How does contemporary science and technology integrate classic art?

Last year, the Palace Museum exhibited "A Thousand Miles of Rivers and Mountains". In addition to the original, the 3D picture scroll made by Phoenix is used as the background of the main exhibition hall and is loved by a large number of visitors. This is the natural expression of China people's cultural needs at present. The high-tech interactive art exhibition "Riverside Scene at Qingming Festival" jointly created by the Forbidden City and Phoenix coincides with the "blowout period" of high-quality cultural demand.

The Riverside Scene at Qingming Festival is a treasure handed down from ancient times, and it is also the most famous historical painting of China in the world. Faced with this kind of painting cultural relic with high artistic and academic value, how to deal with the relationship between the original work and science and technology and art has put forward high requirements for special groups. As the general academic guidance, the research office of the Palace Museum participated in the research and development process of this project.

At present, in the domestic cultural market, the Qingming Riverside High-tech Interactive Art Exhibition is a brand-new form with no precedent to follow. It doesn't simply digitize the Riverside Scene at Qingming Festival, but on the basis of respecting the original work, it combines cultural relics, science and technology, and art, and integrates 360-degree holographic immersion interaction, classic stage art, and 4D dome images, so that the audience can experience the prosperous and colorful social life of the Song Dynasty in one go. The creators deeply studied the appreciation habits of China's traditional paintings, built a realistic stage scene and a 360-degree holographic three-dimensional space, and restored the picture of human life shown in The Riverside Scene at Qingming Festival.

The information department of the Palace Museum also uses the rich experience of digitalization and informatization of the collections of the Palace Museum in recent years to help special groups realize the combination of high technology and art. This innovative attempt not only retains the original aesthetic value of the works, but also narrows the distance between the audience and the cultural relics from the perspective of audience experience and cultural information acquisition, which is refreshing. Through observation, we can draw spiritual strength from the cultural crystallization of our ancestors, perform vividly, and plant love for Chinese civilization in the hearts of the younger generation.