Why is the fashion stage play "Shang Yun" a fashion show that breaks through the tradition, and what is the whole performance process?

In 2002, Shang Yun, a fashion stage play sponsored by Pierre Cardin China Company, was grandly staged at the Shanghai Grand Theatre. This is a fashion show that breaks through the tradition. It combines fashion with music, dance, drama, martial arts, movies and other artistic categories, vividly reappearing the profound connotation of clothing culture.

The whole performance started with the prologue "The Faraway Years", and two genies on roller skates shuttled back and forth in the venue, leading the audience to trace back 5,000 years of Chinese history and civilization in the just visiting. The first stop for the audience to follow the elves is Manchu, luxurious and exquisite.

The models in Jinxiu Liyuan wear cheongsam and step on the music point of the movie The Last Emperor, showing the elegance of national costumes. Then you see a picture of the sun and the moon shining, symbolizing the Ming Dynasty. The exquisiteness and femininity of Ming costumes and the masculinity of Shaolin Wushu complement each other and have a strong visual impact.

Ma Benteng is on the grassland, and the melodious horn resounds through the vast desert. The boldness and boldness of Yuan Dynasty costumes remind people of the artistic conception of "the desert is lonely and the long river sets the yen" in Wang Wei's poems. The ethereal spirit of Su Shi's "water tune" is also the theme to be expressed in Song Dynasty costumes.

A song "Heaven and Earth" draws people's thoughts to the Guanghan Palace in the distance, which makes people lament the performance of the model in front of them. This kind of scene really should only exist in the sky. "Clouds are full of clothes and flowers, and the spring breeze blows the bar to reveal wealth." The poems of Li Bai, a famous poet in Tang Dynasty, are the soul of the whole costume performance.

The elegant costumes in the prosperous Tang Dynasty still have a strong shock to people. When all the bright lights were on and the models unfolded their Tang costumes like butterflies, everyone present was moved by the strong and relaxed spirit of the costumes.

Time and space suddenly turned to the future. Pierre Cardin provided 65,438+000 sets of classic costumes, which were transformed into flowing sculptures and shuttled between audiences under the interpretation of China supermodels such as Chen Juanhong, Jun Chen, Zhao Jun, Hu Dong, Guo Hua and Mujiang.

Mr. Pierre Cardin, from France, took to the stage to pay tribute to the audience in China. He said that clothing is not only a flowing sculpture, but also a flowing history and a flowing culture. China's costume culture has given him endless creative inspiration, and I hope this multimedia exhibition of traditional China costumes can also be loved by China audiences here.