Difference between I-shaped Khufu Boxing and Tiger Crane Boxing

Yifuhu Boxing is a traditional boxing of Guangdong Han nationality and belongs to the basic boxing of Hongquan. I-shaped before and after stepping, hence the name "I-shaped Khufu Boxing". According to legend, this boxing originated from Shaolin and was destroyed by fire in the early days. Shan Zhi, the Zen master, took refuge in Guangzhou Haijian Temple for fear that Shaolin stunts would be lost, so as to teach and spread skills in the temple. Lu Yacai was his first disciple and got the Secret Biography of Khufu Boxing, which was later passed on to Huang Tai, Tai Ji Chuan Qiying and Qiying Hong Fei. Huang Feihong carried it forward and passed it on to Liang Kuan, Lin Shirong, Lu Zhenggang and Chen Dianbiao. Yi Fuhu has a steady fist, a strong bridge player, tight practice and regular advance and retreat.

Tai Ji Chuan is the basic routine of Hongquan, which consists of Tai Ji Chuan and Tai Ji Chuan. Both routines can be practiced separately or together, which basically includes all kinds of footwork, footwork and technique of Hongquan. After practicing this routine, you will have the foundation of Hongquan, and it will be much easier to learn higher-level techniques.

Yi Fuhu has a steady fist, a strong bridge player, tight practice and regular advance and retreat. Constant practice is the basis of learning other boxing equipment. There is no standing on a horse to strengthen the waist and horse, and there is no strong bridge player. Therefore, anyone who enters the gate of Huang Feihong must learn this fist first, so as to stabilize the waist and horse, strengthen the bridegroom, and step forward.

Tiger and crane fists is a traditional boxing of Han nationality, belonging to one of the boxing types in central and southern China. Mainly spread in Guangdong, Guangxi and other places. According to legend, it was adapted from Lin Shirong's comprehensive Hongjia Boxing and Buddhist Boxing, so it was called "Hongtou Fowei". Because the routine not only takes the tiger's strength (such as the tiger's fierceness) and shape (such as Tiger Claw), but also takes the crane's image (such as the crane's pecking) and meaning (such as the crane's graceful and elegant), it is called tiger-crane fists.

Hand types include fist, palm, finger, claw and hook. Techniques include throwing, hanging, bumping and inserting. Steps include lunge, horse stance, kneeling step, imaginary step, independent step and unicorn step. Footwork pays attention to taking root. The figure is exquisite and dignified, with founder as the main body and rickets as the supplement. The whole set of movements not only draws lessons from the fierce offensive of Buddhist boxing, but also draws lessons from the strict defense of Hongjia boxing. The fist is powerful, fast and slow, high and low, and the rhythm is clear.

Tiger Crane Boxing was founded by Huang Feihong, who integrated the essence of various schools. In the routine, tiger's strength (such as tiger's fierceness), shape (such as Tiger Claw) and crane's image (such as graceful and elegant crane) are taken. Tiger-shaped practice, heavy movements, strong voice, there is a trend of dragon and tiger leaping; Crane-shaped training spirit, agility, agility, calm and carefree, so it is called tiger-crane double boxing.

Tiger and crane fists include fist, palm, finger, claw, hook, fall, hang, bump and stab. Footsteps include lunge, horse stance, imaginary step, independent step and unicorn step. Footwork pays attention to taking root, and the figure pays attention to being straight and dignified. The whole set of movements not only draws lessons from the fierce offensive of Buddhist boxing, but also draws lessons from the strict defense of Hongjia boxing. The fist is powerful, both rigid and flexible, and both long and short. It eliminates the shortcomings of Nanpai Boxing in the past, and is characterized by novel structure and brisk movements. This is the representative boxing of Huang Feihong.

In the tiger-crane fists, the tiger represents strength and fierceness, and the crane represents flexibility and agility. The combination of the two is actually the combination of rigidity and softness in Wushu.