a simple dream that he suddenly woke up. On the boat, he was not only insulted and violated physically, but also betrayed his personality and dignity and trampled on his basic rights, which was the main reason why the young couple finally got up the courage to resist fate and customs.

Whether it's soil and water conservation, Lao Qi, or any of their husbands, they live naturally without affectation. Although there are all kinds of stereotypes and old habits that violate humanitarianism in this society, human nature will guide them to get rid of the tricks and bad habits of fate and finally put people on the right track. For this reason, Shen Congwen believes that such a cultural way far away from modern civilization and in line with human nature is the best medicine to cure the Chinese nation, so that people will not be hurt by the unfortunate consequences of modern civilization. Lu Xun and Shen Congwen's own cultural influence greatly influenced their cultural orientation. It is precisely because of Lu Xun's childhood study experience in Japan that Lu Xun developed a sense of identity with the value system of western countries. He thinks that as long as it is western, it is civilized and rational, which is worth imitating by China. The feudal culture in ancient China brought decadence to people and needed to be abandoned. We can't deny that there are indeed bad factors in feudal thoughts and systems, but we can't completely deny that there are still many of them worth carrying forward and inheriting.

"China's modernity originated from the national salvation movement. China people's desire for social modernization is greater than people's exploration of existence itself in modern situations, and they lack questioning and criticism of modernity itself. " Therefore, Zhou Shuren's "Scream in the Iron House" is intended to awaken the sleeping people in China, hoping to realize human modernization, so as to save our country from being in a desperate situation. However, Shen Congwen did the opposite. He gave up the vision that most readers hoped at that time, but touched the undercurrent of history with a detached vision and rationally decomposed civilization with keen insight. Therefore, Shen Congwen reflected and questioned modern civilization in the form of building a "Greek temple" dedicated to "human nature", and his literary ideal of diagnosing "national problems" and correcting "reality" was diligently pursued. Because of this, we can also understand Shen Congwen's attitude towards human nature from his reflexive characteristics of modernity. Through the above analysis, it is easier to grasp the nature, characteristics and functions of modernity in the category of world history.

The concept of modernity grew up in western culture, which belongs to the west first and then to the world. In various cultures, western culture has developed the concept of here and now, and in the long cultural journey, this concept has developed into a universal belief. There is a topic between _ _ culture and the following humanitarian culture &; Mdash& ampmdash& ampmdash; Duality and Equiformal Logical Relationship. In Christ _ _, the concept of "when and where" is the basis of the explanation of the cognitive activities of the universe. The humanitarian world since the Renaissance is just the opposite of previous history. It interprets Christ as an adult's self-alienation, advocates that people should live in the present, and a brand-new concept is inspired. From then on, it got rid of the bondage of empiricism under the naturalistic attitude and became a very important transcendental concept. Examining traditional culture from the perspective of modern civilization, the author needs to build China's modern civilization with a correct and scientific concept of development and shape the national spirit from the perspective of human nature. Not all western cultures are good. Only by getting rid of its dross, taking its essence and building a modern socialist civilization with China characteristics is the fundamental way out for the development of China culture, and China culture can have a long history.

References:

Zhang Li, Li Ji. On the Modernity Characteristics of Several Main Characters in The West Chamber [J]. Northern Literature (the second half), 20 10, (02):4 1.

[2] Jia Jingjing. Tracing back to the source of Mao Dun's literary view of "for life" [J]. Journal of Huaibei Vocational and Technical College, 20 1 1, (04): 16- 18.

[3] Liu Yonggang. Literature Research of Cloud School [C]//Compilation of Award-winning Achievements of Philosophy and Social Sciences in Liaoning Province in 2007-2008 206438+00.

Modern Literature Research Undergraduate Graduation Thesis Model essay No.3 "Reflections on the Development of Modern Literature Media in China"

Over the years, the author has conducted in-depth research on China's modern literature, and also made theoretical exploration on related literary phenomena. Through the contemporary media level, the author analyzes the modern literature in China, not only taking newspapers and books as research carriers, but also exploring the literature itself. Therefore, this study can promote the development and perfection of modern literature inquiry mode and modern literature concept, build a new inquiry situation, and thus increase our understanding of modern literature. Based on the research mode of literary history, this paper summarizes the exploration ideas of modern "great literature", conducts practical research and makes a preliminary analysis.

Keywords: modern media; China modern literature; develop

introduce

With the development of society, in the process of studying China's contemporary literature, its exploration depth is also increasing. If people are tired of the "external exploration" of sociology, then some "internal exploration" such as structuralism and semantics in the west have also appeared, and literary exploration based on political economy, especially class struggle, has gradually been replaced by literary exploration. However, through the exploration of modern literature, we can see that methods are not omnipotent and unique. If the series of works produced by various exploration methods are brought into the overall framework of modern literature, then new problems will arise. It can also be said that when modern media and the theoretical scope of China's modern literature exploration are integrated, a new exploration mode is formed, which will comprehensively discuss the theoretical characteristics of China's literature in past dynasties, thus enhancing the understanding of theoretical issues.

First, the conventional relationship between modern media and modern literature

(A) the media is the carrier

As far as modern media is concerned, it belongs to the innovative development achievements of ancient media and media models, and can be used as a clear and perfect media model and media for the modernization of modern literature in China. In a sense, media is the carrier and modern media is the carrier of modern literature. No matter what kind of literary works need material carriers, such as ancient bamboo tubes, paper fans and walls, they are all displayed through specific material forms. The emergence of modern literature is the emergence of modern media. There is no modern literature without modern newspaper media, which has been unanimously recognized by academic circles. However, changes in the media will also bring changes in modern literature. For example, the efficiency and quality of periodical publishing in the period of horse-drawn printing press are obviously different from those of newspapers with equipment printing press. Can literary creation change with the improvement of printing efficiency and quality? But the two are not in direct proportion, and the aesthetic concept and artistic achievement of literary creation will not change significantly because of the media.

(2) The media is an intermediary.

Modern media belongs to the carrier of words, that is, newspapers and periodicals belong to the media tools of literary creation, and relevant works are developed by using characteristic media, that is, media is also called intermediary. Modern media can show the internal relationship between the author and the reader, and at the same time, it is inseparable from the guidance of literary creation and the overall tendency of composition creation. In fact, readers are not passively influenced or guided. If readers choose newspapers or books according to their own preferences, readers actually belong to this "* * * isomorphism" and change this "* * * isomorphism" according to their own ideas. However, due to the growing strength of writers and literary creation, the influence between writers and newspapers will weaken. Individual newspapers and periodicals invite prestigious scholars to write articles, not for the need of distribution, but mostly for embellishment. On the other hand, the editorial department needs to show noble character in the definition of topics and policies, and gain the recognition of people of insight by winning public praise. 29]

(C) the media is the context

Modern newspapers and periodicals are not only carriers, but also creative works, which belong to the display content of cultural forms. The development of newspapers and periodicals can provide a distinctive cultural atmosphere for the emergence of literature, clarify the discourse mode, and even integrate it into the content of works as literary materials. In fact, as far as modern media and modern literature are concerned, contextual interconnection includes two aspects. One is that modern media has the characteristics of fashion, which can guide the changes of public life and artistic concepts and bring certain influence on the aesthetics of the whole society. Liang Qichao's New Novel, Xinmin Congbao, Xinmin Concept and Shenbao define different ideas of running a newspaper, all of which show the enlightenment of newspapers for ordinary citizens. In this atmosphere, modern literature focuses on enlightenment and has a sense of dignity, which is actually related to modern newspapers paying more attention to society and politics. Secondly, the corresponding communication means of modern newspapers and periodicals can construct the corresponding stylistic model for the emergence of modern literary creation context. Most modern newspapers and periodicals are published in a stable and continuous way. Considering the continuous improvement of modern means of transportation, readers see for the first time this fast-spreading mode and the characteristics of fixed and continuous publishing, which can lay the foundation for the development of serial literature and one-time creation of writers. Compared with classical literature, which is mainly written by hand and rap, this mode of communication can show obvious advantages.

Second, the modern literature of China from the perspective of modern media.

To study the construction of modern cultural history in China from the perspective of cultural communication, we must study the relationship between "modernity" and China literature, and analyze the formation, development and laws of "modernity" in China literature. A special sign of the main principles of modern literature in China and classical literature in China is the difference between means of communication and media. In other words, the substantial change of the literary occurrence system is the key incentive for the change of literary modernity.

(A) Reread "modernity"

"Modernity" is a key definition in analyzing China's modern literature, but there are different views on this definition in academic circles. Generally speaking, the definition of "modernity" that is usually said in academic circles has evolved from western countries. In the west, "modernity" can be understood as "the present", which is often cited by sociologists and belongs to "the abbreviation of the development of contemporary society or civilization". However, for domestic academic circles, it focuses on clarifying the development of social modernization, and also reflects the modernization of national concepts, reflecting the characteristics of idealization and futurity. Over the years, individual researchers have gradually paid attention to the issue of modernity in the process of literary history changes, and have conducted in-depth exploration on the issue of modernity in this process, forming a more active phenomenon. Yang's summary of "the modernity of China literature in the 20th century" actually illustrates the characteristics of "modern literature in China", while it is both an empirical literary problem and a theoretical research model to explain China literature in the 20th century with "modern literature" or "modern literature". Yi compiled a book "Pre-industrial Civilization and China Literature". Through the formation principle of modern literature in China and the characteristics of social changes, he summarized the relevant arguments about the influence of China's industrialization process on China culture. Therefore, to analyze the modernization of modern literature in China, we should not only pay attention to the fundamental characteristics of modern literature, but also pay attention to the media and modes of communication of modern literature. In terms of time, we can find that it is more "modern" than China's classical literature or western literature. When we analyze the formation, development and changes of modern literature from various angles and levels, we should pay attention to the influence of modern media on China literature. Modern traditional media with newspapers and periodicals as the carrier, our modern literature is also a part of our classical literature, and it can also be a part of variation, that is, with the continuous reform and development of modern media, there has also been a "fault" in the development stage of our literature, and a new cultural concept and aesthetic consciousness are slowly forming.

(B) Media attributes and refined and popular issues

As for the traditional media of modern culture, another problem it causes is the theoretical problem that has puzzled China literature for hundreds of years, that is, "elegance" and "vulgarity" and the high-end and popularization of China literature in these hundreds of years. The new literature and "popular literature" have also formed a more complicated internal relationship, resulting in different literary concepts. "Popular literature" represents a neutral meaning, but for the critics of modern literature in China, it embodies a derogatory meaning, which is the critical direction of the May 4th literature, especially the literary seminar, and also a corner discarded by literary historians. Since 1980s, people have gradually turned their eyes to the "abandoned corner", and some exploration documents have also explained the defects in the development of modern literature. That is, literary works have "popular literature" content; (2) Some scholars believe that "literary matrix includes two types, namely &; Lsquo &; rsquo； With & lsquo； Vulgar & rsquo； . It can be seen that "popular literature" is a key part of modern literature in China, and its achievement is that of modern literature in China. However, how to study the elegance and vulgarity of China's modern literature is also a difficult problem.

(C) instrumental rationality and scientific rationality

Generally speaking, the rational consciousness of China's modern literature is an important symbol of China's literature modernization, and it is also the fundamental embodiment of China's modern literature's enlightening thinking characteristics and great ideological influence. When we analyze modern literature and study its cultural ideas, we must attach importance to the internal relationship between modern rationality and literature. However, for the scientific form that supports modern rationality, it is also closely related to modern media. From the cultural point of view, the print media represented by modern literature and industrial society, from material concept to language creation, to the substantive form of communication and consumption mode, all show the remarkable rational consciousness of modern literature. Compared with the rationality in the classical material and cultural atmosphere, the rationality formed under the support of modern media is a modern literary rationality based on technical rationality.

Third, the conclusion

In short, with the constant changes of modern media and modes of communication, people's horizons are gradually expanding, and people are released from a narrow range, which has the characteristics of direct interaction with the "world". However, it is worth noting that modern industrial civilization is also slowly affecting the cultural form formed by human beings, which belongs to the influence of crushing traditional culture, thus constantly affecting the social status of modern literature. At the same time, the desire and guidance brought by modern material civilization also constantly affects modern literature, but new modern concepts are also constantly forming, and people can gradually see the value of their existence here. Even if we measure our modern literature by the modernity of western countries, we can't really understand the concept of modernity of our modern literature. Therefore, the modern media constantly influence modern literature in essence, and at the same time provide space and opportunities for the reform of modern literature.

References:

[1] Wang Ping. The changes of modern literature from the perspective of media culture &: Mdash& ampmdash Comment on Jiang Xiaoli's Modern Mass Media in China and Modern Literature in China [J]. Contemporary Literature, 2008(0 1).

[2] Ping Xu. Modern Media and Modernity Generation of China Literature [J]. Qilu Academic Journal, 2008(06).

[3] Cui. The influence of modern media on literature in the new period [J]. Young Journalists, 2008(33).

[4] Guan Ning, Tan Xuefang. Modern Literature from the Perspective of Mass Media &; Mdash& ampmdash focuses on the transformation of modern popular novels and prose styles [J]. Journal of Sun Yat-sen University (Social Science Edition), 2008(03).

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