Peking Opera "Farewell My Concubine" Afterthought Sample 5 Articles

Farewell My Concubine 1000 Words

Farewell My Concubine shows a real era in China, which tells a series of histories from the beginning of the Republic of China, spanning the period of the Republic of China, the resistance war, the liberation, and so on, including people's living conditions, the culture of Peking Opera, which is a very good recapitulation of those eras in China. In less than three hours, the audience can feel the frequent changes of power during this period. In the movie, Cheng Dieyi and Duan Xiaolou have also weathered the stormy times. Through the destiny of the characters, the movie is a small glimpse of the rise and fall of a country.

In the film, there is a Japanese invasion of China during that period of time, and Japan has invited the protagonists of the play to sing for them, so it can be seen that the Japanese people also like the art of Peking Opera in our country. But the play, Cheng Dieyi went to sing for the Japanese left a curse. Cheng Dieyi in Farewell My Concubine is a tragic figure because no one can understand him and his obsession with this art. He sang for the Japanese not to pander to them but to spread this art of Peking Opera through the foreigners and did not want to see this art declining, in this respect, he and Qiu Ru Bai in Mei Lanfang have similarities again. In their eyes, singing opera is not for money or fame, but because of their own hobbies and interests, which rise to obsession and dedication. Perhaps it was because of these people that Peking Opera culture and art were so prevalent in those turbulent times. He dedicated himself completely to the Peking Opera, in fact, dedicated to the Peking Opera "Farewell My Concubine" represents the eternal spirit of Chinese culture.

The movie puts our life into the big changes of the times, and into the love-hate relationship of an actor, thus knocking our thoughts on the society, on love, on life, on all the truths and falsehoods.

The spirit expressed in the image of Cheng Dieyi in the play is still relevant today, which is actually a kind of resilient spirit of selfless dedication, whether it is dedication to academia, dedication to the arts, or dedication to the people, which requires this great spiritual power.

Our socialist construction has always attached great importance to cultural construction, and since the reform and opening up, although economic construction is the center, but also always adhere to the material and spiritual civilization of the two hands, and has made world-renowned achievements. In parallel with its efforts at economic construction, China is carrying out a series of reforms of its political and legal systems to keep pace with economic development, a reform led by the upper echelons. Establishment and improvement of the new political and legal system, there must be behind the system to support the value of the concept, we are now the value of the concept is to seek the welfare of the people, in fact, is to meet the requirements of the people, the people's requirements, what is the human nature of the law of goodness of the “benevolence” is the law of the natural law, which in fact, with the traditional Confucianism in China as well as the Western culture are common. culture are connected. These values allow us to look for what is the most humane economy and what is the most humane system in real life and in history and culture.

1000 Words After Farewell My Concubine

As a party activist, I understand more about the importance of goals in life, and that we should be positive and optimistic about life, and be hopeful about life. I also understand that we have to treat our life correctly instead of living in the virtual world. We can like a thing, but must control so a degree, absolutely not to the point of crazy obsession, with a phrase in the movie “ not madness is not living ”, this is not right.

Although the party organization in the process of growth, made some mistakes, but life in the world, who can not fault. Our road is to touch the road step by step, I firmly believe that in the future on the road our party, I will be able to get better and better, the people's lives will become more and more affluent, the country more and more rich and powerful.

Farewell My Concubine

Cheng Dieyi, played by Leslie Cheung, is a playwright, the main role of the Peking Opera, "Farewell My Concubine" in the Yu Ji, Duan Xiaolou is the king of the West Chu Xiang Yu. Duan Xiaolou is Cheng Dieyi's senior brother, and the two have practiced and sung together since childhood, with a deep bond. When they were young, Dieyi was called Little Douzi, and Xiaolou was called Little Stone.

Farewell my concubine accomplished Cheng Dieyi and Duan Xiaolou, Duan Xiaolou and Cheng Dieyi also accomplished Farewell my concubine. And in the end, Yu Ji really became Yu Ji, and this Overlord eventually became Overlord.

Cheng Dieyi played Yu Ji, to the point of pure fire, true and false, for him, he is willing to life is Yu Ji, as long as he can accompany his senior brother. This play, can only sing with his senior brother, in addition to his senior brother, no matter with whom, are not the king's farewell concubine.

“ small nun square two eight, is the youth was shaved by the master, I would have been a man, and not a female Jiao'e … … ” This is a section of the kunqu "Sifan", which should have been “ small nun square two eight, is the youth was shaved by the master Go to the hair, I would have been a female Jiao'e, and not a male child Lang … … ” but no matter how many beatings, eat how much suffering, the little bean is wrong, is to change back, and later, the small stone holding a pipe in the mouth of the little bean after a burst of messy pounding, the tears of the little bean finally open mouth to sing their own is a female Jiao'e.

Perhaps, for Xiaodouzi, the change of this sentence means that the last bit of dignity and territory in his heart is completely lost. From then on, he played all the roles of Dan, from the princess in the drunken beating of the golden branch, to the lady in the Peony Pavilion, to the Yu Ji in the Farewell My Concubine, in the play, he is a woman. His plays have driven thousands of people crazy. The first time, he sang Yu Ji's opera, in the late Qing Dynasty eunuch Eunuch Zhang's mansion, that time, and for the first time, he was turned into a forbidden domain by the misogynistic Eunuch Zhang. Also on that occasion, he saw the good sword, the one that his senior brother couldn't stop praising.

That time, both of them became horns, and have been in the limelight ever since. One was Boss Cheng and the other was Boss Duan. Many years passed like this, from the 21st year of the Republic of China, to the July 7th Incident, and Eunuch Zhang's residence has now become a coffin store, but Cheng Dieyi still doesn't give up, and he keeps running there just to look for the sword that Shih's brother liked.

Cheng Dieyi's Yu Ji is again taken in by the political bigwig and theater buff Yuan Siyi (Ge You), who keeps pestering Dieyi, sending him all kinds of things, and inviting Dieyi to his house under all kinds of pretexts. Meanwhile, Dieyi's beloved senior brother is about to marry a prostitute, Juxian (Gong Li), and Dieyi is heartbroken. Without realizing it, Cheng Dieyi has already fallen y in love with his senior brother. To him, his senior brother is the king and he is Yu Ji, and he wants to live in the play for the rest of his life. He told his senior brother that he wanted to live from the beginning to the end.

He saw the sword in the mansion of Master Yuan Si, and once again, he gave his body just for a sword, and he still remembers that he promised his senior brother that he would give him this sword. He threw this sword on his senior brother, who was getting married to Miss Ju Xian……

And then heh, everything seems to have changed, the times have changed, the society has changed, everyone has changed, maybe only Cheng Dieyi did not change, perhaps, Cheng Dieyi has also changed.

Farewell My Concubine tells the story of the struggle between Chu and Han. Xiang Yu, the king of Chu, is an invincible hero of the world, and a brave general who swept away thousands of troops, but God did not fulfill him, and he was ambushed by the Han army on all sides in Gaixia, and Liu Bang was trapped, and Liu Bang let his men sing a night of Chu songs, and the people of Chu thought that Liu Bang had already occupied the land of Chu after listening to him, and panicked, and all of them ran out. The king of Chu also shed tears. The king was a great man, but at the end of his life, only a horse and a woman were left to follow him. The king let the piebald horse escape, the piebald horse does not go, let Yu Ji go, Yu Ji refused, Yu Ji for the last time for the king to pour wine, the last time for the king to dance sword, and then pull out the sword to kill himself……

At the end of the day, the butterfly clothes from the waist of the master brother pulled out of the year that the real sword, pulling the sword and killing himself. Cheng Dieyi used his life to prove that she is Yu Ji, he was born for Yu Ji and died for Yu Ji. He willingly, his life, is Yu Ji, his happiest days, probably in the side of the master ……

The film also has a small Laizi in the beginning, unbearable master's harsh teaching, all day long just think of escape. He tries many, many times, and fails every time, and comes back to be beaten half to death by his master, and later even says that he was beaten to skin by his master long ago.

The last time, he succeeded, he managed to escape with small beans, he ate the most wanted in his life to eat the ice candy gourd, he and small beans to see the real horns starring in the Farewell My Concubine. While everyone applauded and shouted loudly, Little Laizi was in tears. He said: “ How do they become a corner ah, how many beatings ah? “ Listen to the strange heartache.

It is also that look, small beans pulled small Laizi back. The master is holding a whip to whip his brothers and sisters, especially his eldest brother. He bravely walked toward the master. The master shouted “ I killed you ”, the whip down hard. Little Laizi ate all the ice candy gourds secretly hidden in his pocket, and then hanged himself. He saved the little bean. Many years later, when the small beans became a corner, became Cheng Dieyi, when he heard someone selling ice candy gourds, he turned back, he froze over there, can't say what he was thinking about, perhaps, thinking about that small Laizi, that the previous second is still alive in the twinkling of an eye to become a million ancient withered elder brother it!

Tablet also has a deeper impression is their master. This is really a good strict old man, at first, really hate him very much, people, how can be ruthless to this point, completely inhumane, beating people to death, he will not be heartbroken, there is no trace of intolerance? Check, memorize the wrong lines will be beaten half dead, memorize the right or will be beaten, but also said: “ beat you, is to let you remember the next time also so memorized. “

The first to change the point of view is in the small Laizi suicide moment, he rushed into the house, I just know, his heart, in the end, how much love for these children, and how much love for their own careers. It is said that a strict teacher produces high quality students, and the master was meticulous and his majesty was all in his whip. In his life, he did not know how many disciples he had brought out, and how many of them became famous, just like Duan Xiaolou and Cheng Dieyi. However, he remained true to himself, nurturing newcomers from one generation to the next, and finally, he died at his post. His hope was that Beijing opera would be a success in this generation.

This is a classic movie, the film is very old, the story is also very old, like an old man in the story of history, full of vicissitudes, dusty, but still alive.

Nowadays, the movie technology is many times better, but can no longer shoot that kind of movie, can not find that kind of feeling. It's a shame.

Farewell My Concubine

This movie based on Peking Opera gives me a feeling that it's lively but despondent, colorful but bleak. History and the present, truth and falsehood, good and evil, love and hate, entangled and entwined, the human world is in strife. He is the early director of Chen Kaige's movie, can be said to be a classic, which incorporates a variety of elements such as life, art, politics, history, emotion, and so on, and still seems to be mixed but not chaotic. Adapted from the novel of the same name by Hong Kong writer Li Bihua, the film, which was made in collaboration with human, material and financial resources from China, Hong Kong and Taiwan, won Chen Kaige the Best Film Award at the 1993 Cannes Film Festival in France, the first time that a Chinese film has won the highest film festival award recognized by the world.

After watching the movie, there are two scenes that are most difficult for me to let go of. One of them is the night of Duan Xiaolou's wedding, Cheng Dieyi put down the sword and ran away, Duan Xiaolou chased to the door when someone outside shouted: “ the Japanese into the city … … ” followed by a vast swagger of high and mighty Japanese soldiers broke into the city, the kind of outsiders who broke into their own homes but The feeling of powerlessness, what kind of humiliation and pain ah. This movie makes us see the selfish side of human nature: Little Dragon set in order to his dream of becoming a corner and constantly hurt the Cheng Dieyi who had given him a chance to be reborn, Duan Xiaolou in order to survive and give up Dieyi, forced to kill Ju Xian; plus that the master, the master, Yuan Si and other characters of the ugly face, not to mention the exposition of a theme: people are always for their own sake, as long as the outside world things endangered their own fundamental interests, anything can be discarded. The first is that the first time I saw the movie, I was able to get a good look at the movie, and I was able to get a good look at the movie.

Of course, the biggest theme of this movie is the feelings, the feelings of Cheng Dieyi, Duan Xiaolou and Ju Xian. The character of Cheng Dieyi is undoubtedly the soul of the movie, his life is full of loneliness and sadness in the confrontation with the secular society. He has struggled with pain since he was a child, and after being sent to the theater by his mother, he first endured the pain of a broken callous finger. Although it is a callus finger, but also flesh and bone, but in order to earn a living, it must be broken; as he must leave his mother, there is no way back. In the midst of the blood-drenched pain, he was pressed down in front of the ancestral master's incense to complete the rite of initiation. The most unbearable thing for him was that the master asked him to learn kunjiao and turn his back on his own gender. The stubborn Dieyi always read as “ I was a man, not a woman ” and suffered from the pain of the blade. But he still refused to change his mouth, wrong again and again, “ This is actually not ‘ wrong ’, but a kind of insistence, is the reverse of the gender error of the tenacious resistance — — but also the evolution of the tragedy of his life is the evolution of the instinct to escape and resistance. ” He even attempted to destroy his hands to get rid of the tragic fate of singing opera. Dieyi in the learning of the art again and again to resist the life of suffering, this experience has created his stubborn character and sense of resistance, but also created his artistic skills, and make him have to identify with and attached to this culture and society full of violence. In the process of learning the art, Dieyi's heroic and righteous senior brother becomes his idol and protector. Over time, he develops a special attachment and expectation for Duan Xiaolou, which is by no means a narrow love between a man and a woman. However, this feeling, like his feelings for art, was not understood by the secular society. In Duan Xiaolou's world, filled with the wisdom of the underclass in making a living, he often slaps bricks and teapots to relieve his master and himself; as the eldest brother in the troupe, he understands the rules of the game, and cooperates with his master competently and happily. When the two Duan Chengs embarked on the path of art and became famous actors, they showed two very different attitudes towards art. When the fourth master Yuan came to listen to the opera, Dieyi wanted to be cultivated, while Xiaolou wanted to “let him hear it, without his fourth master's support, we also sing in Beiping as red. ” here permeated with the disdain of the lower class people on the power of the rich and powerful, all without the pursuit of art; when the Yuan four masters asked them to talk about the "Farewell My Concubine" this play of learning, Duan Xiaolou said that there is another interest —— drinking flower wine. Duan Xiaolou got a windfall in this interest —— Juxian's love, which is another classic love affair between a man of the jungle and a woman of the world in a traditional playbook. The story of “Cheng Dieyi + Duan Xiaolou ” is superimposed on the legend of “Ju Xian + Duan Xiaolou ”. Chrysanthemum seems to be the image of Dieyi in the secular society —— in the order of power to be contented, a little practiced and cunning. But Dieyi did not march in this established trajectory of the weak, obsessively searching for their own artistic ideals. This is how the conflict between Juxian and Dieyi begins.

The clash of life values between Cheng Dieyi and Ju Xian escalates over the course of events, and Duan Xiaolou continues to compromise in the face of worldly forces, finally leading to Dieyi's despair. Because Cheng Dieyi can only find his soulmate in the story of Yu Ji and the king, in this spiritual illusion, Dieyi can find his own existence, and when he is even disqualified from the role of Yu Ji, his spiritual world is a desolate place, and his difficult life is meaningless, and all that awaits him is death. When Xiaolou advised him to soften, he answered and returned a “ Yu Ji is how to die ” to show his ideal and determination. After that, Cheng Dieyi burned his own line of life and spiritual symbol, facing the “miserable life that he could not face up to”, he was determined to fight with his death. However, he is faced with is “the array of nothing”, he knows that what Xiaolou and Juxian did is also undoubtedly the best choice for the worldly life, and he can not trace the root of this indignation back to the root of the —— no one can be responsible for the national nature. But Dieyi's heart is already dead, he changed into the line of the new society and became a cold-eyed spectator of the secular society. Dieyi and Xiaolou return to the stage. A “ I was originally a man, and not a female Jiao'e ” and caused Dieyi's heart a hundred flavors, he frankly cut his own throat to die, like Yu Ji from the end.

Yuan Siwei's feelings for Dieyi, I think, it happens not to be what people think of as homosexual feelings. Someone in the movie said that he is the one who is the grandfather in the Pear Garden in Beijing, which shows his obsession with Peking Opera. When he first saw Dieyi, who played his favorite role, he fell in love with her and fell into his own fairy tale. From that he and Dieyi play on the bridge can be seen, he fantasized that he is the power of the mountain and the world of the king, and Dieyi is precisely his dream lover —— Yu Ji. It can be said that he loves Yu Ji, not Dieyi.

In the movie, if Cheng Dieyi is considered a real Yu Ji, then Xiaolou can only be considered a fake king, just like Xiaolou embraced Ju Xian to leave the sentence, “ you are the real Yu Ji, I am a fake king! ” a prophecy. On stage he failed Yu Ji, in reality he failed Ju Xian. I always can not understand why to arrange Dieyi in the rain peeping play, now I think, perhaps it is implied that these two people with the same disease can not comfort each other after all. You think he is the king of Chu heh, is to save you out of the quagmire An Ru body of the hero heh, you empty Yu Ji a cavity to report the death of the intention, ten niang pity Lang love, but he is not! It is Miss Juxian, in the background for the butterfly cover a coat, is Miss Juxian, desperate to retrieve the butterfly's sword, her last smile, whether there is sympathy?

In addition, I would like to say that everyone has an untouchable secret wound in their heart, and once it is revealed, the consequences are unimaginable. The recognized classic of the film is the teenager Dieyi singing Si Fan in front of the master, still insisting on singing that I was a man, not a woman. People most often think of Dieyi's stubbornness, but they don't think of why he is stubborn at this point. My point is that during his teenage years, he was dressed up as a girl by his mother, and was mistaken for a girl by all the people around him. This was the dark wound in his heart at that time, and he stubbornly needed other people to accept the fact that he was a boy, even if he was beaten up by his master because of it every time. Later on, this obsession was broken by his closest person —— senior brother, after his mother abandoned him, senior brother Xiaolou became his spiritual pillar, he could not go against Xiaolou's will, so he gave in, and at the same time, he also overcame the obsession in his heart, cured the dark wound. From then on, he acted as a flower girl. Another example is Juxian, her occupation before marriage is a prostitute, this is the dark wound in her heart, she did not want to touch is this section, because of this, she can not be sure that Xiaolou love him in the end, when Xiaolou said that he did not love him, her heart was broken. Heart broken, people die, it can be seen, everyone's heart has a weakness, as long as the weakness is broken, he may be unbearable, or, broken and then stand.

In short, life itself is a complex drama. Not everyone can find the role they want to play, and not everyone can play their role well. In the social stage, there are a lot of people like Cheng Dieyi, because of various reasons and lose themselves, living in the mirror world; there are also people like Zhang Guorong, very susceptible to the influence of the surrounding environment to lose themselves, emotional depression and suicide. However, in any case, do not lose yourself, in this play everyone needs to find their own role to play, the performance of their own wonderful, to realize their own value.

Farewell My Concubine 1000 Words

I once watched Farewell My Concubine when I was ignorant, and I watched this movie purely from the perspective of a feature film. The event allowed me to think about interpreting the movie and the characters from another angle.

The fate of the two protagonists mirrors China's transition from feudal society to socialism. The movie is full of changes and constants, from the social system to the changes in people's thinking, to the way they dress. Similarly, Cheng Dieyi and Duan Xiaolou play the same Farewell My Concubine in the same theater, even their expressions and footsteps remain unchanged, while the audience underneath changes from eunuchs and Japanese soldiers to the People's Liberation Army, which contains distinctive characteristics of the times. And the unchanged play, but because of the different times, the audience's different to get a very different result.

Life is like a play, the play is like life, when the curtain falls on the stage of the Peking Opera, under the stage of the larger curtain but pulled open. The same performance error, in the late Qing Dynasty may be put into jail, in the Republic of China is brutal punches and kicks, and when the audience changed into the People's Liberation Army, the two protagonists inertia-like to be prepared to accept the punishment of the mentality, but back to them is a warm applause, with “ Forward, Forward, Forward ” song. At this time, Duan Xiaolou and Cheng Dieyi's hands and feet and Xiao Si's face from stunned but smiling expression change is memorable. I was also y shocked by the scene at this moment, loud and clear singing echoed in the once peaceful theater, let me feel the upcoming changes in society and in the aftermath of this play a role in promoting the **** the greatness of the ideology of the Communist Party.

Cheng Dieyi is undoubtedly the soulful character in this movie, and his tumultuous life and complex inner world fascinated me. Cheng Dieyi lives a wonderful life, as “ corner ”, he is a fanatic favorite. But at the same time he is also unfortunate, a brand of the times is also y hit in his life. At the end of the Qing Dynasty, he was cut off his deformed fingers when he was young in order to enter the theater troupe, in order to make a living and learn skills, endured harsh beatings and scoldings, and then suffered from the eunuch's bullying after he became famous. And by the time of the July 7th Incident, after the Japanese invasion, he was addicted to drugs and could not extricate himself. In later years, the court during the national government also made people laugh and cry, Cheng Dieyi said in court that he was a traitor in the end the judge still in the people's skepticism sentenced him to be released in court. And after the PLA entered the city of Beiping, he made up his mind to get clean. Although the movie didn't explain the reason, I think he should also feel the wave of the upcoming reform of the society.

“No madness, no life” are the words that Duan Xiaolou twice used to describe Cheng Dieyi. Taste, Cheng Dieyi's dedication to the play is what I should learn. In fact, in the movie, Cheng Dieyi always just want to play well with Duan Xiaolou, play a lifetime of drama, helpless, the times make people. But his dedication to theater has never changed. He once asked Duan Xiaolou why Yu Ji died. At that time, I did not think of the answer, and now I think, perhaps because there is no way to complete their own ideals and career, the same may also be the reason why he finally chose to die like Yu Ji.

Most of all, as a party activist, I think I should learn this kind of persistent spirit, adhere to their own party spirit, and implement it into life and study.