Traditional Culture Encyclopedia - Traditional virtues - The Historical Development and Evolution of Sleeve Dance in Classical Dance

The Historical Development and Evolution of Sleeve Dance in Classical Dance

The historical development and evolution of sleeve dance in classical dance

Classical dance has five thousand years of long years of China, the accumulation of a profound traditional culture, in this piece of fertile soil that nurtures a long history and culture, gave birth to the sleeve dance of this oddball. The following is my search for you to organize the historical development and evolution of the sleeve dance in the classical dance, welcome to read, I hope you like it! Want to know more related information please continue to pay attention to our fresh graduates training network!

As a classical dance costume props? The sleeve is a sleeve that is used as a prop for classical dance costumes. The sleeve dance has a long history of being used as a costume prop for classical dances. has a long history. Sleeve dance is the embodiment of the spirit of Chinese dance culture and national aesthetics, through the history of the art of each era to choose, create, remove the dross, take the essence, give them a new flavor, a new character. Sleeve dance has become an independent dance body language, reflecting the spirit and style of Chinese classical dance.

I. Water Sleeve, Sleeve Dance

(a) Water Sleeve, Sleeve Dance concept

1. Water Sleeve concept Water Sleeve is a kind of dance props used by the actors to carry out dance performances in costume culture, which has the function of both costumes and props. The sleeve is driven by the dancer's body movement, like a prop with the characteristics of manipulability. Sleeve includes sleeve body and sleeve body two parts. Sleeve body refers to the part of the clothing worn on the body, sleeve body refers to the cuff of the clothes connected to the outward extension of the long sleeve part.

2. Concept of Sleeve Dance Sleeve Dance is a dance that uses the unique sleeve as a prop, and it is one of the typical dance styles that can represent the aesthetic characteristics of Chinese tradition. Sleeve dance integrates ornamental, technical and expressive qualities, and its long history and unique temperament reflect the unique cultural connotation and aesthetic interest of Chinese dance, thus it has a unique aesthetic character and artistic value.

(2) The origin of water sleeves and sleeve dance

? Sleeve? In the dance can be used in a simple ? Long Sleeve? Four words to illustrate. The Chinese nation's wide clothes and big sleeves is the source of the sleeve, after the precipitation of history, in the pursuit of beauty at the same time to lengthen and exaggerate, the unique characteristics of the ? Water Sleeve was formed. As we all know, the sleeve in Chinese classical dance is a refinement of the Chinese opera? Water Sleeve and made of it. So? Water Sleeve How did the name come about? In fact, the earliest name for a water sleeve is? Water jacket? The sleeves of the water jacket gradually became longer and wider with the development of the water jacket, which formed the water sleeve we see today. Because the sleeve dance form like water waves, so called? Water Sleeve. Sleeve dance in this piece of history and culture on the fertile ground, continue to absorb and inherit the essence of the part and then to innovate, to be able to develop and mature and perfect.

The historical development of the water sleeve and the evolution of contemporary performance forms

The tree has roots to grow and flourish, the sleeve dance also has the roots of growth and circulation, which is y rooted in the soil of folk art. During the thousands of years of history, the shape of the sleeve and the style of the dance have changed with the change of dynasties and the evolution of culture. It is either pious and ecstatic, charming and graceful, pure and exquisite, free and ethereal, flamboyant and dignified, or refined

(I) The development of water sleeves in the primitive period

In the ancient period of the origin of the art of dance, primitive religions and the art of dance are inextricably linked, and the art of dance is a means of religious ceremonies and The art of dance was a means of religious ceremony and activity. A typical example of ancient China is the witch dance, which is used in the ancient Chinese language, ? In the ancient Chinese language, the words "wu in ancient Chinese texts, the words "witch" and "dance" are used. In the ancient Chinese language, the words "witch" and "dance" are are related to each other, ? ? "? "? "? "? "? "? "? "? is an ancient Chinese character for ""(褎). Sleeve? character, from which we can see that ? Sleeve was originally a hand-carried dance instrument used in ceremonial dances for offering sacrifices. From? ? "? "? "? "? "? "? "? "? character, we can see that it was written in the form of ""("手") hand? Picking? The image of ""(""" in Chinese) The image of "plucking the ears of the grain with the hand" embodies the idea of "plucking the ears of the grain". The ripening of the grain and the plucking of its ears. The... Dynamic. Primitive? Sleeve Dance The ears of rice held in the religious activities are objects with a clear meaning pointing to the form of the dance was affected, props and costumes have become a major feature of the Chinese dance.

(2) The Development of Sleeve Dance during the Han Dynasty

Sleeve Dance reached its peak in the Han Dynasty. History records that Mrs. Qi? good for the dance of warping sleeves and folding the waist? In the Han Dynasty, the shape of the long sleeve is divided into two kinds of slender dance sleeve and flared shape of the wide long sleeve. From this, we can see that? Sleeve Dance The development of two directions, one is the vertical extension of the long sleeve, the end of the cuff to a long band; the other is a slightly shorter sleeve, is? Water Sleeve The evolution of the origin, and later became one of the indispensable forms of artistic performance of Chinese classical opera. There is also a hand holding a scarf and dance form, its dance name is called? Scarf Dance. The dance is performed from ? The dance is performed with long sleeves and long clothes from the wind. The long sleeves of the table Feiyi, the dance of the thin waist to the suppression? You are like a flying luan, your sleeves are like snow? These beautiful words and phrases, we can see the Han Dynasty sleeve dance moving place. It is inherited from the waist and long sleeves? Chu dance? After processing the creation, make it more pure and more exquisite. Sleeve dance in the Han Dynasty, there are exquisite skills, such as lengthening the towel sleeve dance in the swing between the natural increase in difficulty, the longer the towel, the requirement of the dancer's arm, the higher the skill; such as a large horizontal folding dynamics of the body's flexibility puts forward a high demand, which focuses on the waist and sleeve changes; for example, the pursuit of Zhao Feiyan? Palm dance? That way? The machine is fast and the body is light?

These are the most important things you can do for your business.

(3) The development of sleeve dance in the Sui and Tang dynasties

In the Sui and Tang dynasties, the feudal society rose to a period of prosperity, the art of music and dance, especially court music and dance also entered a prosperous stage. Sleeve dance became a tradition of Chinese music and dance culture, nourishing the development of dance. Sleeve dance had two directions of development in the Tang Dynasty. One direction was the development of long sleeves, ? The slender waist makes the bright moon, the long sleeve dances in the spring breeze? This shows the inheritance of the traditional long-sleeve dance in the Tang Dynasty. The other direction is the development of wide sleeves. Dancing with wide sleeves, like a bird coming from the east of the sea? This is an illustration of the development of the broad-sleeved dance in the Tang Dynasty. Wide Sleeve The form of the broad-sleeved dance is illustrated. From the broad sleeve, we see the splendor and atmosphere of the Tang Dynasty sleeve dance. Utilizing the dance towel, wind belt, long sleeves and the soft power of the waist, the dance is soft and graceful, with a strong lyricism. Sometimes the long sleeves are flicked down and fluttered, sometimes the sleeves are danced slowly, sometimes the sleeves are raised and turned, sometimes the long sleeves are fluttered and fluttered, sometimes the sleeves are turned over sharply, and all kinds of gestures and techniques of the sleeve dance are? The dance style of the Tang Dynasty music dances is characterized by a variety of postures and techniques.

(4) the development of water sleeves in the Ming and Qing Dynasties

From the trend of Song and Yuan civic culture can be seen in the development of dance important phenomenon, the art of opera stood out and created an independent status. Ming and Qing dynasties, opera dance has gradually developed and popularized. In this process, the sleeve dance is constantly adapted to the performance program and requirements of the opera, the sleeve dance is integrated into the singing, reading, doing, playing the art of opera, becoming a highly condensed means of expression, ? Water Sleeve has also become a unique skill. On the basis of the sleeve dance of the previous generation, the water sleeve of opera focuses on the development and enrichment of the sleeve technique, and develops the sleeve as a specialized technique and serves the performance of the characters and plots in the opera. The water-sleeve of opera not only changed in the traditional aesthetics of sleeve dance, but also complicated and enriched the performance techniques and means. It can also be said that because of the centralized development of water-sleeve techniques in opera, sleeve dance has a stronger ? linguistic?

(V) The evolution of contemporary water-sleeve performance form

In contemporary times, the pursuit and development of sleeve dance needs to transcend historical tradition and become a language mechanism, a language mechanism that can create classical Chinese cultural imagery, express Chinese feelings, and extend to modern aesthetic interests. This is of great practical significance for the development of Chinese traditional sleeve dance. Since the 1950s, ? Chinese Classical Dance? After the formal establishment of the Chinese classical dance, while the innovation of the Chinese classical dance, the sleeve dance technology also got a breakthrough, especially the generation of the classical dance body rhyme, the water sleeve developed into an independent prop body rhyme, with the help of the dance performance, so that we can realize the charm of today's sleeve dance. Prof. Sheng Peiqi injected new elements into sleeve dance, giving it a new breath and temperature. She also proposed the relationship between the sleeve, waist, center of gravity and steps. The relationship between the sleeve and the waist, center of gravity and steps should be carried through the bodywork. The relationship between the sleeve and the waist, the center of gravity, and the steps should be carried through in the requirements of the stance, so that the dancer's body and the sleeve become a complete and unified combination. The perfection and maturity of the sleeve dance is the embodiment of the contemporary extension of the spirit of the national culture of classical Chinese dance and the contemporary construction of the traditional dance style.

In short, the historical development of Chinese classical dance sleeve is to analyze and summarize the development of the sleeve on a macro level, the evolution of the historical development, the performance of the technical skills of the sleeve and the embodiment of the beauty. The rich and splendid sleeve dance has been precipitated by a long river of art, absorbing many beautiful dynamic and static dance postures, and displaying the infinite charms of strange and majestic, clear and soft in the round, reverberating and flowing charm, creating a splendid and glorious oriental art. Sleeve Dance is like a clear spring, fresh, elegant and graceful. It unites the artistic pursuit of China's unique line, rich dance vocabulary, and reflects the infinite meaning of change, evolution, and illusion.

;

  • Related articles

copyright 2024 Traditional Culture Encyclopedia All rights reserved